Hardcover. Large 8vo. University of Pennsylvania Press, Philadelphia, PA. 2000. 403 pgs. Illustrated. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. E-083; New Cultural Studies; 10.0 X 7.3 X 1.0 inches; 403 pages.

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Bibliographic Details

Title: Early Modern Visual Culture Representation, Race, and Empire in Renaissance England
Publisher: University of Pennsylvania Press, E-083
Publication Date: 2000
Language: English
ISBN 10: 0812235592
ISBN 13: 9780812235593
Binding: Hardcover
Condition: Very Good

About this title

Synopsis

Contains ten essays exploring the literary, social, historical, and cultural aspects of images during the period roughly between 1500 and 1700, primarily in England. Authors include American scholars of art, literature, and other fields writing on a range of subjects, including European material technologies and the colonial mirror stage; staging women's relations to textiles in Shakespeare's Othello and Cymbeline ; connoisseurship in Renaissance England; the Earl of Arundel and the arts of colonization; and some thoughts on the presence of black women in early modern culture. Fine color and b&w plates throughout. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Review

"As a picture of what currently might be most profitably studied in the visual culture of early modern England, and of how to conduct scholarship in the field, the volume is exemplary. . . . [It] treats a culture for which there is considerable scholarly interest, but from angles which have been woefully ignored up until now."--Joseph Koerner, Harvard University

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