Simonato Lucia (29 results)

Condition: NEW.

Condition: NEW.

Paperback. Condition: Near fine in wraps. First Edition. 15 x 23cm 300pp Italian text with numerous black and white reproductions.

Hardback. Condition: New. Illustrated.

Condition: NUOVO. Pisa, Ediz. Della Normale cm.22x28, pp.476, oltre 400 ill.bn.in tavv.ft. brossura con sopracop.figurata . Collana Studi,13. Nella Roma pontificia di Cinque e Seicento la produzione di medaglie conobbe una straordinaria fortuna anche per il ruolo che questa peculiare forma artistica venne ad assumere nella propaganda e celebrazione dei pontefici e delle loro opere. Avvalendosi di un ricchissimo apparato illustrativo, in gran parte inedito, il volume affronta i temi della commissione, produzione, fruizione e fortuna delle medaglie papali, con attenzione sia allo sviluppo di motivi iconografici e di tecniche artistiche, sia agli aspetti più specificamente legati alla storia della devozione e del cerimoniale, al controllo inquisitoriale, al collezionismo numismatico e all'antiquariato. Lo arricchisce un dettagliato e completo catalogo della produzione medaglistica di Urbano VIII, che si segnala per l'accuratezza dell'analisi stilistica e iconografica dei singoli esemplari.

Condition: new.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

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Hardcover. Condition: Brand New. 340 pages. 7.09x0.71x10.44 inches. In Stock.

Hardback. Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. The story of the use of the drill in European sculpture has not yet been written, although it should be fascinating, stated Rudolph Wittkower in 1970 in Cambridge, where he was invited to give a series of lectures on the processes and principles of sculpture as Slade Professor. Following Wittkowers intuition, this volume presents case studies of the use of the drill, ranging from Ancient Egypt to the beginning of the twentieth century. Conceived as a catalogue to an ideal exhibition, it illustrates various objects for whose creation the use of this tool was particularly significant. Organized in chronological progression, these are not limited to statues and bas-reliefs, but also include architectural decorations, vases in precious stones as well as utilitarian objects, made in a range of materials such as marble, wood, clay or ivory. This variety highlights the extraordinary challenge faced over millennia by the drill in its numerous forms (bow drills, gimlets, wheels, pump drills, to name but a few), which did not undergo any significant technological transformations until the advent of electricity. This tool directly confronted, more so than others, the sculptural materials in their hardness, penetrating them, splitting them and manipulating them beyond any apparent limitation set by nature. Nevertheless, in its tussle with the drill, the very agency of the material was threatened, defeated in the face of the expressive will of the sculptors, their visual cultures, their systems of normative references, and their notions of nature and art. It is to the exploration and understanding of this challenge that this volume is dedicated. This volume presents case studies of the use of the drill, ranging from Ancient Egypt to the beginning of the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. The story of the use of the drill in European sculpture has not yet been written, although it should be fascinating, stated Rudolph Wittkower in 1970 in Cambridge, where he was invited to give a series of lectures on the processes and principles of sculpture as Slade Professor. Following Wittkowers intuition, this volume presents case studies of the use of the drill, ranging from Ancient Egypt to the beginning of the twentieth century. Conceived as a catalogue to an ideal exhibition, it illustrates various objects for whose creation the use of this tool was particularly significant. Organized in chronological progression, these are not limited to statues and bas-reliefs, but also include architectural decorations, vases in precious stones as well as utilitarian objects, made in a range of materials such as marble, wood, clay or ivory. This variety highlights the extraordinary challenge faced over millennia by the drill in its numerous forms (bow drills, gimlets, wheels, pump drills, to name but a few), which did not undergo any significant technological transformations until the advent of electricity. This tool directly confronted, more so than others, the sculptural materials in their hardness, penetrating them, splitting them and manipulating them beyond any apparent limitation set by nature. Nevertheless, in its tussle with the drill, the very agency of the material was threatened, defeated in the face of the expressive will of the sculptors, their visual cultures, their systems of normative references, and their notions of nature and art. It is to the exploration and understanding of this challenge that this volume is dedicated. This volume presents case studies of the use of the drill, ranging from Ancient Egypt to the beginning of the twentieth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Brossura. Condition: come nuovo. Milano, Electa, 2018. Cm.23x15, pp. 301. Circa 100 ill. in bianco e nero n/t. Br.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Title: Il cardinale Gianfrancesco Albani e le arti tra Roma e Urbino : Il ritratto ritrovato. Cardinal Gianfrancesco Albani and the arts between Rome and Urbino : A rediscovered portrait Author: Simonato, Lucia Price: $56.50 = Eur 40,00 ISBN: 9788836637690 Description: Milano: Silvana, 2017. 28cm., pbk., 160pp., 60 illus. Exhibition held at Palazzo Ducale, Urbino. Italian-English text. Summary: Upon his elevation to the cardinalate in 1690, Gianfrancesco Albani began to take on a key role in the art policy of the State of the Church, as much in Rome as in the city where he was born, Urbino. As cardinal he anticipated various aspects that became central when he rose to the papal throne as Clement XI (1700-1721): his interest in Raphael and the Vatican Stanze, his relationship with academies and the attention he reserved for the Marche territory. The research presented in this volume, which developed out of the discovery, at the University of Urbino, of a marble portrait of Albani made by Domenico Guidi in 1692, aims to offer an initial contextualisation of Albani's relationship with the arts, and in particular his collecting activity and ties to a few particular painters and sculptors he met while a prelate. To these he entrusted, once he became pope, the artistic direction of Clementine Rome and the launch of a 'second Renaissance' in Urbino. First and foremost, Carlo Maratti. Codice della Libreria : 010735 - Language : english and italian text Size: 230 X280 Mm.

