Thomas Deane Tucker (98 results)

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paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: New. From cinema's earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flaneurs, ushering us into the age of the 'mobilised virtual gaze'. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey's photographic studies of motion to Charlie Chaplin's character 'The Tramp', and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps breaking new ground in motion studies and providing a bold new perspective on film history.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: new. Paperback. From cinema's earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flneurs, ushering us into the age of the 'mobilised virtual gaze'. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey's photographic studies of motion to Charlie Chaplin's character 'The Tramp', and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps breaking new ground in motion studies and providing a bold new perspective on film history. Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps breaking new ground in motion studies and providing a bold new perspective on film history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. From cinema's earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flaneurs, ushering us into the age of the 'mobilised virtual gaze'. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey's photographic studies of motion to Charlie Chaplin's character 'The Tramp', and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps breaking new ground in motion studies and providing a bold new perspective on film history.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: new.

paperback. Condition: New.

Condition: New. 1st edition NO-PA16APR2015-KAP.

Condition: New. 2021. Paperback. . . . . .

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condition: Neu. Neuware - This book comprises three essays in film-philosophy. Each chapter places philosophers such as Derrida, Merleau-Ponty, and Cavell in dialogue with filmmakers including Godard, Vertov, and Tarkovsky. I argue that these films invite philosophical reflection through both their formal strategies and narrative structures.…

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Paperback. Condition: New. Terrence Malick's four feature films have been celebrated by critics and adored as instant classics among film aficionados, but the body of critical literature devoted to them has remained surprisingly small in comparison to Malick's stature in the world of contemporary film. Each of the essays in Terrence Malick: Film and Philosophy is grounded in film studies, philosophical inquiry, and the emerging field of scholarship that combines the two disciplines. Malick's films are also open to other angles, notably phenomenological, deconstructive, and Deleuzian approaches to film, all of which are evidenced in this collection. Terrence Malick: Film and Philosophy engages with Malick's body of work in distinct and independently significant ways: by looking at the tradition within which Malick works, the creative orientation of the filmmaker, and by discussing the ways in which criticism can illuminate these remarkable films.…

Paperback. Condition: Brand New. 168 pages. 9.21x6.14x0.35 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: No Jacket, as Issued. First Edition. hardcover, illustrated boards., no flaws or wear. appears unused, as new.; english text.; viii-102pp. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condition: new. Paperback. This book comprises three essays in film-philosophy. Each chapter places philosophers such as Derrida, Merleau-Ponty, and Cavell in dialogue with filmmakers including Godard, Vertov, and Tarkovsky. I argue that these films invite philosophical reflection through both their formal strategies and narrative structures. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New.

Condition: New. In English.