Storer Tan (30 results)

Condition: As New. Unread book in perfect condition.

Condition: As New. little wear to edges, oherwise LIKE NEW CONDITION, shipped from the UK.

Condition: New.

Paperback. Condition: New. The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee, all of whom have been recognised for breaking ground in Southeast Asian modern art. With essays that deliberate upon the impact of their works during the 1970s as well as a rich documentation of their works and archival materials, this catalogue presents a concise study of the three artists and also offers insight into how conceptual art practices took hold in this region.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 98 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: new. Paperback. The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee, all of whom have been recognised for breaking ground in Southeast Asian modern art. With essays that deliberate upon the impact of their works during the 1970s as well as a rich documentation of their works and archival materials, this catalogue presents a concise study of the three artists and also offers insight into how conceptual art practices took hold in this region. The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

4°, broschiert. Condition: Gut. 177 Seiten, zahlreiche Abbildungen. Leichte äußere Gebrauchsspuren. Guter Zustand. Sprache: Englisch Gewicht in Gramm: 1950.

Condition: new.

Paperback. Condition: Brand New. illustrated edition. 98 pages. 10.75x7.75x0.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. 2016. 1st Edition. Paperback. . . . . .

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 100.

Condition: New.

Condition: New. 2016. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New. pp. 100.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Hardcover. Condition: new. Hardcover. Minimalism: Space, Light and Object is an expansive global survey of the movement's influential language of reductive forms, from its Abstract Expressionist colour field antecedents to Post-Minimalism, and how it continues to speak to artists today. In this timely re-evaluation, the contemporaneous Mono-ha movement, as well as experimentation in video, sound and performance are brought to bear on the Minimalist canon. This richly illustrated exhibition catalogue features essays by the exhibition curators and international contributors, along with conversations with artists, opening up a forum for contemporary readings of this dynamic, multivalent and pivotal movement. AUTHOR: Eugene Tan is Director of National Gallery Singapore. Prior to this he served as Programme Director (Special Projects) at the Singapore Economic Development Board (EDB) and oversaw the development of the Gillman Barracks art district. 154 colour and 65 b/w illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2019. 1st Edition. Paperback. . . . . .

Condition: New. 2019. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Paperback. Condition: new. Paperback. The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee, all of whom have been recognised for breaking ground in Southeast Asian modern art. With essays that deliberate upon the impact of their works during the 1970s as well as a rich documentation of their works and archival materials, this catalogue presents a concise study of the three artists and also offers insight into how conceptual art practices took hold in this region. The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condition: Brand New. 278 pages. 10.50x10.50x1.00 inches. In Stock.

Hardcover. Condition: Gut. 278 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. N06227 9789811166808 Sprache: Englisch Gewicht in Gramm: 1730.

Paperback. Condition: New. The exhibition A Fact Has No Appearance explores the impact of new ideas on art in Southeast Asia during the 1970s through the case studies of three artists: Johnny Manahan, Redza Piyadasa, and Tan Teng-Kee, all of whom have been recognised for breaking ground in Southeast Asian modern art. With essays that deliberate upon the impact of their works during the 1970s as well as a rich documentation of their works and archival materials, this catalogue presents a concise study of the three artists and also offers insight into how conceptual art practices took hold in this region.…

Hardcover. Condition: new. Hardcover. Minimalism: Space, Light and Object is an expansive global survey of the movement's influential language of reductive forms, from its Abstract Expressionist colour field antecedents to Post-Minimalism, and how it continues to speak to artists today. In this timely re-evaluation, the contemporaneous Mono-ha movement, as well as experimentation in video, sound and performance are brought to bear on the Minimalist canon. This richly illustrated exhibition catalogue features essays by the exhibition curators and international contributors, along with conversations with artists, opening up a forum for contemporary readings of this dynamic, multivalent and pivotal movement. AUTHOR: Eugene Tan is Director of National Gallery Singapore. Prior to this he served as Programme Director (Special Projects) at the Singapore Economic Development Board (EDB) and oversaw the development of the Gillman Barracks art district. 154 colour and 65 b/w illustrations Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New.