Condition: Nuovo. Ril. in cart. con sovr., cm 28,5x25, pp 227, moltissime tavv. e ill. a col. - ISBN: 9788892824775.

Brossura. Condition: come nuovo. Milano, Officina Libraria, 2018. Cm. 24x17, pag. 368, fig. a col e in nero, br.

Hardback, Pages: 341 pages, Size:180 x 265 mm, Illustrations:5 b/w, 233 col. , Language(s):English, Italian. ISBN 9782503600253. Summary The story of the use of the drill in European sculpture has not yet been written, although it should be fascinating.? So argued Rudolf Wittkower in one of the lectures on the processes and principles of sculpture that he gave as Slade Professor of Fine Arts at Cambridge in 1970. In agreement with Wittkower?s view, this volume presents a series of case studies on the use of the drill ranging from ancient Egypt to the beginning of the twentieth century. Conceived as a catalogue for an ideal exhibition, the book illustrates, in chronological order, various works of art whose creation significantly depended on this tool: not only statues and bas-reliefs, but also architectural decoration, vases in precious stone and utilitarian objects, made in a range of materials including marble, wood, clay, ivory and more. This variety highlights the extraordinary challenge faced over millennia by the drill in its numerous forms (bow drills, gimlets, pump drills, to name but a few), which did not undergo significant technological transformation until the advent of electricity. This tool directly confronted, to a greater extent than others, the hardness of the sculptural materials, piercing them, splitting them and manipulating them beyond any apparent limitation set by nature. In its tussle with the drill, the very affordance of the material was threatened, defeated by the expressive will of the sculptors, their visual cultures, their frames of reference and their notions of nature and art. This volume is devoted to the exploration and understanding of this challenge. Published with the support of the Henry Moore Foundation. TABLE OF CONTENTS Editors? Preface Introductory Essays Nicholas Penny, Traces of the Drill in Ancient and Modern Sculpture: A Survey Lucia Simonato, The Ill-famed Drill. The Anti-Hero of Sculpture from Winckelmann to Modernism Atlas Sante Guido and Lucia Simonato, Rotational Drilling Instruments Works and Tools Enrico Ferraris, Notes on the Drill and Perforation in Ancient Egypt Enrico Ferraris, In the Workshops of Egyptian Carpenters Raphaël Jacob, The Drill in Archaic and Classical Marble Sculptures of the Acropolis Carmela Capaldi, The Running Drill as a Signature Motif in Roman Art Fabio Guidetti, Between Nature and Artifice: The Portraits of the Roman Imperial Period Sarah Guérin and Francesca Pistone, A Late Antique Inheritance and Carolingian Taste Martina Rugiadi, Notes on Absences: Towards Charting the Use of the Drill in Medieval Islamic Stonework and its Modern Investigation Julien Chapuis, Expediency and Effect: The Drill in Medieval Sculpture North of the Alps Laura Cavazzini, Tuscan Sculpture in the Mid-Thirteenth Century, Between East and West Marco Collareta, The Drill Serving the Chisel in a Fourteenth-Century Monumental Sculpture Group in Pisa Luca Palozzi, The Pump Drill in Late Medieval and Early Modern Tuscany: Metal Bits and Deer Leather Straps Marco Scansani, The ?fictitious Drill? in Fictile Renaissance Sculpture Francesca Maria Bacci, The Ornament Technique in Florentine Workshops of the Fifteenth Century Matteo Ceriana, The ?rosicante trepano? of the Venetian Renaissance Luca Annibali, Drilling Marble to Restore the Antique Grégoire Extermann, Porphyry in Cosimo I?s Florence: Carving Versus Abrading Riccardo Gennaioli, The Secrets of Mannerist Wheels for Engraving Fine Semi-Precious Stones Sante Guido, From Father to Son: Pietro Bermini in Early Seventeenth-Century Rome Lucia Simonato, Gian Lorenzo Bermini and his Masters in the Art of Drilling Jennifer Montagu, Of Grooves and Holes: Drilled Outlines in Roman Baroque Sculpture Vittoria Brunetti, Late Seventeenth-Century Sculptural Practice Between Style and Fascination with the Antique Milena Maria Dean, Boxwood and Stone Pine in the Venetian Baroque Valeria Rotili, Traces of Pointing and of Other Drill Uses in Eighteenth-Century Sculpture, Between Rome, Paris and Turin Elena Catra, Canova?s ?finishing touches? Omar Cucciniello, The Bravura of the Milan School in the Nineteenth Century Margherita d?Ayala Valva, Wildt?s ?great virtue of shadow? Giovanni Casini, ?My great adventure?: Epstein?s The Rock Drill Bibliography Index of Names and Places compiled by Chiara Pazzaglia 0 g.

