Simon Baur (152 results)

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: New.

Hardback. Condition: New. Swiss artist Meret Oppenheim (1913-1985) is far more than just the creator of the iconic fur teacup. In the course of her career she produced a complex, wide-ranging, and enigmatic body of work that has no parallel in modern art. Like an x-ray beam, this book scans Oppenheim's artistic oeuvre, bringing its variety, playfulness, and poetry to the fore. Instead of simply answering the riddles posed by these intriguing works, it maps out the paths that will lead us to still more clues.Simon Baur is a leading expert in the life and art of Meret Oppenheim. The nine new essays featured in this volume are at once scholarly and easy to read. In them, Baur shares the many fascinating insights and interpretations that he has gleaned from his decades-long engagement with Oppenheim's work. The result is an anthology that combines both biographical and thematic aspects and takes us on an exciting journey into the poetic cosmos of a truly great female artist.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Broschur; Condition: Gut. 20,5 cm x 29,5 cm; 16 Seiten, dabei viele Abbildungen; Künstler Kritisches Lexikon der Gegenwartskunst ist ein periodisch erscheinendes Lexikon, das Künstler der Gegenwart vorstellt. Es wurde herausgegeben von Detlef Bluemler und Lothar Romain. Nach Herrn Romains Tod ist Detlef Bluemler alleiniger Herausgeber. Seit Februar 1988 erscheint es in einem Rhythmus von drei Monaten und umfasst je Ausgabe die Arbeit von jeweils sieben Künstlern. Jedes Heft umfasst 16 Seiten über die Arbeit der Künstler, aus zwei Druckseiten persönlicher Äußerungen der Betreffenden, einem Künstlerporträt sowie aus drei Doppelseiten Abbildungen. Die Redaktion liegt bei Hans-Joachim Müller. Sprache: Deutsch Gewicht in Gramm: 50.

Broschur; Condition: Gut. 20,5 cm x 29,5 cm; 16 Seiten, dabei viele Abbildungen; Künstler Kritisches Lexikon der Gegenwartskunst ist ein periodisch erscheinendes Lexikon, das Künstler der Gegenwart vorstellt. Es wurde herausgegeben von Detlef Bluemler und Lothar Romain. Nach Herrn Romains Tod ist Detlef Bluemler alleiniger Herausgeber. Seit Februar 1988 erscheint es in einem Rhythmus von drei Monaten und umfasst je Ausgabe die Arbeit von jeweils sieben Künstlern. Jedes Heft umfasst 16 Seiten über die Arbeit der Künstler, aus zwei Druckseiten persönlicher Äußerungen der Betreffenden, einem Künstlerporträt sowie aus drei Doppelseiten Abbildungen. Die Redaktion liegt bei Hans-Joachim Müller. Sprache: Deutsch Gewicht in Gramm: 50.

Broschur; Condition: Gut. 20,5 cm x 29,5 cm; 16 Seiten, dabei viele Abbildungen; Künstler Kritisches Lexikon der Gegenwartskunst ist ein periodisch erscheinendes Lexikon, das Künstler der Gegenwart vorstellt. Es wurde herausgegeben von Detlef Bluemler und Lothar Romain. Nach Herrn Romains Tod ist Detlef Bluemler alleiniger Herausgeber. Seit Februar 1988 erscheint es in einem Rhythmus von drei Monaten und umfasst je Ausgabe die Arbeit von jeweils sieben Künstlern. Jedes Heft umfasst 16 Seiten über die Arbeit der Künstler, aus zwei Druckseiten persönlicher Äußerungen der Betreffenden, einem Künstlerporträt sowie aus drei Doppelseiten Abbildungen. Die Redaktion liegt bei Hans-Joachim Müller. Sprache: Deutsch Gewicht in Gramm: 50.

Broschur; Condition: Gut. 20,5 cm x 29,5 cm; 16 Seiten, dabei viele Abbildungen; Künstler Kritisches Lexikon der Gegenwartskunst ist ein periodisch erscheinendes Lexikon, das Künstler der Gegenwart vorstellt. Es wurde herausgegeben von Detlef Bluemler und Lothar Romain. Nach Herrn Romains Tod ist Detlef Bluemler alleiniger Herausgeber. Seit Februar 1988 erscheint es in einem Rhythmus von drei Monaten und umfasst je Ausgabe die Arbeit von jeweils sieben Künstlern. Jedes Heft umfasst 16 Seiten über die Arbeit der Künstler, aus zwei Druckseiten persönlicher Äußerungen der Betreffenden, einem Künstlerporträt sowie aus drei Doppelseiten Abbildungen. Die Redaktion liegt bei Hans-Joachim Müller. Sprache: Deutsch Gewicht in Gramm: 50.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: new. Hardcover. Swiss artist Meret Oppenheim (19131985) is far more than just the creator of the iconic fur teacup. In the course of her career she produced a complex, wide-ranging, and enigmatic body of work that has no parallel in modern art. Like an x-ray beam, this book scans Oppenheim's artistic oeuvre, bringing its variety, playfulness, and poetry to the fore. Instead of simply answering the riddles posed by these intriguing works, it maps out the paths that will lead us to still more clues. Simon Baur is a leading expert in the life and art of Meret Oppenheim. The nine new essays featured in this volume are at once scholarly and easy to read. In them, Baur shares the many fascinating insights and interpretations that he has gleaned from his decades-long engagement with Oppenheim's work. The result is an anthology that combines both biographical and thematic aspects and takes us on an exciting journey into the poetic cosmos of a truly great female artist. AUTHOR: Simon Baur is a scholar of art history, writer, and critic based in Basel. He has written, edited, and contributed to numerous books, including catalogues of major Meret Oppenheim exhibitions in Switzerland and abroad. SELLING POINTS: . A new and easy-to-read introduction to the life and work of Meret Oppenheim, one the 20th century's most distinguished female artists . Nine essays explore key elements of Oppenheim's art and shed new light at defining aspects of her life and career . Richly Illustrated with images of key works as well as many private photographs and archival documents 100 colour, 10 b/w illustrations A new introduction to the life and art of German-born Swiss artist Meret Oppenheim (19131985), offering fascinating insights into and interpretations of her oeuvre and inviting the reader to an exciting journey into the poetic cosmos of a truly great female artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: NEW.

