Schwartz Frederic J (51 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. Dust Jacket Condition: Published Without Dust Jacket. 432 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. No remainder mark. Book is still in the original publisher shrink wrap.

Paperback. Condition: Fine. 1st. 520 pages, illustrations; 25 cm. Published in association with the Department of History of Art, University College London. Tight, clean copy. First paperback edition. *** "From the early decades of the 20th century until the 1980s, Marxist art history was at the forefront of radical approaches to the discipline. This collection of essays a festschrift in honour of leading Marxist art historian Andrew Hemingway brings together thirty academics who are reshaping art history along Marxist lines." - Publisher. *** CONTENTS: Introduction. Towards a history of the Marxist history of art, by Warren Carter; MARXIST THEORY IN PRACTICE. Art history's furies, by John Roberts; The political logic of radical art history in California 1974-85: a memoir, by Stephen F. Eisenman; The dialectical legacies of radical art history: Meyer Shapiro and German aesthetic debates in the 1930s and 1940s, by Warren Carter; Approaching Marx's aesthetic: Or, what is sensuous practice?, by Stewart Martin; A communion of just men made perfect: Walter Pater, romantic anti-capitalism and the Paris Commune, by Matthew Beaumont; What remains of Adorno's critique of culture?, by Norbert Schneider; Aby Warburg and the spirit of capitalism, by Frederic J. Schwartz; LANDSCAPE, CLASS AND IDEOLOGY. A note on aestheticizing tendencies in American landscape painting 1840-80, by Alan Wallach; Meaning, change and ambiguity in Canadian landscape imagery: Homer Watson and The Pioneer mill, by Brian Foss; One spectator is a better witness than ten listeners: Roger North, making the past public, by Charles Ford; An ever-recurring controversy: John Thompson, William James Stillman and the Bootblacks, by Steve Edwards; Calaveras and commodity fetishism: the unhallowed supernatural in the work of Jose Guadalupe Posada, by Tom Gretton; Reading Ahab: Rockwell Kent, Herman Melville and C.L.R. James, by Angela Miller; William Morris, ornament and the coordinates of the body, by Caroline Arscott; MARXISM AND THE SHAPING OF MODERNISM. Red Hashar: Louis Lozowick's lithographs of Soviet Tajikstan, by Barnaby Haran; Lu Marten and the question of Marxist aesthetic in 1920s German, by Martin I. Gaughan; Experiment and propaganda: art in the monthly New masses, by Rachel Sanders; Stuart Davis and Left modernism on the New York waterfront in the 1920s, by Jody Patterson; Action, revolution and painting: resumed, by Fred Orton; Erasure and Jewishness in Otto Dix's Portraint of the lawyer Hugo Simons, by James A. van Dyke; The Nazi Party's strategic use of the Bauhaus: Marxist art history and the political conditions of artistic production, by Paul B. Jaskot; MARXISM IN A NEW WORLD ORDER. Realism and materialism in postwar European art, by Alex Potts; The situation of women, by Frances Tracey; Scars on the landscape: Doris Salcedo between two worlds, by Chin-tao Wu; Realism, totality and the militant Citoyen: or, What does Lukacs have to do with contemporary art?, by Gail Day; Deartification this side of art: ideology critique, autonomy and reproduction, by Kerstin Stakemeier. Size: 8vo. Collectible.…

hardcover. Condition: New.