rilegato hardcover. Condition: Fine. Book.

Hardback. Condition: New. Illustrated.

Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Théorie de l'art (1400-1800) / Art Theory (1400-1800) (TA 8) Die Künstler der Teutschen Academie von Joachim von Sandrart: Aus aller Herren Länder A. Schreurs -Morêt, L. Simonato, S. Meurer (eds.) Add to basket -> Add to basket 456 p., 200 b/w ill., 210 x 297 mm, 2015 ISBN: 978-2-503-55321-4 Languages: German, English, French Paperback The publication is available. Retail price: EUR 190,00 excl. tax print Share/Save/Bookmark Table of Contents Friederike Wappenschmidt, Sandrarts Ğ indianischer ğ Maler Higiemond: Eine authentische Künstlerpersönlichkeit oder ein Synonym für die fremdartige Malerei Asiens? Anna Schreurs,Vorrede: Der Teutschen Academie Zweyten Theils Erstes Buch. Von der ur-alt-berühmten Egyptischen, Griechischen und Römischen ersten Kunst-Mahlere Leben und Lob ż Andreas Thielemann, Topik und Autopsie? Die Phidias-Vita in Joachim von Sandrarts Teutscher Academie ż Sonia Maffei, La Vita di Zeusi di Sandrart: strategie di lettura tra fonti e immagini ż Anna Anguissola, Ğ Der Prinz aller Mahlere seiner Zeit ğ: Apelle nella Teutsche Academie e nellżAcademia nobilissimae artis pictoriae di Joachim von Sandrart Lucia Simonato, Vorrede: Der Teutschen Academie Andern Theils Zweytes Buch. Von der modernen berühmten Italienischen Mahlere, Bildhauere und Baumeistere Leben und Lob ż Charles Hope, Sandrart on Titian and other Italian Artists before 1600 ż Giovanna Perini Folesani, La triade carraccesca in Sandrart: unżinterpretazione originale ż Sebastian Schütze, Caravaggio und seine Nachfolger: Konkurrierende Deutungsperspektiven bei Sandrart ż Marzia Faietti, Ğ Una certa facilità e disinvoltura parmigianesca ğ: Guido Reni e lżacquaforte ż Elisabeth Oy-Marra, Leitbilder, Lehrer, Konkurrenten. Sandrarts Lanfranco-Vita und die Schule der Carracci ż Olivier Bonfait, Un portrait en creux pour une peinture vivante: Guerchin et Sandrart ż Andrea Bacchi, Bernini e gli scultori del suo tempo ż Elizabeth Cropper, Pietro Testa: Sandrartżs Shy Stoic Friend Susanne Meurer,Vorrede: Der Teutschen Academie Andern Theils Drittes Buch. Von Der Hoch- und Nieder-Teutschen berühmten Mahler, Bildhauer und Baumeister Leben und Lob ż Heike Sahm, Die Festschreibung des Dürer-Bildes durch Joachim von Sandrart im Übergang von der stadtbürgerlichen Öffentlichkeit zur barocken Wissensgesellschaft ż Susanne Meurer, Wer ist schuld an Grünewald? ż Stephanie Buck, Joachim von Sandrarts Holbeinbild ż Nils Büttner, Ğ Peter Paul Rubens / Mahler von Antorf ğ. Joachim von Sandrarts Entwurf eines idealen Lebensbildes ż Rüdiger Klessmann, Zur Darstellung des Lebens und der Kunst Adam Elsheimers in Sandrarts Academie ż Eric Jan Sluijter, An Admired Rival in Amsterdam: Joachim von Sandrart on Rembrandt ż żtżpán Vácha, żkréta, Sandrart und Merian d.J.: Überlegungen zur Vita Karel żkrétas in der Teutschen Academie ż Hans-Martin Kaulbach, Sandrarts Vita des Johann Heinrich Schönfeld ż Jaco Rutgers, Sandrart and Bloemaert in Rome: The Galleria