Schätzke Andreas (91 results)

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2021. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2021. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Hardcover. Condition: Used - Acceptable. When architects design a house for themselves, the often tense relationship between clients and builders is usually absent. That is why in many such buildings the architect-designer's artistic stance and political position, preferences and antipathies, temperament and character are more pronounced than usual. Moreover the architectonic theories, debates and trends of an epoch also leave their traces in them in a particular way. Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood (1922), Richard Neutra in Los Angeles (1932), Ernst May near Nairobi (1937), Walter Gropius in Lincoln, Massachusetts (1938), Bruno Taut in Istanbul (1938), Ernà Goldfinger in London (1939), Josep LluÃs Sert in Locust Valley, New York (1949), Max Cetto in Mexico City (1949), and Marcel Breuer in New Canaan, Connecticut (1948 and 1951). Many architects who built a house of one's own tried to bring the special message of their design to the public's attention by putting all their ideas into action. They created in this way their own 'manifesto.' Was this possible under the conditions of migration and exile? To what extent, for example, do other buildings of the architects differ from such 'houses of one's own' in a foreign country, to use an expression borrowed and modified from Virginia Wolf? This are two of numerous of questions around the subject 'immigration and exile of architects' for which the authors of the book try to find answers. the corners are badly dented, excellent reference copy. …

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Pp. 0. 8°. 346 S. : Ill., graph. Darst. Pp. Schriftenreihe der Bauakademie Berlin ; Bd. 1 am oberen Schnitt leicht bestoßen, sonst gut erhalten. Sprache: Deutsch Schriftenreihe der Bauakademie Berlin ; Bd. 1 2,000 gr.

Gebundene Ausgabe. Condition: Sehr gut. "Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet Rechnung mit MwSt; Bestellungen bis 15 Uhr werden am gleichen Werktag verschicktDahlem has developed in two different ways since the early years of the 20th century An important scientific centre emerged on the site of this former royal territory south-west of Berlin, alongside a suburban villa colony Elite research institutes were established in Dahlem, with the intention of creating a \"German Oxford\", including the first institutes for the Kaiser-Wilhelm-Gesellschaft, founded in 1911 Then Dahlem was chosen as the location for the Freie Universität Berlin after the Second World War The Max-Planck-Gesellschaft commissioned a new building in these surroundings in order to provide the Institute for the History of Science, dating from 1994, with accommodation appropriate to its needs The building was erected in 2004/05 to a competition design by the Stuttgart architects Marion Dietrich-Schake, Hans-Jürgen Dietrich and Thomas Tafel (who left the team after drawing up the planning application) The buildings adjacent to the plot, which is bordered by streets on three sides, date mainly from the 1930s Alongside the institutional buildings detached homes determine the local character The Max-Planck-Institut reflects the dimensions and structure of its surroundings Its height relates to the two-storey homes; the building masses were structured as eight connected, pavilion-like sections, which means that, despite its size, the institute is reticent in its impact on the urban space The symmetrical complex is built around a spacious courtyard with old chestnut trees The library is the key element of the building, and so was arranged around all four sides of the inner courtyard Extensively glazed internal and external walls afford a wide range of views into the library rooms This ensures a constant presence for the institute`s most important set of working tools, and at the same time makes it accessible over very short distances from various parts of the building -Dahlem has developed in two different ways since the early years of the 20th century. An important scientific centre emerged on the site of this former royal territory south-west of Berlin, alongside a suburban villa colony. Elite research institutes were established in Dahlem, with the intention of creating a 'German Oxford', including the first institutes for the Kaiser-Wilhelm-Gesellschaft, founded in 1911. Then Dahlem was chosen as the location for the Freie Universität Berlin after the Second World War. The Max-Planck-Gesellschaft commissioned a new building in these surroundings in order to provide the Institute for the History of Science, dating from 1994, with accommodation appropriate to its needs. The building was erected in 2004/05 to a competition design by the Stuttgart architects Marion Dietrich-Schake, Hans-Jürgen Dietrich and Thomas Tafel (who left the team after drawing up the planning application). The buildings adjacent to the plot, which is bordered by streets on three sides, date mainly from the 1930s. Alongside the institutional buildings detached homes determine the local character. The Max-Planck-Institut reflects the dimensions and structure of its surroundings. Its height relates to the two-storey homes; the building masses were structured as eight connected, pavilion-like sections, which means that, despite its size, the institute is reticent in its impact on the urban space. The symmetrical complex is built around a spacious courtyard with old chestnut trees. The library is the key element of the building, and so was arranged around all four sides of the inner courtyard. Extensively glazed internal and external walls afford a wide range of views into the library rooms. This ensures a constant presence for the institute`s most important set of working tools, and at the same time makes it accessible over very short distances from various parts of the building." 60 pp. Deutsch, Englisch.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: Sehr gut. 1. 175 S. Das Buch befindet sich in einem einwandfreien Zustand. 500 Sprache: Englisch Gewicht in Gramm: 1120 Gebundene Ausgabe, Maße: 20.96 cm x 2.59 cm x 26.06 cm.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Sehr gut. 1. Auflage. 204 Seiten Insgesamt sehr gut: Buch sehr gut erhalten, nur Kopfschnitt fleckig und Seite 93 geknickt. Schutzumschlag ganz leicht berieben. ISBN: 9783894790899 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Deutsch Gewicht in Gramm: 1140 Gebundene Ausgabe, Leinen, mit SU. …

