Russo Emilio (89 results)

Hardcover without dustjacket as issued, 296 pages; very good condition; crimps to corners of covers; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Usato - Come nuovo. Condition: Italiano. In-8 (Cm 24 x 17), pp. 232, brossura editoriale con alette. COME NUOVO.

Hardback. Condition: New. After the season of the great Renaissance painters, the prestige of the figurative arts grew as never before in history. During the 16th century, the artist went from being a common craftsman to holding a status equal to that of the greatest intellectuals of his time. The relationship between poetry and painting was consolidated in the 17th century, and became close, even competitive, when artists and men of letters confronted each other with the same themes. In this framework, the great poetry of Giovan Battista Marino (Naples, 1569-1625) plays a fundamental role. His compositions are rich in visual suggestions, derived as much from direct contact with the art collections he visited during his itinerant life as from the memory of the images of the great artists of the past. The Galeria (1620), one of his most famous books, projects onto the walls of an imaginary gallery the names of the artists and works of art that marked the poet's courtly experience.…

Hardcover. Condition: new. Hardcover. After the season of the great Renaissance painters, the prestige of the figurative arts grew as never before in history. During the 16th century, the artist went from being a common craftsman to holding a status equal to that of the greatest intellectuals of his time. The relationship between poetry and painting was consolidated in the 17th century, and became close, even competitive, when artists and men of letters confronted each other with the same themes. In this framework, the great poetry of Giovan Battista Marino (Naples, 1569-1625) plays a fundamental role. His compositions are rich in visual suggestions, derived as much from direct contact with the art collections he visited during his itinerant life as from the memory of the images of the great artists of the past. The Galeria (1620), one of his most famous books, projects onto the walls of an imaginary gallery the names of the artists and works of art that marked the poet's courtly experience. AUTHORS: Emilio Russo teaches Italian Literature at the 'Sapienza' Universita di Roma. His research focuses on Renaissance and Baroque authors (Ariosto, Tasso, Marino) and 19th century authors (Leopardi, Nievo). In the field of Marino he published Studi su Marino e Tasso (Antenore, 2005), Marino (Salerno Editrice, 2008), and edited the annotated edition of the Adone (Rizzoli, 2013). Patrizia Tosini is associate professor of History of Modern Art at Universita Roma Tre. His studies revolve around the figurative arts of the Counter-Reformation, in particular painting and drawing in Rome between the 16th and 17th centuries, a theme on which he has published numerous studies, including the monograph Girolamo Muziano. Dalla Maniera alla natura (Ugo Bozzi, 2008). Andrea Zezza is full professor of History of Modern Art at the University della Campania 'Luigi Vanvitelli'. He mainly deals with the history of art in southern Italy between the 16th and 18th centuries. For Officina Libraria he recently edited Raffaello. 500 anni dopo (2024). SELLING POINTS: . Catalogue of the exhibition to be held from 12 November 2024 to 9 February 2025 at the Galleria Borghese in Rome . An exhibition dedicated to Giovan Battista Marino (Naples, 1569-1625), the main exponent of the Baroque in literature, author of Rime (1602), La Galeria (1602) and Adone (1623), and his very close relationship with the arts . Starting precisely with La Galeria (which had 17 editions in less than 50 years), the exhibition reflects on the dialogue between the different artistic disciplines, between poetry and painting and sculpture, between the 16th and 17th centuries, starting with Marini's texts . International loans from the world's most important museums, including the Prado in Madrid, the Kunsthistorisches Museum in Vienna, the MET in New York, the Louvre in Paris, the Gemaeldegalerie in Dresden, which will bring to Rome works - among others - by Brueghel, Carracci, Correggio, Rubens, Palma il Giovane, Poussin, Tintoretto, Titian, as well as a careful selection of precious printed editions of Marino's works 145 colour illustrations Catalogue of the exhibition held at the Borghese Gallery in Rome and dedicated to the poet Giovan Battista Marino and his relationship with the artists of the Renaissance and Baroque period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: NEW.