Hardback. Condition: New. Annelies Strba (b. 1947) portrays the Blessed Mary not as the mother of God but as an ideal representative of her gender. The photo artist depicts an image of womanhood that elevates erstwhile religious intention to an abstract realm. Digital disengagement and the almost rhapsodic colouration set the stage for a surface on which to project emotions. Strba embraces the Madonnas, dismissing the transcendental and concentrating on the empathetic accent of the mother-child relationship. In choosing Maria, Strba creates the role of woman versed in pain and loss, but also one informed by purity and benevolence. Although these features were originally conceived in the composition and facial expression, the artist defamiliarises them through colour filters and the removal of contours - the dissipating figures lose themselves in their own luminosity.

Paperback. Condition: New. 1.

Hardcover without dustjacket as issued, 72 pages; in English, French and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Condition: New. Swiss artist Meret Oppenheim (1913-1985) is far more than just the creator of the iconic fur teacup. In the course of her career she produced a complex, wide-ranging, and enigmatic body of work that has no parallel in modern art. Like an x-ray beam, this book scans Oppenheim's artistic oeuvre, bringing its variety, playfulness, and poetry to the fore. Instead of simply answering the riddles posed by these intriguing works, it maps out the paths that will lead us to still more clues.Simon Baur is a leading expert in the life and art of Meret Oppenheim. The nine new essays featured in this volume are at once scholarly and easy to read. In them, Baur shares the many fascinating insights and interpretations that he has gleaned from his decades-long engagement with Oppenheim's work. The result is an anthology that combines both biographical and thematic aspects and takes us on an exciting journey into the poetic cosmos of a truly great female artist.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Fine. Oblong 8vo. 72 pp. w/ color plates. Text in English and German. Illustrated paper boards. Fine.

Condition: new.

Condition: New.

Condition: New.

Hardcover. Condition: new. Hardcover. Maria was a combination of colours that had a bit ofeach, because a face is beautiful when it has some ofevery colour.With this quote by the Italian cleric Gabriel de Barletta (before 1500), the Swiss author Ilma Rakusa introduces the work of Annelies trba. Through theelaborate digital colouring of a wide variety of Madonnaimages from several centuries and different parts of theworld, the artist reflects the diversity to be found in a single object. Despite the varied images, the Madonna motifremains unequivocal.Annelies trba became established through the photographs of her daughters, which became reflections ofthe fragile phase of adolescence. Pictures that could alsobe read as an expression of the artist and mother's own(perhaps even more sensitive) relationship with her children. With her Madonna pictures Annelies trba redirectsher gaze, this time externally, to the Christian motif as auniversal metaphor for motherhood. In doing so she findsan emphatic approach which transcends the religiousand dogmatic - without having to forsake representingthe wonder of birth and motherhood.This opening up and updating of traditional subjectmatter, this re-enchantment of the world is a particularfeature of Annelies trba's works, one which she alreadydeveloped with her previous series My Life's Dreams andFrances and the Elves, also published by Arnoldsche. Maria was a combination of colours that had a bit ofeach, because a face is beautiful when it has some ofevery colour. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: New.

Condition: New. In.

Condition: as new. Stuttgart, Deutschland : Arnoldsche Art Publishers, 2019. Hardcover. 190 pp. color illustrations ; 22 cm - Annelies Strba (b. 1947) portrays the Blessed Mary not as the mother of God but as an ideal representative of her gender. The photo artist depicts an image of womanhood that elevates erstwhile religious intention to an abstract realm. Digital disengagement and the almost rhapsodic colouration set the stage for a surface on which to project emotions. Strba embraces the Madonnas, dismissing the transcendental and concentrating on the empathetic accent of the mother-child relationship. In choosing Maria, Strba creates the role of woman versed in pain and loss, but also one informed by purity and benevolence. Although these features were originally conceived in the composition and facial expression, the artist defamiliarises them through colour filters and the removal of contours - the dissipating figures lose themselves in their own luminosity. Condition : as new copy. ISBN 9783897905375. Keywords : ART,

Condition: as new. Wie neu/Like new.