Broschiert. Condition: Sehr gut. 346 Seiten, bebildert. Buch sehr gut erhalten, nur Einband ganz leicht berieben und nachgedunkelt. ISBN: 9783883756066 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Deutsch Gewicht in Gramm: 1100.

Softcover. Condition: Sehr gut. Ohne Schutzumschlag. 1. Auflage. Ausstellungskatalog! Die Hand des Architekten: Zeichnungen aus Berliner Architektursammlungen von Andreas [Hrsg.]. Schätzke.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover/Paperback. 346 Seiten, reich illustriert ; 24 cm Das Buch befindet sich in einem guten Zustand. Kaum wahrnehmbare Gebrauchsspuren. RA2/26/49 Sprache: Deutsch Gewicht in Gramm: 1011.

Hardcover. Condition: new. Hardcover. Text in English & German. In the years after 1933 several hundred architects were forced to emigrate from Germany by the National Socialist dictatorship. Between seventy and eighty of them went to Great Britain -- in part, prominent representatives of Modernism like Walter Gropius, Erich Mendelsohn, Erwin Gutkind, Arthur Korn and Marcel Breuer, but also less well known architects who had adopted very divergent positions. They found the architectural scene in Great Britain to be surprisingly conservative. Only a small circle of architects, clients and specialist journalists was open to modern design and construction methods and stylistic idioms. A few emigrants very quickly and successfully managed to gain a foothold in an environment that was for the most part unfamiliar to them, while for others exile meant a serious break in their career. Just a few months after his arrival in Great Britain, Erich Mendelsohn, together with Serge Chermayeff, won the prestigious competition for the De La Warr Pavilion in the southern English seaside resort of Bexhill (1933-35). The leisure centre is one of the most important examples of classic Modernism on the British Isles. Impington Village College (1936-39), which Walter Gropius designed in partnership with E. Maxwell Fry, also received a great deal of attention and had an impact on the development of British architecture. Furthermore, the spectrum of projects tackled by the emigrants ranged from houses to traffic structures and industrial buildings to buildings for Jewish communities and designs for exhibitions and shops. During this period German architects also left their mark in Great Britain as university lecturers, scientists and publicists. The book offers an overview of the topic and presents select buildings in detail. Moreover, hitherto largely unpublished documents from the estate of Walter Gropius provide a direct insight in-to his life and work in British exile. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. Text in English and German. In the years after 1933 several hundred architects were forced to emigrate from Germany by the National Socialist dictatorship. Between seventy and eighty of them went to Great Britain -- in part, prominent representatives of Modernism like Walter Gropius, Erich Mendelsohn, Erwin Gutkind, Arthur Korn and Marcel Breuer, but also less well known architects who had adopted very divergent positions. They found the architectural scene in Great Britain to be surprisingly conservative. Only a small circle of architects, clients and specialist journalists was open to modern design and construction methods and stylistic idioms. A few emigrants very quickly and successfully managed to gain a foothold in an environment that was for the most part unfamiliar to them, while for others exile meant a serious break in their career. Just a few months after his arrival in Great Britain, Erich Mendelsohn, together with Serge Chermayeff, won the prestigious competition for the De La Warr Pavilion in the southern English seaside resort of Bexhill (1933-35). The leisure centre is one of the most important examples of classic Modernism on the British Isles. Impington Village College (1936-39), which Walter Gropius designed in partnership with E. Maxwell Fry, also received a great deal of attention and had an impact on the development of British architecture. Furthermore, the spectrum of projects tackled by the emigrants ranged from houses to traffic structures and industrial buildings to buildings for Jewish communities and designs for exhibitions and shops. During this period German architects also left their mark in Great Britain as university lecturers, scientists and publicists. The book offers an overview of the topic and presents select buildings in detail. Moreover, hitherto largely unpublished documents from the estate of Walter Gropius provide a direct insight in-to his life and work in British exile.…