Condition: NEW.

Condition: NUOVO. Roma, Salerno Edit. cm.15x21, pp.392, brossura con copertina figurata a colori. Collana Sestante,16. Vittima per tre secoli di una svalutazione critica che ha allargato l'ombra in cui già lo aveva posto la condanna all'Indice del poema maggiore, Giovan Battista Marino (1569-1625) è un autore ancora in parte misconosciuto. Nel volume di Emilie Russo egli viene promosso a vero classico della letteratura italiana, in uno studio attento all'esame della vicenda biografica, spesso burrascosa, e al progressivo sviluppo delle opere, alla luce di ricerche documentarie su materiali inediti. Ne risulta un'immagine di poeta sensibile alla novità della poesia contemporanea, ma anche capace di assimilare e riscrivere un repertorio di fonti classiche riposte, in una sintesi originalissima. Muovendo dagli ultimi approdi della poesia del Tasso, il napoletano compì un esordio d'eccezione nelle Rime del 1602, e fu poi protagonista di un articolato attraversamento del generi: liriche, prose sacre, poesie encomiastiche, panegirici ed epitalami, lettere (familiari, burlesche e amorose), idilli e un impegno epico continuamente rimandato.…

Rilegato. Condition: new. Cesena, 2022; ril., pp. 128. Una strega che si abbandona ai racconti di tragiche vicende; racconti di amori sventurati; fanciulle che cadono nelle mani di uomini indegni; un prete affocato da istinti animali, un demonio vero e proprio nascosto sotto le vesti del sacerdozio; il soprannaturale che cerca nuove vite nel mondo dei vivi: sono alcuni dei temi e dei personaggi che muovono con rapido passo narrativo il libro di Paolo Emilio Russo. Libro. …

Brossura. Condition: new. Roma, Galleria Borghese, November 19 - February 9, 2024. Edited by Andrea Zezza, Emilio Russo and Patrizia Torini. English Text. Milano, 2024; paperback, pp. 296, 116 col. ill., cm 23x28. After the season of the great Renaissance painters, the prestige of the figurative arts grew as never before in history. During the 16th century, the artist went from being a common craftsman to holding a status equal to that of the greatest intellectuals of his time. The inseparable relationship between poetry and painting was consolidated in the 17th century, and became close, reciprocal, even competitive when artists and men of letters confronted each other with the same themes in the arena of the arts. In this framework, the poetry of Giovan Battista Marino (1569-1625) plays a fundamental role, whose compositions live on continuous exchanges with contemporary painting and sculpture. His poetic production is rich in visual suggestions, derived as much from direct contact with the art collections he visited during his itinerant life as from the memory of the images of the great artists of the past, starting with La Galeria (1620), which projects onto the walls of an imaginary gallery the names of the artists and works of art that marked the poet's courtly experience, while not neglecting the numerous figurative relationships of the Adonis (1623) and the Strage de gl'innocenti (1632). The catalogue is also enriched by an anthology of Marino's texts in dialogue with the works on display, as well as numerous colour plates. Libro.…

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

paperback. Condition: Used; Like New. Rome, 2020; Italian text; red paper covers; mild edge and corner wear; 8vo, 7 3/4" to 9 3/4" tall; interior pages in like new condition; interior is clean and unmarked; 486 pages; From the library of Thomas Willette, University of Michigan professor.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: NEW.

Condition: new.

Condition: NEW.

Condition: new.

Condition: buono. Classica Italia Fiction and Poetry Classical Fiction Italy Universale Letteratura 17-18-19 tre volumi in 16°, bross. edit. ill., cofanetto edit. figurato, rotture e abrasioni al cofanetto, lievi tracce d'uso - illustrazioni in b.n. nel testo BUONE CONDIZIONI.

Condition: new.

Hardcover. Condition: Brand New. 240 pages. 11.00x9.00x9.06 inches. In Stock.

In-8° pp. 342. Bross. edit. ill. Dedica autografa dell'autore.

Condition: new.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9788884556004.…