Rasmus Greiner (69 results)

- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Softcover
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- Softcover
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- Softcover
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More images- Softcover
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Paperback. Condition: New. 1st ed. 2021. In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the "sphere" of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empa…thy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack's phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit's concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner's Sky Without Stars (1955), Jutta Brückner's Years of Hunger (1980), and Sven Bohse's three-part TV series Ku'damm 56 (2016).

- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
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- Softcover
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- Softcover
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- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Transitionen: Filmische Dimensionen des Übergangs
Astafeva, Tatiana (Editor)/ Greiner, Rasmus (Editor)/ Pauleit, Winfried (Editor)
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 160 pages. German language. 6.69x0.59x8.70 inches. In Stock.

- Softcover
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- Softcover
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- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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paperback. Condition: New.

- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In English.

- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Language: German
Published by Schüren, Marburg, 2012
Series: Marburger Schriften zur Medienforschung, Book 18 of 44. Book 18 of 44 - Marburger Schriften zur Medienforschung
- Softcover
Seller: Arbeitskreis Recycling e.V., Herford, GermanyArbeitskreis Recycling e.V.
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kartoniert, 8°, 488 S., Einband berieben, Schnitt fleckig, Ecken bestoßen, sonst in Ordnung.

- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 229 pages. 8.00x5.75x0.75 inches. In Stock.

- Softcover
Seller: Speedyhen, Hertfordshire, United KingdomSpeedyhen
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Language: German
Published by Schüren Verlag, 2012
Series: Marburger Schriften zur Medienforschung, Book 18 of 44. Book 18 of 44 - Marburger Schriften zur Medienforschung
- Softcover
Seller: medimops, Berlin, Germanymedimops
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Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Hardcover
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- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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- Softcover
Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, GermanyRheinberg-Buch Andreas Meier eK
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Taschenbuch. Condition: Neu. Neuware -Das filmische Bewegtbild ist ein Zeitphänomen. Indem es eine spezifische Dauer hat, ist es eng verknüpft mit Vorstellungen des Transitiven. Ästhetische Mittel wie Schnitte und Überblendungen (englisch: transitions) können nicht nur zeitliche und räumliche, sondern auch innere Veränderungen e…rfahrbar machen. Je nachdem, welche audiovisuellen Gestaltungsmittel hierfür ausgewählt werden, verschiebt sich auch die Bedeutung des Gezeigten. Inhaltlich beziehen sich Übergänge wiederum oftmals auf Wendepunkte der Geschichte, kulturelle Veränderungen oder einen Wechsel der Identität. Nicht nur die Protagonist\*innen, sondern auch die Zuschauer\*innen und nicht zuletzt die audiovisuellen Medien selbst sind von Transitionen betroffen. Der Sammelband widmet sich den filmischen Dimensionen des Übergangs aus ganz unterschiedlichen Blickwinkeln. So rückt das transitive Verhältnis zwischen Identität, Körper, Gender, Imagination und Fremdheitserfahrung ebenso in den Fokus wie die daraus resultierende Erneuerung von Filmkulturen. Gleichzeitig werden auch die Auswirkungen historischer, politischer und technologischer Transitionen untersucht. Entlang der Schwerpunkte Ton/Bild, Krisen/Geschichte und Film/Realität sollen die vielgestaltigen filmischen Dimensionen des Übergangs besser verständlich gemacht werden.Mit Beiträgen von: Tatiana Astafeva, Michael Fleig, Rasmus Greiner, Bettina Henzler, Lars Nowak, Simone Nowicki, Sebastian Schädler, Simon Schiller, Tobias Schönrock, Daniel Wiegand 160 pp. Deutsch.