Steffen Bernard (16 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Good. Saddle-stitch binding. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Lipp, Steffen (illustrator).

Condition: Good. Good condition. (silk screen, printing) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

A very good plus stapled booklet. 12 pages. 8.5" tall. 1967 reprint.

Paperback. Condition: Good. 1st edition. Silk Screen Book No 47 by Bernard Steffen. Published by Pitman Publishing Corp, New York, NY, 1963. 1st Edition. Paperback. No DJ. Oblong. Condition: Good. Some underlined text. 32 Pgs. Technical photos by Robert Angeloch. Introduction. Stencils. Screen and Printing Bed. Printing Paper. Paints Correct Printing Procedure. Multicolor Printing. Special Effects. Illustrated with drawings and photos. Description text copyright 2012 BooksForComfort. Item ID 27230. book.…

Soft Cover. Condition: Good. Landscape booklet, stapled. 19.5cm x 26cm. 31pp. With colour and b&w illustrations, technical photographs by Robert Angeloch. Slight edge wear to covers. (q26). Angeloch, Robert (illustrator).

Trade paperback. 32p., ill., 20x27 cm. NO PREVIOUS OWNER'S NAME SC 61 Very good. No dust jacket as issued.

Condition: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDCrease to front cover else very good.

Condition: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Sams Pub Date: 11/29/2003 Binding: Paperback Pages: 1488 First edition.

Couverture souple. Condition: bon. RO20269229: 2004. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 143 pages illustrées en couleur - couverture rempliée. . . . Classification Dewey : 840.092-XXI ème siècle. Lipp, Steffen (illustrator).

Condition: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme. Lipp, Steffen (illustrator).

Condition: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme. Lipp, Steffen (illustrator).

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme. Lipp, Steffen (illustrator).

Condition: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: Good. Silkscreen. One of 50 signed and numbered impressions. 25 x 34.5 inches. Repaired tears. Provenance: Suzy Locke.Bernard Steffen was noted for his prodigious output of work as part of the WPA program. A native Kansan born in Neodesha, Steffen enlivened United States Post Offices in the Midwest from 1934 to 1941 with murals depicting local history. Some of these murals were in the towns of Hutchinson, Seneca, Sabetha, and Horton, Kansas and in Paris, Missouri.Steffen studied at the Kansas City Art Institute and at the Art Students League where one of his instructors was Thomas Hart Benton. Benton became a mentor to Steffen and encouraged his chosen subject matter because it was close to the philosophy that American artists needed to reflect the area in which they lived. Although not as well - known as some of the Regionalists, Steffen's work hung along with that of Benton, Curry, and Wood in Regionalist exhibitions.Lithography was a prominent medium during the WPA years and Bernard Steffen became a skilled lithographer producing images that were simple, but had powerful shapes and dramatic contrasts of light and dark. One can see Benton's influence, yet Steffen developed a style that was his own. He translated many of his lithographs into color silkscreen prints.His lithography and silk screen prints are in the collections of The Spencer Museum of Art at the University of Kansas, University of Michigan Art Museum, Dallas Museum of Art, and the Block Museum at Northwestern University. Many of his prints are part of the Library of Congress collection.…