Paper Monument (29 results)

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: very_good.

Condition: very_good.

Paperback. Condition: new. Paperback. In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-a-vis political activism?Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play?What other institutions, curators, or publics do you look to in formulating your own institutions position?Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed?How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artists role?How can art institutions be better?With contributions by: Regine Basha, Chloe Bass, Dena Beard, Zachary Cahill, Ken Chen, Lori Cole, Anne Ellegood, Anthony Elms, Deborah Fisher, Zanna Gilbert, Namita Gupta Wiggers, Larissa Harris, Pablo Helguera, Megan Heuer, Kemi Ilesanmi, Mary Jane Jacob, Alhena Katsof, Kristan Kennedy, Alex Klein, Jordan Martins, Amanda Parmer, Risa Puleo, Laura Raicovich, Sara Reisman, Chris Reitz, Nicolas Rodriguez Melo, Stephen Squibb, Elizabeth Thomas, Gilbert Vicario, and Anuradha Vikram. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condition: As New. Unread book in perfect condition.

Condition: new. New.

Paperback. Condition: Very Good. --ALL INVENTORY 40% OFF in Sept--Unmarked. Nick on cover. This anthology features essays feedback from artists on appropriate approaches for talking with artists about their work during studio visits. Contributors include Wendy Olsoff, James Bae, Jay Batlle, Naomi Fry, Paddy Johnson, David Levine, Bob Nickas, Richard Ryan, Roger White, and others. 56p. Measures 4.25x8.5 inches.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Paperback. Condition: New. In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism?Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play?What other institutions, curators, or publics do you look to in formulating your own institution's position?Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed?How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist's role?How can art institutions be better?With contributions by: Regine Basha, Chloë Bass, Dena Beard, Zachary Cahill, Ken Chen, Lori Cole, Anne Ellegood, Anthony Elms, Deborah Fisher, Zanna Gilbert, Namita Gupta Wiggers, Larissa Harris, Pablo Helguera, Megan Heuer, Kemi Ilesanmi, Mary Jane Jacob, Alhena Katsof, Kristan Kennedy, Alex Klein, Jordan Martins, Amanda Parmer, Risa Puleo, Laura Raicovich, Sara Reisman, Chris Reitz, Nicolás Rodríguez Melo, Stephen Squibb, Elizabeth Thomas, Gilbert Vicario, and Anuradha Vikram.…

Paperback. Condition: Brand New. 120 pages. 8.50x5.25x8.43 inches. In Stock.

Paperback. Condition: New. Special order direct from the distributor.

Paperback. Condition: Brand New. 98 pages. 8.75x6.25x0.25 inches. In Stock.

Paperback. Condition: Brand New. reprint edition. 56 pages. 8.50x4.25x0.25 inches. In Stock.

Paperback. Condition: Brand New. 72 pages. 8.50x5.25x0.25 inches. In Stock.

Paperback. Condition: Brand New. 128 pages. 8.50x7.50x0.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

paperback. Condition: Good.

Paperback. Condition: New. In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism?Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play?What other institutions, curators, or publics do you look to in formulating your own institution's position?Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed?How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist's role?How can art institutions be better?With contributions by: Regine Basha, Chloë Bass, Dena Beard, Zachary Cahill, Ken Chen, Lori Cole, Anne Ellegood, Anthony Elms, Deborah Fisher, Zanna Gilbert, Namita Gupta Wiggers, Larissa Harris, Pablo Helguera, Megan Heuer, Kemi Ilesanmi, Mary Jane Jacob, Alhena Katsof, Kristan Kennedy, Alex Klein, Jordan Martins, Amanda Parmer, Risa Puleo, Laura Raicovich, Sara Reisman, Chris Reitz, Nicolás Rodríguez Melo, Stephen Squibb, Elizabeth Thomas, Gilbert Vicario, and Anuradha Vikram.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.