Heckmann Stefanie (165 results)

Hardcover. Condition: Fine. Fine Dust Jacket. First Edition. 4to. 288 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardback. Condition: Very Good. Munch?s pictorial worlds ? the initial impetus for modernism Edvard Munch?s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds.…

Hardback. Condition: Very Good. Munch?s pictorial worlds ? the initial impetus for modernism Edvard Munch?s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds.…

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Condition: Used-Very Good. 1st Edition. Pap. Slight shelf wear.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Like New. First. As new with minimal shelf wear to boards, otherwise a clean and unread copy.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Gr.-8°, Hardcover, Querformat. Condition: Sehr gut. unpag., Gebundenes Buch. Das Buch ist in sehr gutem, sauberen Zustand. Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 500.…

Paperback. Condition: Near fine. Quarto, 27.5 x 23.5 cm, 279 pp., This work was part of the Berlinische Galarie Museum of Modern Art.This copy has some bumps on the bottom of the front and back cover.

Hardback or Cased Book. Condition: New. Edvard Munch: Magic of the North. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Gebunden. Condition: Neu. Neu -Ferdinand Hodlers ausdrucksstarke Figurenbilder, Berglandschaften und Porträts sind Ikonen der Moderne. Bereits zu Lebzeiten fand das Werk des Schweizer Malers (1853-1918), der den Symbolismus mitgeprägt hat, international große Beachtung. Zeitgenossinnen und -genossen sahen in Hodler vor allem den Menschendarsteller, »der durch den Körper die Seele zu gestalten weiß«, so der Künstler Paul Klee 1911. Was heute kaum bekannt ist: Hodlers Weg zum Ruhm führte auch über Berlin. Neben Paris, Wien und München hatte sich die Reichshauptstadt zu Beginn des 20. Jahrhunderts zu einer der wichtigsten europäischen Kunstmetropolen entwickelt. Diese Städte boten Hodler die Chance, sein Werk über die Schweizer Landesgrenzen hinaus bekannt zu machen. Mit rund 50 Gemälden Hodlers und Werken von u.a. Lovis Corinth und Hans Thoma, die mit Hodler in Berlin ausstellten, wird erstmals seine Erfolgsgeschichte an der Spree erzählt. 240 pp. Englisch.…

paperback. Condition: New.

Condition: New.

Condition: as new. Wie neu/Like new.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: new. Hardcover. Munch's pictorial worlds - the initial impetus for modernism Edvard Munch's radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863-1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the "Magic of the North" (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch's psychologically concentrated pictorial worlds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: As New. Still in publisher's shrink wrap. Slight ripple to front dust jacket, due to tight shrink wrap. Shipped promptly with tracking.

Hardback. Condition: New. Munch's pictorial worlds - the initial impetus for modernism Edvard Munch's radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863-1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the "Magic of the North" (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch's psychologically concentrated pictorial worlds.…