Peter Erickson Clark Hulse (32 results)

paperback. Condition: Good. Condition Notes: Moderate edge wear. Binding good. May have marking in text. We sometimes source from libraries. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

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Paperback. Condition: New. An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body-including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts-and the acts of creating, collecting, and admiring them-are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.…

Condition: New.

Condition: New.

Hardcover. Condition: Very Good. Hardcover. Large 8vo. University of Pennsylvania Press, Philadelphia, PA. 2000. 403 pgs. Illustrated. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. E-083; New Cultural Studies; 10.0 X 7.3 X 1.0 inches; 403 pages.…

Condition: New. In English.

Condition: New. A collection of 10 original essays that explore the social context in which paintings, statues, textiles, maps, and other artifacts were produced and consumed in Renaissance England. Editor(s): Erickson, Peter; Hulse, Clark. Series: New Cultural Studies. Num Pages: 408 pages, 133 illus. BIC Classification: 1DBKE; 3H; 3JB; AC; JFC. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 256 x 178 x 22. Weight in Grams: 762. . 2000. Illustrated. Paperback. . . . .…

Condition: New.

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Condition: New. A collection of 10 original essays that explore the social context in which paintings, statues, textiles, maps, and other artifacts were produced and consumed in Renaissance England. Editor(s): Erickson, Peter; Hulse, Clark. Series: New Cultural Studies. Num Pages: 408 pages, 133 illus. BIC Classification: 1DBKE; 3H; 3JB; AC; JFC. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 256 x 178 x 22. Weight in Grams: 762. . 2000. Illustrated. Paperback. . . . . Books ship from the US and Ireland.…

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condition: Near Fine. (Wrappers, Text and Plates are clean, neat and tight). Book.

Paperback. Condition: Brand New. 403 pages. 10.00x7.25x0.75 inches. In Stock.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

hardcover without dj. Condition: Sehr gut. 403 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Ein gutes und sauberes Exemplar. - content: Clark Hulse and Peter Erickson 1. Imaginary Conquests: European Material Technologies and the Colonial Mirror Stage Steven Mullaney 2. Mapping the Global Body Valerie Traub 3. Second-World Prosthetics: Supplying Deficiencies of Nature in Renaissance Italy Harry Berger, Jr. 4. Reading Painting: Holbein, Cromwell, Wyatt Clark Hulse 5. Art for the Sake of Dynasty: The Black Emperor in the Drake Jewel and Elizabethan Imperial Imagery Karen C. C. Dalton 6. Staging Women's Relations to Textiles in Shakespeare's Othello and Cymbeline Susan Frye 7. Idols of the Gallery: Becoming a Connoisseur in Renaissance England Stephen Orgel 8. Madagascar on My Mind: The Earl of Arundel and the Arts of Colonization Ernest B. Gilman 9. "God for Harry, England, and Saint George": British National Identity and the Emergence of White Self-Fashioning Peter Erickson 10. Object into Object?: Some Thoughts on the Presence of Black Women in Early Modern Culture Kim F. Hall Epilogue Peter Erickson ISBN 9780812235593 Sprache: Englisch Gewicht in Gramm: 1126.…

Paperback. Condition: New. An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body-including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts-and the acts of creating, collecting, and admiring them-are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.…

Condition: New. A collection of 10 original essays that explore the social context in which paintings, statues, textiles, maps, and other artifacts were produced and consumed in Renaissance England.&Uumlber den AutorPeter Erickson, of the Clark Art.

1st edition softback with stiff wrappers Nice copy large octavo 403pp., b/w plates, text ills., maps, index.

Taschenbuch. Condition: Neu. Neuware - An interdisciplinary group of scholars applies the reinterpretive concept of 'visual culture' to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body-including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women 'present' in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts-and the acts of creating, collecting, and admiring them-are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.…

Hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

octavo, blue cloth. First Edition. First Edition. octavo, blue cloth. (vi), 403 pp. University of Pennsylvania Press, An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human bodyincluding an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. New.…

Philadelphie, University of Pennsylvania Press, 2000. In-8 br. couv. ill. en n. et bl., 403 pp, 133 ill. en n. et bl. dont certaines hors texte, index. Texte en anglais. /91C Couv. lég. poussiéreuse, bonne cond. par ailleurs.

Paperback. Condition: Brand New. 403 pages. 10.00x7.25x0.75 inches. In Stock. This item is printed on demand.

Condition: New. Print on Demand pp. 416 133 Illus.

Condition: New. Print on Demand pp. 416.