Patricia Eichenbaum Karetzky (71 results)

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Near Fine. No Jacket. 8vo, 84 pages, Images of Asia Series, Color & B/W Illustrations, Pictorial Boards, Number Series ends in 1 on the Copyright Page, no owners markings no foxing no soiling no smells.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: as new. no jacket. 5 3/8 x 7 7/8" 84 pages. part of the Images of Asia series.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Used - Very Good.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Near Fine. 84 pages + 23 color photos, with numerous B&W illustrations, 5 1/4" x 8", hardcover, (slight cover wear).

Hardcover. Condition: Near Fine. 1st Edition. Images of Asia. 1st printing (1996). 90pp. Pictorial laminated boards. NEAR FINE copy.

Condition: New. pp. 224.

Condition: New. pp. 224.

Pictorial Soft Cover. Condition: Good+. Text is in English. Top corner of the contents page has a small heart stamp; volume has some wear; tight, text clean. 93 p., illustrated. [otob nr mnk] Size: 11 11/16 x 7 inches.

Hardcover. Condition: Near Fine. First Edition. Near fine in illustrated boards with a very slight bump to one corner.

Condition: New. pp. 224.

Paperback. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Softcover. Condition: Very Good. Very Good white paperback lightly bumped at the corners. 263 pages, unmarked. K. E. Brashier (A Poetic Exposition On Heaven and Earth by Chenggong Sui - 231-273). Valentina Georgieva (Representation of Buddhist Nuns in Chinese Edifying Miracle Tales During the Six Dynasties and the Tang) . Charles B. Jones (Relations Between the Nationalist Government and the Buddhist Association of the Republic of China - BAROC - Since 1945) . Jordan Paper(A Note on Contemporary Religion in Taiwan: Domestic Architecture) . Jordan Paper (Mediums and Modernity: The institutionalization of Ecstatic Religious Functionaries in Taiwan) . Julian F. Pas (Religious Life in Present Day Taiwan; A Field Observations Report: 1945-995) . Et al; OVR97; 8vo 8" - 9" tall; 263 pages.

Hardcover. Condition: Fine. vi, 90 pages, 16 unnumbered pages of plates : illustrations (some color), maps ; 20 cm. Summary:The Tang dynasty (AD 618-907) is known as China's golden age, celebrated for its enlightened government, openness to outside influences, and varied and magnificent works of art. This beautifully-illustrated book brings together in one volume the dynasty's most important artistic accomplishments. A sketch of the era's political and social history is followed by chapters illustrating the development of ceramics, the production of gold and silver, Tang painting and sculpture, and religious and funerary art.

Condition: Good. First edition (hardback). 8vo (20cm by 14cm), vi, 90pp. 22 colour plates, text illustrations. Original laminated boards. There is some light bumping to the top edges of the boards; otherwise, this book is in very good condition. ISBN 0195877314.

Softbound. Condition: VG+. Grey pebbled wraps. 68 pp. 29 BW plates. Issued in conjunction with several 1999 exhibitions featuring artwork by Chinese artists Xing Fei, Xu Bing, Longbin Chen, Zhao Suikang, Shang Yang, Zhang Dali, Liu Yan, Huang Yan, Zhu Jingshi, and Wang Huaxiang. With an opening essay by Patricia Eichenbaum Karetzky. Includes written work and poetry by Zhang Er, Yang Lian, Mo Fei, and Zhai Yongming, with an essay by Leonard Schwartz.

Soft cover. Condition: As New.

Hardback. Condition: New. It's hard to think of another contemporary Chinese photographer who fully exploits all the possibilities photography has to offer like Xu Yong. For his series 18% GRAY (2009) and MY FRIENDS (2020), he constructed a ten-centimetre-long metal ring, which was then affixed between the camera and the lens, causing the camera to lose focus so that the images are blurred. Xu Yong used this method to photograph his close friends and important places from his memories. He portrays, for example, the alleyway in Shanghai where he lived as a child, the Huangpu river, in which the ashes of his grandfather were scattered, and Tiananmen Square in Beijing. This publication is a visual autobiography which at the same time allows Xu Yong to demonstrate his great sensitivity for the realities of Chinese society.Text in English and Chinese.

