Philippe Despoix (67 results)

Condition: New.

Condition: New. Brand New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Broschur, 8°. Condition: Neu. 124 S. Buch ist neu, aus priv. Vorbesitz, ungelesen. -----Inhalt. Auch wenn Gustav Landauer in erster Linie als politische Figur gesehen wird, so war er doch vor allem Literat. So ist zwar das entsetzliche Ende des Sozialreformers während der Münchner Räterepublik sowie seine enge Beziehung zu Martin Buber und zu Erich Mühsam noch bekannt, nicht aber seine literarische Tätigkeit. "Ich war niemals politisch, immer nur antipolitisch tätig", heißt es in einem seiner Briefe von 1906. Ebenso wie Wedekind und Hofmannsthal, die sexuelle Tabus zum Stoff ihrer Dramen machten, wußte auch Landauer, daß, dem Unbewußten Wirklichkeit einzuräumen, uralte Gesetze in Frage stellen würde. Als "antipolitischer Mensch" bleibt der philosophische Essayist und Schriftsteller Landauer innerhalb der Geschichte des deutschen Schrifttums noch zu entdecken. ISBN: 9783825700829 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 195.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback or Cased Book. Condition: New. Raymond Klibansky and the Warburg Library Network: Intellectual Peregrinations from Hamburg to London and Montreal. Book.

Hardback. Condition: New. The Warburg Institute, founded in the 1920s in Hamburg by art and cultural historian Aby Warburg, is a pioneering institution that has greatly shaped the fields of art, myth, religion, medicine, philosophy, and intellectual history. When, in 1933, the institute was moved to London to escape the Nazis, its research and legacy were protected and further developed by a network of researchers dispersed throughout the UK, the US, and Canada. The first interdisciplinary study of the Warburg network as an arena of intellectual transmission, transformation, and exchange, this volume reveals the dynamics, agencies, and actors at play in the development of the Warburg Institute's program and output, with a specific focus on the role of Raymond Klibansky (1905-2005) in the institute's major ventures. Among these collective projects of the institute are the famous Saturn and Melancholy, which blends art history with philosophical and cultural history, and the Latin and Arabic Corpus Platonicum Medii Aevi series, which contributed to research on the continuity of Platonic thought. Consulting published and unpublished sources including correspondences, memories, and diaries of affiliated scholars, the essays explore the history of the Warburg Library as a vital cultural institution and the personal and intellectual relationships of the researchers devoted to it. From Hamburg to London to Montreal, Raymond Klibansky and the Warburg Library Network takes readers on a journey into more than forty years of intellectual life at one of the most prestigious cultural research institutes. Contributors include Philippe Despoix (Université de Montréal), Georges Leroux (UQAM), Eric Méchoulan (Université de Montréal), Elisabeth Otto (Université de Montréal), Elizabeth Sears (University of Michigan), Davide Stimilli (University of Colorado at Boulder), Jillian Tomm (Université de Montréal), Martin Treml (Zentrum für Literatur- und Kulturforschung Berlin), Jean-Philippe Uzel (UQAM), Regina Weber (DLA Marbach), Claudia Wedepohl (The Warburg Institute London), and Graham Whitaker (Glasgow University).…

8°, farbig illustr. OKartbd.; 252 Seiten (= Kulturwissenschaftliche Studien Band 2). ISBN 3825700704. - Sauberes Exemplar.

Soft cover. Condition: As New. Révue Cinémas, Numero simple. Vol. 18/ No. 1. Softcover volume is as new. Texts in both French and English. French texts have summaries in English. 174 pages.

Hardcover. Condition: new. Hardcover. The Warburg Institute, founded in the 1920s in Hamburg by art and cultural historian Aby Warburg, is a pioneering institution that has greatly shaped the fields of art, myth, religion, medicine, philosophy, and intellectual history. When, in 1933, the institute was moved to London to escape the Nazis, its research and legacy were protected and further developed by a network of researchers dispersed throughout the UK, the US, and Canada. The first interdisciplinary study of the Warburg network as an arena of intellectual transmission, transformation, and exchange, this volume reveals the dynamics, agencies, and actors at play in the development of the Warburg Institute's program and output, with a specific focus on the role of Raymond Klibansky (19052005) in the institute's major ventures. Among these collective projects of the institute are the famous Saturn and Melancholy, which blends art history with philosophical and cultural history, and the Latin and Arabic Corpus Platonicum Medii Aevi series, which contributed to research on the continuity of Platonic thought. Consulting published and unpublished sources including correspondences, memories, and diaries of affiliated scholars, the essays explore the history of the Warburg Library as a vital cultural institution and the personal and intellectual relationships of the researchers devoted to it. From Hamburg to London to Montreal, Raymond Klibansky and the Warburg Library Network takes readers on a journey into more than forty years of intellectual life at one of the most prestigious cultural research institutes. Contributors include Philippe Despoix (Universite de Montreal), Georges Leroux (UQAM), Eric Mechoulan (Universite de Montreal), Elisabeth Otto (Universite de Montreal), Elizabeth Sears (University of Michigan), Davide Stimilli (University of Colorado at Boulder), Jillian Tomm (Universite de Montreal), Martin Treml (Zentrum fuer Literatur- und Kulturforschung Berlin), Jean-Philippe Uzel (UQAM), Regina Weber (DLA Marbach), Claudia Wedepohl (The Warburg Institute London), and Graham Whitaker (Glasgow University) A new approach to the legacy of the Warburg Library and a companion to the pioneering work Saturn and Melancholy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. pp. 215.