Condition: New.

Hardback. Condition: New. Die Meister der Betonschalen Mitte des 2 . Jahrhunderts begann die Hochphase des Betonschalenbaus. Weltweit entstanden technisch avancierte Konstruktionen von aufsehenerregender Expressivität. Mit Félix Candela, Heinz Isler und Ulrich Müther nimmt dieses Buch exemplarisch drei Protagonisten dieser Bauweise in den Blick. Ihr Wirken - vorwiegend in Mexiko, der Schweiz und der DDR - fand unter sehr verschiedenen politischen, ökonomisch-sozialen und kulturellen Bedingungen statt. Die Autoren analysieren die Bauten und Projekte vor dem Hintergrund der Entwicklungen der Architektur und des Ingenieurwesens jener Zeit. Sie thematisieren wechselseitige Einflüsse, Gemeinsamkeiten wie Unterschiede in den Entwurfsprozessen, der Konstruktion und der Ausführung. Darüber hinaus werden Fragen der Rezeption und der heutigen Nutzung behandelt. Lernen von Félix Candela ( 9 - 997), Heinz Isler ( 92 -2 9) und Ulrich Müther ( 934-2 7) und ihren historischen Schalenbauten Unbekanntes aus den Planarchiven Englisch mit Zusammenfassungen auf Deutsch und Spanisch.…