Giustiniana Project ż Henry Keazor, Ğ Rom [ż] ein mit Kunst erfülltes Theatrum ğ: Joachim von Sandrarts Blick auf Nicolas Poussin ż Simon Turner, Sandrartżs Life of Wallerant Vaillant and the Early History of Mezzotint Printmaking Susanne Meurer,Vorrede: Lebenslauf und Kunst-Werke Joachims Von Sandrart ż Martin Disselkamp, Der Ğ Teutsche Apelles ğ oder die Ğ Kunst-Biene ğ. Wissen und Repräsentation in der Sandrart-Biographie aus der Teutschen Academie ż Lucia Simonato,Vorrede: Academia nobilissimae artis pictoriae (1683) ż Thomas Kirchner, Joachim von Sandrarts heimliches Vorbild Frankreich: Die Vita des Charles Le Brun ż Horst Bredekamp, Sandrarts Galilei: Leben und Lob ż Lucia Simonato, Da Roma a Venezia: Sandrart, Pietro della Vecchia e gli altri artisti veneti del Seicento nellżAcademia nobilissimae artis pictoriae ż Karin Hellwig, Murillo-Biographien: Topoi und Inventionen bei Joachim von Sandrart und deren Rezeption durch Antonio Palomino - Language : French,english ,italian and german texts.

Paperback. Condition: New.

Silvana Editoriale, 2020. 29 x 25 cm. Hardcover (clothbound). With illustrations in color and b/w. 255 and 559 pages. In the original slipcase. [Munten / Numismatic / Coins ].

Hardcover. Condition: new. Hardcover. The story of the use of the drill in European sculpture has not yet been written, although it should be fascinating, stated Rudolph Wittkower in 1970 in Cambridge, where he was invited to give a series of lectures on the processes and principles of sculpture as Slade Professor. Following Wittkowers intuition, this volume presents case studies of the use of the drill, ranging from Ancient Egypt to the beginning of the twentieth century. Conceived as a catalogue to an ideal exhibition, it illustrates various objects for whose creation the use of this tool was particularly significant. Organized in chronological progression, these are not limited to statues and bas-reliefs, but also include architectural decorations, vases in precious stones as well as utilitarian objects, made in a range of materials such as marble, wood, clay or ivory. This variety highlights the extraordinary challenge faced over millennia by the drill in its numerous forms (bow drills, gimlets, wheels, pump drills, to name but a few), which did not undergo any significant technological transformations until the advent of electricity. This tool directly confronted, more so than others, the sculptural materials in their hardness, penetrating them, splitting them and manipulating them beyond any apparent limitation set by nature. Nevertheless, in its tussle with the drill, the very agency of the material was threatened, defeated in the face of the expressive will of the sculptors, their visual cultures, their systems of normative references, and their notions of nature and art. It is to the exploration and understanding of this challenge that this volume is dedicated. This volume presents case studies of the use of the drill, ranging from Ancient Egypt to the beginning of the twentieth century. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.