Softcover. 20,6 x 13,5 cm. Schwarzes Original-Paperback mit bebildertem Vorderdeckel. 186 Seiten mit Beiträgen von 6 Verfassern und Verfasserinnen sowie Kurzbiographie des Verfassers. Einige einfarbige Textabbildungen. Außen und innen sauberes und gutes Exemplar. siehe auch zweite Abbildung (Inhalt) -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! Sozio. …

Paperback. Condition: Brand New. 152 pages. German language. 8.86x5.83x0.79 inches. In Stock.

ÉTAT : NEUF / NEW CONDITION 9782021395716 587949 3.

Condition: New. Siegfried Kracauer was one of the foremost representatives of the Frankfurt School of critical theory. This book brings together Kracauer's essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after the eminent emigre's exile to America. Num Pages: 160 pages, 40 halftones. BIC Classification: AJ; JHBA. Category: (P) Professional & Vocational. Dimension: 211 x 163 x 6. Weight in Grams: 200. . 2014. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New. Siegfried Kracauer was one of the foremost representatives of the Frankfurt School of critical theory. This book brings together Kracauer s essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an .

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

brosch. Condition: Sehr gut. 1. Auflage. laminierte Broschur, nur leichte Lager-, keine Gebrauchsspuren.

Hardcover. Condition: Brand New. 336 pages. 9.50x7.00x1.00 inches. In Stock.

ÉTAT : NEUF / NEW CONDITION 9782760648470 614415 149.

Condition: New. Siegfried Kracauer was one of the foremost representatives of the Frankfurt School of critical theory. This book brings together Kracauer's essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after the eminent emigre's exile to America. Num Pages: 160 pages, 40 halftones. BIC Classification: AJ; JHBA. Category: (P) Professional & Vocational. Dimension: 211 x 163 x 6. Weight in Grams: 200. . 2014. Paperback. . . . .…

Condition: very good. Dust Jacket Condition: very good. 8vo pp.342. book.

Taschenbuch. Condition: Neu. Neuware - Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many of the period's preeminent thinkers, including his friends, the critic Walter Benjamin, and Theodor W. Adorno, who once claimed he owed more to Kracauer than any other contemporary.The volume brings together for the first time all of Kracauer's essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after his exile in America, where he would spend the last twenty-five years of his life. The texts show Kracauer as a pioneering thinker of the photographic medium in addition to the important historian, and theorist, of film that he is acknowledged to have been. His writings here build a cohesive theory on the affinities between photography, memory and history.With a foreword by Philippe Despoix offering insights into Kracauer's theories and the historical context, and a Curriculum vitae in pictures, photographs from the Kracauer estate annotated by Maria Zinfert.…

Condition: New.

Hardcover. Condition: Brand New. 336 pages. 9.50x7.00x1.00 inches. In Stock.

Condition: Sehr Gut. Zustandsbeschreibung: Mängelexemplar. Zum Verhältnis von ästhetischer, ethischer und politischer Sphäre am Anfang des 20. Jahrhunderts. Aus dem Französischen von Annette Weber. Despoix unternimmt einen Querschnitt durch die essayistischen Schriften von Max Weber, Gustav Landauer, Leó Popper, Georg Lukács und Siegfried Kracauer, um eine Denktypologie des Verhältnisses von ästhetischen, ethischen und politischen Sphären auf der Folie einer sich säkularisierenden Gesellschaft zu konstruieren. 252 Seiten, broschiert (Kulturwissenschaftliche Studien; Band 2/Philo Verlagsgesellschaft 1998). Früher EUR 24,50. Gewicht: 300 g - Softcover/Taschenbuch.…

Taschenbuch. Condition: Neu. The Past's Threshold | Essays on Photography | Siegfried Kracauer | Taschenbuch | 128 S. | Englisch | 2014 | DIAPHANES AG | EAN 9783037346914 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.…