Schroder Gerhart (49 results)

Kartoniert. Condition: Gut erhalten. 162 S.

Condition: New.

8°. 71 S. Opbd. Erste Ausgabe. WG 157 (Schröder). WG 61 (Thieß) und WG 50 (Fechter). Sprache: de.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Text in English and German. Heroic 20th-century Modernism saw the private home as a place to first test out utopian theories -- a place for free play and experimentation where new approaches could be put into action, on a small scale but no less radical. Here, where architecture and life are most closely interwoven, Frank Lloyd Wright, Gerrit Rietveld, Le Corbusier and even Konstantin Melnikov found the suitable space to give their visionary concepts a plastic reality. The house built by the architect Fritz Barth for his own use in his home town of Fellbach places itself in an ironic, possibly melancholic distance from this kind of heroic pathos, but still has this tradition as its background. So it is considered by his builder as an experiment to determine the state of architecture at the start of the 21st century -- not to apply whatever offers itself to expand the architectonic repertoire (an approach that Barth considers to be a questionable, increasingly rhetoricised form of a somewhat naïve belief in the future), but to find out what possibilities are still open to architecture and how far architecture still permits a concept of 'dwelling' in the sense the word was used by Heidegger. The result is not a backward-looking homeliness, but a structure that, as a commitment to architecture in and of itself, stands his ground like few others in its time and place. This is not least because its complexity its multi-layered, opulent fabric of allusions, references and quotations, only reveals itself gradually and with close observation behind a simple appearance targeted on the immediacy of experience and architecture. Despite the somewhat polemical intentions of its builder and inhabitant, the house is not experienced as an ideological manifesto in bricks and mortar. It is and here lies its radicality, devoted to the immediate experience of 'dwelling' in so far as it does not allow, as Thomas Hettche writes in his essay, any distinction between surface and function, life and experience.…

Condition: New.

tapa blanda. Condition: Muy bien.

Condition: New. 2011. Hardcover. Heroic 20th-century Modernism saw the private home as a place to first test out utopian theories - a place for free play and experimentation where new approaches could be put into action, on a small scale but no less radical. Here, the authors found the suitable space to give their visionary concepts a plastic reality. Num Pages: 72 pages, colour & b/w photos & illus. BIC Classification: AM. Category: (G) General (US: Trade). Dimension: 305 x 289 x 13. Weight in Grams: 924. . . . . . Books ship from the US and Ireland.…

gebundene Ausgabe. Condition: Gut. 218 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Schnitt und Einband sind etwas staubschmutzig; Einbandkanten sind leicht bestoßen; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 420. …

Condition: New. 2011. Hardcover. Heroic 20th-century Modernism saw the private home as a place to first test out utopian theories - a place for free play and experimentation where new approaches could be put into action, on a small scale but no less radical. Here, the authors found the suitable space to give their visionary concepts a plastic reality. Num Pages: 72 pages, colour & b/w photos & illus. BIC Classification: AM. Category: (G) General (US: Trade). Dimension: 305 x 289 x 13. Weight in Grams: 924. . . . . .…

Softcover/Paperback. Condition: Sehr gut. 274 S. : Ill. ; 24 cm Sehr guter Zustand. Minimale Lager- bzw. Gebrauchsspuren. In De.- Eng.- Fr. / Very good. Minimal wear. In German- English- French. Sprache: Deutsch Gewicht in Gramm: 530.

Hardcover/Pappeinband. Condition: Gut. 218 S. Guter Zustand. Einband mit leichten Gebrauchsspuren. Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 510.

Gebunden. Condition: New. Heroic 20th-century Modernism saw the private home as a place to first test out utopian theories - a place for free play and experimentation where new approaches could be put into action, on a small scale but no less radical. Here, where architecture and li.

