Pendleton Adam (105 results)

Hardback. Condition: New. Poet Simone White and theologian Ruby Sales discuss faith in institutions and faith as an institutionPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Ruby Sales (born 1948) is a social critic, educator, public theologian and the founder and director of the SpiritHouse Project. Her work appears in journals and books and is cited in films and documentaries.Simone White (born 1972) is a poet and critic. Her most recent work is the book-length poem or, on being the other woman (2020). Also the author of Dear Angel of Death (2018), Of Being Dispersed (2016) and House Envy of All the World (2010), she is Stephen M. Gorn Family Assistant Professor of English at the University of Pennsylvania.

Hardback. Condition: New. Poet Simone White and theologian Ruby Sales discuss faith in institutions and faith as an institutionPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Ruby Sales (born 1948) is a social critic, educator, public theologian and the founder and director of the SpiritHouse Project. Her work appears in journals and books and is cited in films and documentaries.Simone White (born 1972) is a poet and critic. Her most recent work is the book-length poem or, on being the other woman (2020). Also the author of Dear Angel of Death (2018), Of Being Dispersed (2016) and House Envy of All the World (2010), she is Stephen M. Gorn Family Assistant Professor of English at the University of Pennsylvania.

Hardback. Condition: New. Performance studies scholar Joshua Chambers-Letson and political philosopher Michael Hardt discuss the politics of love and the composition of social movementsPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Joshua Chambers-Letson (born 1980) is professor of performance studies at Northwestern University, author of After the Party: A Manifesto for Queer of Color Life (2018) and A Race So Different: Law and Performance in Asian America (2013), and coeditor with Tavia Nyong'o of José Esteban Muñoz's The Sense of Brown (2020).Michael Hardt (born 1960) teaches at Duke University, where he is codirector of the Social Movements Lab. Among the books he has coauthored with Antonio Negri are Empire (2000) and, most recently, Assembly (2017).

Hardback. Condition: New. Performance studies scholar Joshua Chambers-Letson and political philosopher Michael Hardt discuss the politics of love and the composition of social movementsPublished on the occasion of Adam Pendleton: Who Is Queen? at the Museum of Modern Art, New York, the book series Who Is Queen? adapts conversations between pairs of notable writers, theorists, philosophers and musicians into contrapuntal texts intertwined with archival photographs and additional writings.Joshua Chambers-Letson (born 1980) is professor of performance studies at Northwestern University, author of After the Party: A Manifesto for Queer of Color Life (2018) and A Race So Different: Law and Performance in Asian America (2013), and coeditor with Tavia Nyong'o of José Esteban Muñoz's The Sense of Brown (2020).Michael Hardt (born 1960) teaches at Duke University, where he is codirector of the Social Movements Lab. Among the books he has coauthored with Antonio Negri are Empire (2000) and, most recently, Assembly (2017).

Hardcover. Condition: Brand New. 72 pages. 10.00x5.75x0.25 inches. In Stock.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 4to. 272 pp. b/w photographic illustrations throughout. Black cloth lettered in white. Fine in Fine dust jacket.

Hardcover. Condition: Brand New. 72 pages. 10.00x5.75x0.50 inches. In Stock.

Hardcover. Condition: Brand New. 71 pages. 10.00x5.75x0.25 inches. In Stock.

Softcover/Paperback. Condition: Very Good. The Generational: Younger Than Jesus exhibition pamphlet. New York: New Museum, 2009. Pamphlet.4 pages. Very good.Minor creasing and edgewear. Essay by Jarrett Gregory. Featuring AIDS-3DZiad AntarCory ArcangelTauba AuerbachWojciech BakowskyDineo Seshee BopapeMohamed BourouissaKerstin BrätschCao FeiCarolina CaycedoChu YunKeren CytterMariechen DanzFaye DriscollIda EkbladHaris EpaminondaPatricia EsquiviasMark EssenRuth EwanBrendan FowlerLuke FowlerLaToya Ruby FrazierCyprien GaillardRyan GanderLiz GlynnLoris GréaudShilpa GuptaEmre HünerMatt KeeganTigran KhachatryanKitty KrausAdriana LaraElad LassryLiu ChuangGuthrie LonerganTala MadaniAnna MolskaCiprian MuresanAhmet ÖgütAdam PendletonStephen G. RhodesJames RichardsEmily RoysdonKaterina edáJosh SmithRyan TrecartinAlexander UgayTris Vonna-MichellJakub Julian ZiolkowskiIcaro Zorbar.

Softcover. Condition: Good. Artist book published by Yvon Lambert. Small tear on bottom left of the front cover.

Condition: New.

Hardcover. Condition: Fine. No jacket. Security tag on corner of rear endpaper. Price tag on back cover.