Gebundene Ausgabe. Condition: Sehr gut. "Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet Rechnung mit MwSt; Bestellungen bis 15 Uhr werden am gleichen Werktag verschicktDahlem has developed in two different ways since the early years of the 20th century An important scientific centre emerged on the site of this former royal territory south-west of Berlin, alongside a suburban villa colony Elite research institutes were established in Dahlem, with the intention of creating a \"German Oxford\", including the first institutes for the Kaiser-Wilhelm-Gesellschaft, founded in 1911 Then Dahlem was chosen as the location for the Freie Universität Berlin after the Second World War The Max-Planck-Gesellschaft commissioned a new building in these surroundings in order to provide the Institute for the History of Science, dating from 1994, with accommodation appropriate to its needs The building was erected in 2004/05 to a competition design by the Stuttgart architects Marion Dietrich-Schake, Hans-Jürgen Dietrich and Thomas Tafel (who left the team after drawing up the planning application) The buildings adjacent to the plot, which is bordered by streets on three sides, date mainly from the 1930s Alongside the institutional buildings detached homes determine the local character The Max-Planck-Institut reflects the dimensions and structure of its surroundings Its height relates to the two-storey homes; the building masses were structured as eight connected, pavilion-like sections, which means that, despite its size, the institute is reticent in its impact on the urban space The symmetrical complex is built around a spacious courtyard with old chestnut trees The library is the key element of the building, and so was arranged around all four sides of the inner courtyard Extensively glazed internal and external walls afford a wide range of views into the library rooms This ensures a constant presence for the institute`s most important set of working tools, and at the same time makes it accessible over very short distances from various parts of the building -Dahlem has developed in two different ways since the early years of the 20th century. An important scientific centre emerged on the site of this former royal territory south-west of Berlin, alongside a suburban villa colony. Elite research institutes were established in Dahlem, with the intention of creating a 'German Oxford', including the first institutes for the Kaiser-Wilhelm-Gesellschaft, founded in 1911. Then Dahlem was chosen as the location for the Freie Universität Berlin after the Second World War. The Max-Planck-Gesellschaft commissioned a new building in these surroundings in order to provide the Institute for the History of Science, dating from 1994, with accommodation appropriate to its needs. The building was erected in 2004/05 to a competition design by the Stuttgart architects Marion Dietrich-Schake, Hans-Jürgen Dietrich and Thomas Tafel (who left the team after drawing up the planning application). The buildings adjacent to the plot, which is bordered by streets on three sides, date mainly from the 1930s. Alongside the institutional buildings detached homes determine the local character. The Max-Planck-Institut reflects the dimensions and structure of its surroundings. Its height relates to the two-storey homes; the building masses were structured as eight connected, pavilion-like sections, which means that, despite its size, the institute is reticent in its impact on the urban space. The symmetrical complex is built around a spacious courtyard with old chestnut trees. The library is the key element of the building, and so was arranged around all four sides of the inner courtyard. Extensively glazed internal and external walls afford a wide range of views into the library rooms. This ensures a constant presence for the institute`s most important set of working tools, and at the same time makes it accessible over very short distances from various parts of the building." 60 pp. Deutsch, Englisch.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover/Paperback. Condition: Gut. 279 S. : Ill. Guter Zustand. Einband mit leichten Gebrauchsspuren. Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 770.

Condition: As New. Unread book in perfect condition.

Leinen mit Schutzumschlag. Condition: Sehr gut. 205 S. : zahlr. Ill.; 27 cm + 1 DVD Sehr guter Zustand. Minimale Lager- bzw. Gebrauchsspuren. Mängelexemplar-Stempel auf Fußschnitt. Sonst sauberes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1220.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. Text in English and German. When architects design a house for themselves, the often tense relationship between clients and builders is usually absent. That is why in many such buildings the architect-designers artistic stance and political position, preferences and antipathies, temperament and character are more pronounced than usual. Moreover the architectural theories, debates and trends of an epoch also leave their traces in them in a particular way. We encounter both attachment to tradition and commitment to the avant-garde, willingness to experiment and pragmatism, distinctive artistry and views shaped by the fact that a building is also a product of engineering. And last but not least, expressed in their houses are the personal life circumstances of the people concerned, or the messages the houses are meant to convey above and beyond their actual purpose: as a 'manifesto', as the 'self-portrait' of the architect, but also as an advertising tool or as a sign of connection to specific milieux or positions. Building for oneself has a special connotation under the conditionsof migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood (1921/22), Richard Neutra in Los Angeles (1932), Walter Gropius in Lincoln, Massachusetts (1937/1938), Ernst May near Nairobi (1937/1938), Bruno Taut in Istanbul (1937/1938), Ernö Goldfinger in London (19371939), Marcel Breuer in New Canaan, Connecticut (1938/1939 and 1947/1948), Josep Lluís Sert in Lattingtown, New York (19471950) and Max Cetto in Mexiko-Stadt (1948/1949). What expression could voluntary migration or forced change of location find in these buildings? To what extent do the architects other buildings differ from such 'homes of ones own' in a foreign country, to use an expression borrowed and modified from Virginia Woolf? The book is a collection of contributions by internationally renowned authors and examines not only the buildings themselves but also other aspects of the topic that have hitherto received little attention.…

Condition: New.

208 Seiten und 1 CD. 4°. Gut erhalten. Blindgeprägter O-Leineneinband mit O-Schutzumschlag.