Soft cover. Condition: Fine. 1st Edition. Almost as new.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near Fine hardcover in a Near Fine dust jacket. First Edition, First Printing. Overall a bright and attractive copy. No signs of wear or aging. Illustrated. 300 pp.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, xiii, 300 pages, illustrations; 25 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "This book is the first to focus on the extraordinary symbiosis between Critical Theory and other discourses of the visual in the first half of the twentieth century. In four extended case studies, Frederic J. Schwartz traces the way central concepts of the aesthetics later termed 'Frankfurt School' were deeply rooted in contemporary developments in painting, photography, architecture, and film, as well as psychology, advertising, and the discipline of art history as it was practiced by figures such as Heinrich W lfflin, Erwin Panofsky, Wilhelm Pinder, and Hans Sedlmayr. Schwartz explores the shifting intersection between the history of art and the Frankfurt School and seeks to uncover its specific logic. He argues that artists, art historians, and Critical Theorists were united by a common project: that of exploring those aspects of modernity that could only be revealed by its visual products, of knowing the modern visually. / FREDERIC J. SCHWARTZ is reader in history of art, University College London, and author of The Werkbund: Design Theory and Mass Culture Before the First World War, published by Yale University Press." - Publisher. *** CONTENTS: Fashion: Concepts of style in Wolfflin and Adorno. Cathedrals and shoes. Novelty. The new Distraction: Walter Benjamin and the avant-garde. The blur at the centre. Book-space. Excursus I: architecture, photography and the avant-garde. Excursus II: architecture, photography and the baroque. Sight for sore eyes. Distraction. The eye of the expert. Dangerous games; Nonsimultaneity: Ernst Bloch and Wilhelm Pinder. Enigmas of arrival. History of nonsimultaneity. Philosophy of nonsimultaneity. Styles of nonsimultaneity. Politics of nonsimultaneity; Mimesis: Physiognomies of art in Kracauer, Sedlmayr, Benjamin and Adorno. Kracauer and Riegl: the problem. Panofsky and Sedlmayr: the options. For Sedlmayr I: his critique. Against Sedlmayr I: bad science. Excursus: Benjamin meets Sedlmayr halfway (but they do not meet). For Sedlmayr II: art historiography as modernism. Against Sedlmayr II: bad poetry, bad philosophy. The visible man. The invisible years. Physiognomies of art and language. Mimic behaviour. The psychophysical problem. Politics as Verhalten: revisiting the expert. Art as Verhaltensweise; Afterword: Seeing and time/Seeing in time. Size: 8vo. Collectible.…

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Hardcover. Condition: Near Fine. Near Fine. First Edition. hardcover in dust jacket; no flaws, clean, no writing or markings, tightly bound,; ; english text. 262pp.; 100 illustrations. the most recent of the small number of titles in english which examine the important german werkbund. Size: 4to - over 9¾" - 12" tall. …

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. 1st Edition. Yale University Press: 2005. Octavo. Hardcover with a dust jacket. First edition. Unclipped jacket has a bit of rubbing and a couple of closed tears. Book is near fine, jacket is on the upper end of good.

Condition: New.

Hardcover. Condition: new. Hardcover. How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed.In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a "case" provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time.As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called "mad" shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images-in some instances, as cases-functioned at a key moment of modernity. "An exploration and analysis of the disturbing Lustmord images - graphic representations of sexual murder - by artists such as George Grosz, Otto Dix, Rudolph Schindler, and more generally of the interelationship between art and criminality in early 20th-century Germany and Austria"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780300068986.…

Hard Cover. Condition: Good. No Jacket. First Edition. From an academic library with the usual stamps etc. This item is heavy and will attract postal surcharges.

Hardback. Condition: New.

367 S. mit zahlr. Abb.; 24 cm. Orig.-Kart. (gut erhalten).

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover. Gr.-8°, Original-Paperback mit 367 (1) Seiten und einigen einfarbigen Abbildungen. Sauberer, guter Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! KuAllg2.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: As New. Volume I: Quarto, 116 pages + 94 pages with illustrations, 45 pages with printing examples .+ 32 pages afterword. Black cloth with printed spine. Illustrated dust wrappers. Mint. Volume II: Quarto, 110 pages + 122 pages with illustrations, 45 pages with printing examples .+ 32 pages afterword. Black cloth with printed spine. Illustrated dust wrappers. Mint. - Facsimile edition with texts by Gropius, Berens, Muthesius, Endell.…

Hardcover. Condition: Near Fine. Near Fine. 1st Edition. xiv + 300 pp, topics - Fashion, Distraction, Simultaneityy, Mimesis, Afterword, notes, index. adorno, benjamin, wolflin, kracauser, ernst bloch, bauhaus etcetera. 6.5" x 9.5" red textured laminate boards, in unclipped black illustrated DJ. in acetate protector. Size: Large Octavo. Book.…

Hardcover. Large 8vo. pp: 262. First edition. Original publisher's beige boards with black lettering at spine in original publisher's photo-illustrated dust jacket. Illustrated throughout in black and white. ISBN: 0300068980 Dust jacket shows light signs of shelfwear. Small crease to front cover. Slight rubbing to bottom edges of boards. Otherwise compact and internally perfectly clean copy. Near fine in very good dust jacket. …

Condition: New. 2023. Hardcover. . . . . .

Condition: Very Good. Some wear to dust jacket at edges and corners. Some faint storage markings to dust jacket. Hard board excellent. Content and pages as new.