München: Wilhelm Fink Verlag (= Ursprünge der Moderne, Band 1), 1997. Schwarze, illustr. OBrosch. 274 S. mit 23 Textabb. sowie Index. - 23 x 15,5. * Erstausgabe. - "Wir leben in einer ganz außergewöhnlichen Epoche, die dem Ende des Mittelalters oder dem Beginn der Renaissance ähnelt", konstatierte unlängst Paul Virilio in einem Interview. Von dieser Feststellung geht auch das Forschungsprojekt 'Ursprünge der Moderne' aus, dessen Ergebnisse hier in einem ersten Band publiziert werden. Er ist entstanden aus einer engen Zusammenarbeit zwischen dem Collège International de Philosophie in Paris und dem Zentrum für Kulturwissenschaften und Kulturtheorie der Universität Stuttgart. Die Herausgeber haben eine Gruppe von Forscherinnen und Forschern um die Frage versammelt, welche Möglichkeiten wir heute, am sogenannten Ende der Moderne, haben, ihre Anfänge neu zu denken. - Beiliegt Woody-Allen-Postkarte mit Signatur von Gerhart Schröder v. Zentrum für Kulturwissenschaften u. Kulturtheorie (Stuttgart). - Sehr gut erhaltene, unbenutzte Dublette aus der Bilbliothek von Prof. Aleida Assmann (Konstanz).…

Hardback. Condition: New. New Book, Direct from Publisher.

(=Freiburger Schriften zur romanischen Philologie; Bd. 2). 1.Auflage. (Gekürzte Fassung der Freiburger Dissertation von 1962). - Ehem. Bibliotheks-Exemplar mit den typischen Merkmalen; insges. noch gut erhalten. - 218 S. Orig.-Leinen-Bd.

Condition: Gebraucht - Gut. original Heft, nicht paginiert, 8 Seiten, einzelne Abbildungen, beiliegende Besetzungsliste. Zustand: gut, Eckenknick links oben Komische Oper in 2 Akten. Bearbeitung: Walter Felsenstein. Inszenierung: Karlheinz Welzel. Musikalische Leitung: Manfred Grafe. Ausstattung: Eberhard Söhnel. Choreographie: Roland Menkhoff. Choreographie: Heinz Kretzschmann. Mitwirkende: Georg Maintz, Willi Bolze, Friedrich-Wilhelm Siewert, Alfred Hedwig / Hellmuth Knoch, Margot Schröter, Fred Stacklies / Peter Vorwerg, Christine Förster, u.a. ------- Program booklet Johann Strauss A NIGHT IN VENICE GHT Görlitz 1961 - Original booklet, unpaginated, 8 pages, some illustrations, cast list included. Condition: good, top left corner crease. - Comic opera in two acts. Adapted by Walter Felsenstein. Directed by Karlheinz Welzel. Musical direction by Manfred Grafe. Set design by Eberhard Söhnel. Choreography by Roland Menkhoff and Heinz Kretzschmann. Cast includes Georg Maintz, Willi Bolze, Friedrich-Wilhelm Siewert, Alfred Hedwig, Hellmuth Knoch, Margot Schröter, Fred Stacklies, Peter Vorwerg, Christine Förster, and others. deu. …

Condition: Gebraucht - Gut. original Heft, Format ca. 20 x 10,5 cm, nicht paginiert, ca. 12 Seiten, diverse Abbildungen, beiliegende Besetzungsliste. Zustand: gut, Ablagelochung Lustspiel in einem Aufzug. Inszenierung: Wolfram Lindner. Bühne: Rolf Klemm. Kostüme: Helga Steinhoff. Mitwirkende: Walter Gembs, Johannes Wieske, Klaus Mertens, Katharina Tuerschmann, Christel Burk, Bruno Müller, u. a. ------- Program booklet for Kleist's THE BROKEN JUG, Gerhart Hauptmann Theatre, 1959 - Original booklet, approximately 20 x 10.5 cm, unpaginated, approximately 12 pages, various illustrations, cast list included. Condition: good, filing holes - Comedy in one act. Directed by Wolfram Lindner. Set design by Rolf Klemm. Costume design by Helga Steinhoff. Cast: Walter Gembs, Johannes Wieske, Klaus Mertens, Katharina Tuerschmann, Christel Burk, Bruno Müller, and others. deu.…

