Paper Monument (29 results)

Condition: acceptable. Paperback Book. Pages are still legible. Contains minimal underlining and or highlighting.

Condition: good. Paperback Book.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. . Satisfaction 100% guaranteed.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Condition: new. Paperback. In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-a-vis political activism?Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play?What other institutions, curators, or publics do you look to in formulating your own institutions position?Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed?How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artists role?How can art institutions be better?With contributions by: Regine Basha, Chloe Bass, Dena Beard, Zachary Cahill, Ken Chen, Lori Cole, Anne Ellegood, Anthony Elms, Deborah Fisher, Zanna Gilbert, Namita Gupta Wiggers, Larissa Harris, Pablo Helguera, Megan Heuer, Kemi Ilesanmi, Mary Jane Jacob, Alhena Katsof, Kristan Kennedy, Alex Klein, Jordan Martins, Amanda Parmer, Risa Puleo, Laura Raicovich, Sara Reisman, Chris Reitz, Nicolas Rodriguez Melo, Stephen Squibb, Elizabeth Thomas, Gilbert Vicario, and Anuradha Vikram. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: As New. Unread book in perfect condition.

Condition: new. New.

Paperback. Condition: New. In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism?Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play?What other institutions, curators, or publics do you look to in formulating your own institution's position?Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed?How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist's role?How can art institutions be better?With contributions by: Regine Basha, Chloë Bass, Dena Beard, Zachary Cahill, Ken Chen, Lori Cole, Anne Ellegood, Anthony Elms, Deborah Fisher, Zanna Gilbert, Namita Gupta Wiggers, Larissa Harris, Pablo Helguera, Megan Heuer, Kemi Ilesanmi, Mary Jane Jacob, Alhena Katsof, Kristan Kennedy, Alex Klein, Jordan Martins, Amanda Parmer, Risa Puleo, Laura Raicovich, Sara Reisman, Chris Reitz, Nicolás Rodríguez Melo, Stephen Squibb, Elizabeth Thomas, Gilbert Vicario, and Anuradha Vikram.…

Paperback. Condition: Brand New. 120 pages. 8.50x5.25x8.43 inches. In Stock.

Paperback. Condition: Brand New. 120 pages. 8.50x5.25x8.43 inches. In Stock.

Paperback. Condition: Brand New. 98 pages. 8.75x6.25x0.25 inches. In Stock.

Paperback. Condition: New. Special order direct from the distributor.

Paperback. Condition: Brand New. reprint edition. 56 pages. 8.50x4.25x0.25 inches. In Stock.

Paperback. Condition: Brand New. 128 pages. 8.50x7.50x0.50 inches. In Stock.

Paperback. Condition: Brand New. 120 pages. 8.50x5.25x8.43 inches. In Stock.

Paperback. Condition: Brand New. 72 pages. 8.50x5.25x0.25 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

paperback. Condition: Good.

Paperback. Condition: New. In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism?Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play?What other institutions, curators, or publics do you look to in formulating your own institution's position?Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed?How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist's role?How can art institutions be better?With contributions by: Regine Basha, Chloë Bass, Dena Beard, Zachary Cahill, Ken Chen, Lori Cole, Anne Ellegood, Anthony Elms, Deborah Fisher, Zanna Gilbert, Namita Gupta Wiggers, Larissa Harris, Pablo Helguera, Megan Heuer, Kemi Ilesanmi, Mary Jane Jacob, Alhena Katsof, Kristan Kennedy, Alex Klein, Jordan Martins, Amanda Parmer, Risa Puleo, Laura Raicovich, Sara Reisman, Chris Reitz, Nicolás Rodríguez Melo, Stephen Squibb, Elizabeth Thomas, Gilbert Vicario, and Anuradha Vikram.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.