Stefano Catalani (50 results)

Paperback. Condition: Good. This book celebrates the generous promised gift of over three hundred works from the collection of Rebecca and Jack Benaroya to the Tacoma Art Museum. Rebecca and Jack built their collection over the course of thirty-five years, starting in 1980 with Dale Chihuly?s blown glass Tomato Red Basket Set. The couple followed their passions and acquired seminal works from some of the Northwest artists and international artists who transformed the Pilchuck Glass School into a world-renowned center for innovation and experimentation. These artists include Olga de Amaral, Howard Ben Tré, Sonja Blomdahl, Kenneth Callahan, Joey Kirkpatrick and Flora C. Mace, Kyohei Fujita, Morris Graves, Paul Horiuchi, Stanislav Libenský and Jaroslava Brychtová, William Morris, Ginny Ruffner, Bertil Vallien, and more. Their works are generously reproduced in full color and accompanied by scholarly essays by Stefano Catalani, Aruna D?Souza, Rock Hushka, and Tina Oldknow. This promised gift of 353 works and funds for a new wing and endowment honors Rebecca and Jack by ensuring their collection will be enjoyed for generations to come.…

Paperback. Condition: Good. This book celebrates the generous promised gift of over three hundred works from the collection of Rebecca and Jack Benaroya to the Tacoma Art Museum. Rebecca and Jack built their collection over the course of thirty-five years, starting in 1980 with Dale Chihuly?s blown glass Tomato Red Basket Set. The couple followed their passions and acquired seminal works from some of the Northwest artists and international artists who transformed the Pilchuck Glass School into a world-renowned center for innovation and experimentation. These artists include Olga de Amaral, Howard Ben Tré, Sonja Blomdahl, Kenneth Callahan, Joey Kirkpatrick and Flora C. Mace, Kyohei Fujita, Morris Graves, Paul Horiuchi, Stanislav Libenský and Jaroslava Brychtová, William Morris, Ginny Ruffner, Bertil Vallien, and more. Their works are generously reproduced in full color and accompanied by scholarly essays by Stefano Catalani, Aruna D?Souza, Rock Hushka, and Tina Oldknow. This promised gift of 353 works and funds for a new wing and endowment honors Rebecca and Jack by ensuring their collection will be enjoyed for generations to come.…

Paperback. Condition: New. All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations. …

Paperback. Condition: New. All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations. …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. . 2020. Paperback. . . . .

Paperback. Condition: new. Paperback. All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: New.

Paperback. Condition: New. This book celebrates the generous promised gift of over three hundred works from the collection of Rebecca and Jack Benaroya to the Tacoma Art Museum. Rebecca and Jack built their collection over the course of thirty-five years, starting in 1980 with Dale Chihuly's blown glass Tomato Red Basket Set. The couple followed their passions and acquired seminal works from some of the Northwest artists and international artists who transformed the Pilchuck Glass School into a world-renowned center for innovation and experimentation. These artists include Olga de Amaral, Howard Ben Tré, Sonja Blomdahl, Kenneth Callahan, Joey Kirkpatrick and Flora C. Mace, Kyohei Fujita, Morris Graves, Paul Horiuchi, Stanislav Libenský and Jaroslava Brychtová, William Morris, Ginny Ruffner, Bertil Vallien, and more. Their works are generously reproduced in full color and accompanied by scholarly essays by Stefano Catalani, Aruna D'Souza, Rock Hushka, and Tina Oldknow. This promised gift of 353 works and funds for a new wing and endowment honors Rebecca and Jack by ensuring their collection will be enjoyed for generations to come.…

Paperback. Condition: Very Good. Yuki Nakamura is a small monograph on this sculptor / performance artist from Japan living in Seattle. Text by Jill Conner, Gary Owen, Jen Graves, Craig Miller, Rock Hushka, Fionn Meade, Stefano Catalani. 48 pages, color reproduction. Paper with stiff cover. 8 1/2" x 5 1/2". Very slight wear to cover otherwise very good condition.…

Paperback. Condition: Brand New. 86 pages. 11.75x9.00x0.50 inches. In Stock.

Condition: New. . 2020. Paperback. . . . . Books ship from the US and Ireland.

paperback. Condition: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

paperback. Condition: New. Shipped from the UK within 2 business days of order being placed.

Paperback. Condition: New. This book celebrates the generous promised gift of over three hundred works from the collection of Rebecca and Jack Benaroya to the Tacoma Art Museum. Rebecca and Jack built their collection over the course of thirty-five years, starting in 1980 with Dale Chihuly's blown glass Tomato Red Basket Set. The couple followed their passions and acquired seminal works from some of the Northwest artists and international artists who transformed the Pilchuck Glass School into a world-renowned center for innovation and experimentation. These artists include Olga de Amaral, Howard Ben Tré, Sonja Blomdahl, Kenneth Callahan, Joey Kirkpatrick and Flora C. Mace, Kyohei Fujita, Morris Graves, Paul Horiuchi, Stanislav Libenský and Jaroslava Brychtová, William Morris, Ginny Ruffner, Bertil Vallien, and more. Their works are generously reproduced in full color and accompanied by scholarly essays by Stefano Catalani, Aruna D'Souza, Rock Hushka, and Tina Oldknow. This promised gift of 353 works and funds for a new wing and endowment honors Rebecca and Jack by ensuring their collection will be enjoyed for generations to come.…

Paperback. Condition: New.