Bremer Rede zum 15. November 1952. Mainz: Eggebrecht-Presse, Januar 1953. Hellolivgrüne Orig.-Büttenhardc. m. hellgrünem OU. 28 unbeschnittene Seiten auf Zerkall-Bütten, 1 Bl. - 27,5 x 19. * Bibliophiler Druck in der ersten Einzelausgabe, W/G 2-158. - Eines von 1000 Exemplaren. - Erschienen als bibliophile Festgabe zum 75. Geburtstag Gerhart Hauptmanns. - Umschlag minimal lichtrandig; sonst sauber und sehr gut erhalten .…

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Fritz Barth, Cannstatter Straße 84, Fellbach | Dt/engl | Gerhart Schröder | Buch | 72 S. | Deutsch | 2010 | Edition Axel Menges | EAN 9783932565762 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu. …

Hardback. Condition: New. Text in English and German. Heroic 20th-century Modernism saw the private home as a place to first test out utopian theories -- a place for free play and experimentation where new approaches could be put into action, on a small scale but no less radical. Here, where architecture and life are most closely interwoven, Frank Lloyd Wright, Gerrit Rietveld, Le Corbusier and even Konstantin Melnikov found the suitable space to give their visionary concepts a plastic reality. The house built by the architect Fritz Barth for his own use in his home town of Fellbach places itself in an ironic, possibly melancholic distance from this kind of heroic pathos, but still has this tradition as its background. So it is considered by his builder as an experiment to determine the state of architecture at the start of the 21st century -- not to apply whatever offers itself to expand the architectonic repertoire (an approach that Barth considers to be a questionable, increasingly rhetoricised form of a somewhat naïve belief in the future), but to find out what possibilities are still open to architecture and how far architecture still permits a concept of 'dwelling' in the sense the word was used by Heidegger. The result is not a backward-looking homeliness, but a structure that, as a commitment to architecture in and of itself, stands his ground like few others in its time and place. This is not least because its complexity its multi-layered, opulent fabric of allusions, references and quotations, only reveals itself gradually and with close observation behind a simple appearance targeted on the immediacy of experience and architecture. Despite the somewhat polemical intentions of its builder and inhabitant, the house is not experienced as an ideological manifesto in bricks and mortar. It is and here lies its radicality, devoted to the immediate experience of 'dwelling' in so far as it does not allow, as Thomas Hettche writes in his essay, any distinction between surface and function, life and experience.…

Originalbroschur. Condition: Sehr gut. 218 Seiten. Mit zahlreichen Schwarz-Weiß- Abbildungen. 21 cm FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. (Wir bieten zahlreiche Titel aus diesem Sachgebiet an - We offer a lot of books in this field) Aufgrund der von der Europäischen Union erlassenen Handels-Erschwernisse (die neue europäische Verpackungsverordnung mit extremen Gebühren für Händler) kann in folgende Länder KEIN VERSAND erfolgen: Bulgarien, Dänemark, Estland, Finnland, Griechenland, Irland, Kroatien, Lettland, Litauen, Luxemburg, Malta, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien, Ungarn, Zypern. Falls Sie eine Rechnungs- und Lieferadresse in DEUTSCHLAND ermöglichen, kann an diese deutsche Adresse OHNE PROBLEME geliefert werden. Sprache: Deutsch Gewicht in Gramm: 300.…

Gr 8°. (Freiburger Schriften zur romanischen Philologie. 2.). 218 S.; Grauer OLn mit Rücken- u. Deckeltitel, Fadenh.; 454 gr. Der Einband angestaubt/unfrisch, der Kopfschnitt stockfleckig; innen tadellos. 650 Gramm.

310 S., mit Abb., OKart., guter Zustand, ausgeschied. Bibl.-Expl. mit den üblichen Kennzeichnungen. ISBN 3593364077.

Hardcover. Condition: New. Distributors Brockhaus Commission Kreidlerstrasse 9 D-70806 Kornwestheim Germany Heroic 20th-century Modernism saw the private home as a place to first test out utopian theories - a place for free play and experimentation where new approaches could be put into action, on a small scale but no less radical. Here, where architecture and life are most closely interwoven, Frank Lloyd Wright, Gerrit Rietveld, Le Corbusier and even Konstantin Melnikov found the suitable space to give their visionary concepts a plastic reality. The house built by the architect Fritz Barth for his own use in his home town of Fellbach places itself in an ironic, possibly melancholic distance from this kind of heroic pathos, but still has this tradition as its background.…