Hardcover. Condition: new. Hardcover. It's hard to think of another contemporary Chinese photographer who fully exploits all the possibilities photography has to offer like Xu Yong. For his series 18% GRAY (2009) and MY FRIENDS (2020), he constructed a ten-centimetre-long metal ring, which was then affixed between the camera and the lens, causing the camera to lose focus so that the images are blurred. Xu Yong used this method to photograph his close friends and important places from his memories. He portrays, for example, the alleyway in Shanghai where he lived as a child, the Huangpu river, in which the ashes of his grandfather were scattered, and Tiananmen Square in Beijing. This publication is a visual autobiography which at the same time allows Xu Yong to demonstrate his great sensitivity for the realities of Chinese society. Text in English and Chinese. AUTHORS: Born in Shanghai in 1954, the artist Xu Yong graduated from Henan University of Science and Technology in China in 1978 and worked as a photographer for the state-run Beijing Advertising Agency in the 1980s. Hutong 101 Photos, which he shot in the late 1980s and published in 1990, creating a wide range of social impacts, is a milestone in Chinese photography. Typical works of Xu Yong include Xiaofangjia Hutong, Solution Scheme, This Face, Negatives: Scans, and 18% Grey. In 1993, the artist initiated and organised the 'Hutong Cultural Tour' to actively publicise and promote the protection of Beijing's hutongs (lanes, or alleys). In 2003, he organised the Reconstruction 798 public art activity in Beijing and was one of the main initiators of the famous 798 Art District. Patricia Eichenbaum Karetzky. Receiving her B.A. from New York University; M.A. from Hunter College and Ph.D., from the Institute of Fine Arts, New York University, Patricia Eichenbaum Karetzky is the Oskar Munsterberg Chair of Asian Art at Bard College, New York since 1988 and Adjunct Professor at Lehman College, City College of New York since 1994. Patricia has dual interests in contemporary and medieval Chinese art. She was assistant editor, co-editor, and editor of the Journal of Chinese Religions from 1991 to 1998 and has published numerous books and articles on medieval Chinese religious art and a multitude of articles on contemporary art in such journals as Yishu, the Journal of Contemporary Art, and Paradoxa. She has also curated many exhibitions and written catalogues on Chinese contemporary art. SELLING POINTS: . Xu Yong explores the boundaries of photography, with two series of his blurred images . Evidence of his keen sensitivity to photography and the realities of Chinese society 64 colour illustrations Its hard to think of another contemporary Chinese photographer who fully exploits all the possibilities photography has to offer like Xu Yong. This book compounds two of his series of blurred images, 18% GRAY (2009) and MY FRIENDS (2020). Text in English and Chinese. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. It's hard to think of another contemporary Chinese photographer who fully exploits all the possibilities photography has to offer like Xu Yong. For his series 18% GRAY (2009) and MY FRIENDS (2020), he constructed a ten-centimetre-long metal ring, which was then affixed between the camera and the lens, causing the camera to lose focus so that the images are blurred. Xu Yong used this method to photograph his close friends and important places from his memories. He portrays, for example, the alleyway in Shanghai where he lived as a child, the Huangpu river, in which the ashes of his grandfather were scattered, and Tiananmen Square in Beijing. This publication is a visual autobiography which at the same time allows Xu Yong to demonstrate his great sensitivity for the realities of Chinese society.Text in English and Chinese.

Condition: new.

Buch. Condition: Neu. Neuware -Kaum ein anderer zeitgenössischer chinesischer Fotograf lotet die Möglichkeiten der Fotografie so aus wie Xu Yong. Für seine Serien '18% GRAY' (2009) und 'MY FRIENDS' (2020) fertigte er einen zehn Zentimeter langen Metallring an, den er zwischen Kamera und Objektiv befestigte. Dadurch verliert die Kamera ihre Schärfefunktion und die Bilder werden stark verschwommen. Mit dieser Methode nahm Xu Yong Bilder von nahestehenden Freund\*innen und für ihn wichtigen Erinnerungsorten auf. Zu sehen sind unter anderem die Gasse in Shanghai, in der er während seiner Kindheit lebte, der Huangpu-Fluss, in dem die Asche seines Großvaters verstreut wurde sowie der Platz des Himmlischen Friedens in Peking. Die vorliegende Publikation ist eine visuelle Autobiografie, mit der Xu Yong zugleich seine hohe Sensibilität für die Realität der chinesischen Gesellschaft unter Beweis stellt. 168 pp. Chinesisch, Englisch.

Buch. Condition: Neu. Neuware -Kaum ein anderer zeitgenössischer chinesischer Fotograf lotet die Möglichkeiten der Fotografie so aus wie Xu Yong. Für seine Serien '18% GRAY' (2009) und 'MY FRIENDS' (2020) fertigte er einen zehn Zentimeter langen Metallring an, den er zwischen Kamera und Objektiv befestigte. Dadurch verliert die Kamera ihre Schärfefunktion und die Bilder werden stark verschwommen. Mit dieser Methode nahm Xu Yong Bilder von nahestehenden Freund\*innen und für ihn wichtigen Erinnerungsorten auf. Zu sehen sind unter anderem die Gasse in Shanghai, in der er während seiner Kindheit lebte, der Huangpu-Fluss, in dem die Asche seines Großvaters verstreut wurde sowie der Platz des Himmlischen Friedens in Peking. Die vorliegende Publikation ist eine visuelle Autobiografie, mit der Xu Yong zugleich seine hohe Sensibilität für die Realität der chinesischen Gesellschaft unter Beweis stellt. 168 pp. Chinesisch, Englisch.

Hardcover. Condition: Brand New. 168 pages. 11.50x1.06x8.66 inches. In Stock.

Buch. Condition: Neu. Neuware -Kaum ein anderer zeitgenössischer chinesischer Fotograf lotet die Möglichkeiten der Fotografie so aus wie Xu Yong. Für seine Serien '18% GRAY' (2009) und 'MY FRIENDS' (2020) fertigte er einen zehn Zentimeter langen Metallring an, den er zwischen Kamera und Objektiv befestigte. Dadurch verliert die Kamera ihre Schärfefunktion und die Bilder werden stark verschwommen. Mit dieser Methode nahm Xu Yong Bilder von nahestehenden Freund\*innen und für ihn wichtigen Erinnerungsorten auf. Zu sehen sind unter anderem die Gasse in Shanghai, in der er während seiner Kindheit lebte, der Huangpu-Fluss, in dem die Asche seines Großvaters verstreut wurde sowie der Platz des Himmlischen Friedens in Peking. Die vorliegende Publikation ist eine visuelle Autobiografie, mit der Xu Yong zugleich seine hohe Sensibilität für die Realität der chinesischen Gesellschaft unter Beweis stellt.

Condition: New.