Hardcover. Condition: Good. Good reading copy of an Ex-Library edition with the usual stamps and stickers. Officially withdrawn from the library and stamped "no longer property of library," purchased at a charity even for the library system Otherwise, a clean text -- NO writing, NO highlighting to text. Rear panel has hole punches to all four corners. Some light surface wear to cover. A useful reading copy. Oversized. Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY. NO international orders.…

Paperback. Condition: New.

Paperback. Condition: New. All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations. …

Kartoniert / Broschiert. Condition: New. KlappentextrnrnAll of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape.

Hardcover. Condition: Fine. A fine copy in publishers glazed pictorial boards, no dust wrapper likely as issued.

Hardcover. Condition: VG+. Hardback in Very Good+ condition with Very Good+ dust jacket. 10 X 1 X 11 inches. 152 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Paperback. Condition: new. Paperback. All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Condition: New. This book celebrates the generous promised gift of over three hundred works from the collection of Rebecca and Jack Benaroya to the Tacoma Art Museum. Rebecca and Jack built their collection over the course of thirty-five years, starting in 1980 with Dale Chihuly's blown glass Tomato Red Basket Set. The couple followed their passions and acquired seminal works from some of the Northwest artists and international artists who transformed the Pilchuck Glass School into a world-renowned center for innovation and experimentation. These artists include Olga de Amaral, Howard Ben Tré, Sonja Blomdahl, Kenneth Callahan, Joey Kirkpatrick and Flora C. Mace, Kyohei Fujita, Morris Graves, Paul Horiuchi, Stanislav Libenský and Jaroslava Brychtová, William Morris, Ginny Ruffner, Bertil Vallien, and more. Their works are generously reproduced in full color and accompanied by scholarly essays by Stefano Catalani, Aruna D'Souza, Rock Hushka, and Tina Oldknow. This promised gift of 353 works and funds for a new wing and endowment honors Rebecca and Jack by ensuring their collection will be enjoyed for generations to come.…

Kartoniert / Broschiert. Condition: New. &Uumlber den AutorStefano Catalani is executive director of the Gage Academy of Art in Seattle. Aruna D Souza writes about modern and contemporary art for 4Columns and is the author of Whitewalling: Art, Race, & Protest in .

Paperback. Condition: new. Paperback. William Turner: Conversations with the Elders is the first publication to explore this body of work by Tacoma-born artist William Turner, bringing together his final series of portraits in a comprehensive and richly illustrated volume. The catalogue investigates the deep artistic influences and subtle dialogues that shape this culminating body of work, highlighting Turner's long-standing fascination with El Greco's Portrait of Vincenzo Anastagi at the Frick Collection in New York.Produced to accompany the exhibition of the same name at the Museum of Northwest Art in La Conner, Washington-on view from October 11, 2025, through January 11, 2026-the catalogue features an insightful essay by Christian Waguespack. His text situates Turner's portraits within broader artistic lineages while illuminating the painter's distinctive engagement with the "elders," including those Northwest artists, who shaped his creative vision. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: New. All of the artists use the topic of Nature as a means of asking what it is to be human in a world increasingly chaotic and divorced from our physical landscape. Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Nature provides a way for these invited artists to ask what it means to be human in a world increasingly chaotic and divorced from our physical landscape. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art's engagement with the natural world through unconventional and highly personal perspectives. Forces of Nature: Renwick Invitational 2020 is the ninth installment of the Renwick Invitational. Established in 2000, this biennial showcase highlights midcareer and emerging makers who are deserving of wider national recognition. The featured artists work in a wide variety of media, from Lauren Fensterstock, who creates detailed, large-scale installations using intensive modes of making drawn from the decorative arts, including paper quilling and mosaic, and from whom SAAM has commissioned a site-specific work - inspired in part by the illustrated renaissance German manuscript The Book of Miracles - that will transform an entire gallery at the Renwick, to Timothy Horn, who creates exaggerated adornments that combine natural and constructed worlds, taking inspiration from objects as varied as baroque jewellery patterns and Victorian era detailed studies of lichen, coral, and seaweed, from bronze and glass, as well as unusual materials like crystalized rock sugar, to evoke the extravagant Amber Room in the Catherine the Great's palace of Tsarskoye Selo; and from Debora Moore, known for her exquisitely detailed glass renderings of orchids, and who is represented in this volume in her new series, Arboria (2018), in which Moore focuses less on realism and more on capturing an intensely personal experience of beauty and wonder, to Rowland Ricketts who creates immersive installations using handwoven and hand-dyed cloth, starting on his farm, where he cultivates the indigo plants he uses to colour his artwork, fully linking his material and process with the finished product. Participatory engagement from non-artists, forms a major part of Rickett's work, emphasising the relationship between nature, culture, the passage of time, and everyday life. AUTHOR: Nora Atkinson is the Lloyd Herman Curator of Craft Renwick Gallery, Smithsonian American Art Museum Washington, DC. 74 colour illustrations. …