Theres Rohde (85 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: New. German-english edition Although Concrete Art comes across as very precise, it is only possible to say approximately when the name was born. In his manifesto of the same name, Theo van Doesburg officially introduced the term to art theory in 1930. But the Dutch artist, architect and theorist is said to have conceived it for the first time and applied it to his own works as early as 1924. 100 years later, despite all the uncertainty, this anniversary is a fitting opportunity to question today's generation of young artists with a stylistic affinity to the movement in detail about their relationship to Concrete Art. What influence have the beginnings of the art movement had on their own visual work? Are its principles still relevant today? And does the same apply to the name? Their statements - in addition to a brief historical overview of the origins of Concrete Art - are a central element of this publication. 100 years of Concrete Art - the present and future of an art movement Artists: Banz and Bowinkel, Carsten Beck, Anna-Maria Bogner, Nina Brauhauser, Martim Brion, Sebastian Dannenberg, Lena Ditlmann, Fabian Gatermann, Charlotte Giacobbi, Dave Grossmann, Vladiana Ghiulvessi, Toulu Hassani, Erika Hock, Marile Holzer, Silvia Inselvini, Patrizia Kränzlein, Schirin Kretschmann, Sali Muller, Catalin Pislaru, Fiene Scharp, Marco Stanke, Virginia Toma, Amalia Valdés, Jonas Weichsel Exhibitions: Museum fur Konkrete Kunst Ingolstadt, 23.3.-22.9.2024; Museum im Kulturspeicher Wurzburg, 24.3.-22.9.2024 Look Inside. …

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Broschiert. Condition: Sehr gut. unpag, 12 S. Sehr guter Zustand. Zahlr. Abb. Sprache: Deutsch Gewicht in Gramm: 90.

Softcover. Condition: Good with no dust jacket. Publication is in the Spanish language. Sound binding, cocked. Clean, lightly tanned pages with light reading wear including several pages with creasing at corner. Wrappers are tanned, soiled, with overall handing wear. Contents: Nandino, Epitafios. Basave Fernánde del Valle, La muerte del organismo humano. Lozano Dana, Tiempo de verno. Rohde, Soren Kierkegaard. Husson, Fuego en la ópera cómica (trad. de Mario Duncan). Sección de investigaciones musicales. Nandino, Tumba y memoria. Luna Arroyo, La nueva pintura de Jorge González Camarena. Magaña, Moctezuma II, tragedia, 3er acto. La vida cultural. Microscopio cultural. Libros del extranjero. Cárdenas, Planificación regional. Cover Art; 8.75" tall; 140 pages. Illustrated by José Téllez Serv&iacu (illustrator). …

Condition: New.

Condition: New.

Paperback. Condition: New. If we understand "transcendence" as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space.Text in English and German. …

Paperback. Condition: New. If we understand "transcendence" as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space.Text in English and German. …

Paperback. Condition: new. Paperback. Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments.If we understand 'transcendence' as a multidimensional experience, can light as a medium grant us access to invisible realms? The artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space. Text in English and German. Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condition: Brand New. bilingual edition. 175 pages. German language. 9.50x6.75x0.75 inches. In Stock.

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Condition: New. 2026. paperback. . . . . .

Condition: New.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Taschenbuch. Condition: Neu. Neuware -Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments. Text in English and German.If we understand "transcendence" as a multidimensional experience, can light as a medium grant us access to invisible realms The artist Fabian Gaterman uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space. Text in English and German. 120 pp. Englisch, Deutsch.…

Taschenbuch. Condition: Neu. Neuware -Artist Fabian Gatermann uses light as the key material for his installations, objects, and multiples. He disengages from the classic scientific engineering system of testing; his works are unconventional experiments. Text in English and German.If we understand "transcendence" as a multidimensional experience, can light as a medium grant us access to invisible realms The artist Fabian Gaterman uses light as the key material for his installations, objects, and multiples in order to investigate new dimensions. Over the course of his work, Gatermann disengages himself from the classic scientific engineering system of testing; instead his works can be seen as open-ended unconventional experiments. During this creative process, light oscillates between amorphous and crystalline states, taking the viewer on a transcendental voyage of discovery. The central reference throughout remains the human being: the works provoke active participation and invite the viewer to become part of a multi-perspective game of light and space. Text in English and German. 120 pp. Englisch, Deutsch.…

Condition: As New. Unread book in perfect condition.