Raphael Sassower Louis Cicotello (33 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condition: Used - Acceptable. Shelf and spine wear -- reader's copy.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: NF. Paperback in Near Fine condition. Cultural Frames, Framing Culture. 6 X 1.25 X 9 inches. 147 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Paperback. Condition: Very Good. Stated First Edition. Cultural Frames, Framing Culture; 6 X 1.25 X 9 inches; 147 pages; Very Good condition. No noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

TAPA BLANDA. Condition: New.

Condition: New.

Paperback. Condition: New. In order to better understand the conditions of the twenty-first century Raphael Sassower and Louis Cicotello revisit the twentieth century in Political Blind Spots: Reading the Ideology of Images. Sassower and Cicotello revisit some of the most significant periods in art and politics in the twentieth century paying close attention to the relationship between aesthetics and politics.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Paperback. Condition: Very good. Paperback Octavo. wraps, 147 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: Brand New. 131 pages. 9.00x5.75x0.50 inches. In Stock.

Paperback. Condition: Brand New. 119 pages. 9.00x6.00x0.50 inches. In Stock.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Brand New. 147 pages. 9.25x6.50x0.75 inches. In Stock.

Paperback. Condition: New.

Paperback. Condition: New. In order to better understand the conditions of the twenty-first century Raphael Sassower and Louis Cicotello revisit the twentieth century in Political Blind Spots: Reading the Ideology of Images. Sassower and Cicotello revisit some of the most significant periods in art and politics in the twentieth century paying close attention to the relationship between aesthetics and politics.…

Gebunden. Condition: New. KlappentextrnrnSince the eighteenth century, artists -- especially so-called avant-garde artists -- have played a conflicting role in society. Part of the reason for their complex position, argue Raphael Sassower and Louis Cicotello, is the surv.

Paperback. Condition: New. In this book, the authors explore images of war and their effect on society. The authors keep in mind that the experience of being at war is much different from the experience of viewing a war image. Thus it is our responsibility to engage war images critically and personally, because lives are at stake and the future of world peace lies in the balance. The iconic image of any war and its ideological underpinning must be more fully appreciated. This book suggests that consumers of war images must simultaneously pay attention to the details of any given image (and thereby uncover its ideology), while exploring other, alternative images related to the same war, in order to consider other perspectives. The effectiveness of the visual language is such that it demands a careful and critical analysis, such as the one that offered here. The emphasis on the pragmatic reading of images has more to do with the power of images to convey, most commonly, a single idea or value, rather than to engage the observer with an inconsistent or contradictory set of ideas and values. This is where pastiche and collage come into play as compositional strategies through which many images are juxtaposed against each other so as to break the uniformity of an artwork, poster, or photograph. The aesthetic experience, however intense, is not a war experience, and the one could never substitute the other. The visual landscape itself is open to ideological manipulation-selection, framing, focus-so that we end up having to deal with theories and ideas even when we refuse to deal with them at first, for they end up determining and informing what images find their way into our cultural memory.…

Hardcover. Condition: New. In this book, the authors explore images of war and their effect on society. The authors keep in mind that the experience of being at war is much different from the experience of viewing a war image. Thus it is our responsibility to engage war images critically and personally, because lives are at stake and the future of world peace lies in the balance. The iconic image of any war and its ideological underpinning must be more fully appreciated.This book suggests that consumers of war images must simultaneously pay attention to the details of any given image (and thereby uncover its ideology), while exploring other, alternative images related to the same war, in order to consider other perspectives. The effectiveness of the visual language is such that it demands a careful and critical analysis, such as the one that offered here. The emphasis on the pragmatic reading of images has more to do with the power of images to convey, most commonly, a single idea or value, rather than to engage the observer with an inconsistent or contradictory set of ideas and values. This is where pastiche and collage come into play as compositional strategies through which many images are juxtaposed against each other so as to break the uniformity of an artwork, poster, or photograph.The aesthetic experience, however intense, is not a war experience, and the one could never substitute the other. The visual landscape itself is open to ideological manipulation-selection, framing, focus-so that we end up having to deal with theories and ideas even when we refuse to deal with them at first, for they end up determining and informing what images find their way into our cultural memory.…

Paperback. Condition: New.

Condition: New. Print on Demand pp. 147.

Condition: New. Print on Demand pp. 147.

Condition: New. PRINT ON DEMAND pp. 147.