Roger a Stalley (34 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Brown cloth binding with blind-stamped title on front cover. Gold colored [print on spine. Tan endpapers. Tight, sound and unmarked. 221 pages including detailed addendum of information on Treasures illustrated in the book. Dust jacket in mylar and is price-clipped. BOLTIN, Lee and Others (Photography). (illustrator).…

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 86 plates in full colour and 48 black and white photographs are supplemented by 5 scholarly essays on the history of Irish art during this 3,000 year period. A sumptuous publication. Lee Boltin (lead photographer) (illustrator). …

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A clean unmarked copy.

Hardcover. Condition: Fine. 1st Edition. 237pp. Very well illustrated throughout - full page plates. Interesting art architecture reference literature. The book is in excellent condition - very clean and bright. It presents very nicely on the shelf. PARROTT BOOKS - established for over 20 years offering a prompt friendly and efficient service.…

Condition: New. 2020. Hardcover. . . . . .

Hardcover. Condition: new. Hardcover. An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the Muiredach Master, whose monumentscompleted in the early years of the 10th centurydeserve a place alongside the Book of Kells as great works of their time. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad.Distributed for the Paul Mellon Centre for Studies in British Art An exciting new account of Irish high crosses Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: new.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. An exciting new account of Irish high crosses   This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the "Muiredach Master," whose monuments-completed in the early years of the 10th century-deserve a place alongside the Book of Kells as great works of their time. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad.   Distributed for the Paul Mellon Centre for Studies in British Art.…

Condition: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: New. 2000. hardcover. . . . . . Books ship from the US and Ireland.

Condition: New. In English.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Brand New. 248 pages. 10.75x8.75x1.00 inches. In Stock.

Hardcover. Condition: Brand New. 237 pages. 9.00x6.25x0.75 inches. In Stock.

Condition: New. 2000. hardcover. . . . . .

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. This copy is in new, unmarked condition bound in black buckram covered boards with bright gilt titling to the spine. This copy is bright, tight, white and square. The unclipped dust wrapper is in new condition. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. George Edmund Street was one of the most influential architects of the Victorian Gothic Revival—rigorous, scholarly, and uncompromising in his belief that medieval architecture offered the most morally and aesthetically sound model for modern ecclesiastical design. By the mid‑19th century, Christ Church Cathedral was structurally compromised, a patchwork of medieval fabric, post‑Reformation alterations, and Georgian interventions. in need of decisive restoration to preserve its medieval core and reassert its ecclesiastical dignity. The cathedral's medieval origins (Norse foundation, 11th century; extensive 12th-13th‑century rebuilding) made it one of the most historically important churches in Ireland. Ref N 3.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the Muiredach Master, whose monumentscompleted in the early years of the 10th centurydeserve a place alongside the Book of Kells as great works of their time. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad.Distributed for the Paul Mellon Centre for Studies in British Art An exciting new account of Irish high crosses Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…