Hardback. Condition: Very Good+. Please note that this is a heavy item and may incur extra shipping costs for international deliveries. ; Black cloth boards are faintly marked, upper corners bumped; binding is tight; pages are unmarked. ; 7.75 X 1.81 X 10.25 inches; 448 pages.

70th Anniversary edition. Foreword by Colonel Stuart Tootal. 90 PP with b/w and colour illustrations. Pictorial soft cover. Fine. 29.8 x 23. The real story of 6 June 1944.

Hardcover. silver boards w/ black printing. 226 pgs w/ color, bw illustrations. all edges black. "This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio."--WorldCat. New (sealed in publisher's wrap; may have rubbing to corners, edges etc).

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 1st Edition. 4to, card covers, 323pp., ills. The inaugural issue of this art magazine. Works by a host of younger artists. A note to artist Kelley Walker from the editors is laid in (see the images, please). VG+: a clean and solid copy. Extra postage will be asked (4).

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. A dialogue of materials and process, space and language, architecture and artThis new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and spacewhether architectonic or on canvasand how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjayes works to the meeting of ink and canvas in Pendletons studio. A dialogue of materials and process, space and language, architecture and art Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. New abstract works by Adam Pendleton that expand the language of Black Dada, both visually and spatiallyThrough his dynamic paintings and text-based works, Black Dada pioneer Adam Pendleton (born 1984) continually focuses on the intersection between Blackness, abstraction and the avant-garde. An Abstraction is both a document and an evolution of Pendleton's first solo show at Pace's New York gallery in 10 years, epitomizing his "[fight] for the right to exist in and through abstraction." Comprised of 12 paintings and 13 drawings from the artist's Black Dada and Untitled (Days) bodies of work, hanging within a monumental, site-specific architecture consisting of five black triangular forms, An Abstraction reorders the gallery into new, unexpected spaces. Each new work also features a typographic letter from the phrase "Black Dada," thus creating a new pictorial language for the movement.

Paperback. Condition: Brand New. 272 pages. 10.25x8.00x1.00 inches. In Stock.

Hardcover/Hardback. Condition: Very Good. Pasts, Futures, and Aftermaths: Revisiting the Black Dada Reader By Adam Pendleton Hardcover. 448 pages. In 2011, artist Adam Pendleton assembled Black Dada Reader, a compendium of texts, documents and positions that elucidated a practice and ethos of "Black Dada." Resembling a school course reader, the book was a spiral-bound series of photocopies and collages, originally intended only for personal reference, and eventually distributed informally to friends and colleagues. The contentsan unlikely mix of Hugo Ball, W.E.B. Du Bois, Adrian Piper, Gertrude Stein, Sun Ra, Stokely Carmichael, Gilles Deleuzeformed a kind of experimental canon, realized through what Pendleton calls "radical juxtaposition." In 2017, Koenig Books published the Reader in a hardcover edition, with newly commissioned essays and additional writings by the artist. A decade later, Pendleton has composed another reader, building upon the constellation of writers, artists, filmmakers, philosophers and critics that emerged in the first volume, and sketching out new potential forms and vectors for Black Dada. Along with new source textsfrom Toni Cade Bambara to Piet Mondrian to Clarice Lispector to Achille MbembePendleton has included conversations with some of the figures whose writing and work were featured in the earlier Reader: Thomas Hirschhorn, Ishmael Houston-Jones, Joan Jonas, Lorraine O'Grady, and Joan Retallack. Introduction by Adam Pendleton. Interviews with Thomas Hirschhorn, Ishmael Houston-Jones, Joan Jonas, Lorraine O'Grady, and Joan Retallack. Source texts by Sara Ahmed, Mikhail Bakhtin, Toni Cade Bambara, Amiri Baraka, Augusto de Campos, Hardoldo de Campos, and Décio Pignatari, Angela Davis, Gilles Deleuze, Julius Eastman, Adrienne Edwards, Clarice Lispector, Achille Mbembe, Philippe-Alain Michaud, Charles Mingus, Piet Mondrian, Leslie Scalapino, Leonard Schwartz and Michael Hardt, Juliana Spahr, Cecil Taylor, and Malcolm X.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. New abstract works by Adam Pendleton that expand the language of Black Dada, both visually and spatiallyThrough his dynamic paintings and text-based works, Black Dada pioneer Adam Pendleton (born 1984) continually focuses on the intersection between Blackness, abstraction and the avant-garde. An Abstraction is both a document and an evolution of Pendletons first solo show at Paces New York gallery in 10 years, epitomizing his [fight] for the right to exist in and through abstraction. Comprised of 12 paintings and 13 drawings from the artists Black Dada and Untitled (Days) bodies of work, hanging within a monumental, site-specific architecture consisting of five black triangular forms, An Abstraction reorders the gallery into new, unexpected spaces. Each new work also features a typographic letter from the phrase Black Dada, thus creating a new pictorial language for the movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.