Owen Hulatt (66 results)

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: New. pp. 256.

Paperback. Condition: Very Good. Paperback. Never read, pages are clean and unmarked. Book shows light shelfwear with a little curl at the corners.

hardcover. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: As New. No additions. Smart copy.

Paperback. Condition: New. Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the questionof aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy. …

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts. Num Pages: 272 pages. BIC Classification: HPN. Category: (P) Professional & Vocational. Dimension: 163 x 237 x 24. Weight in Grams: 514. . 2016. Hardcover. . . . .

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 256.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. In English.

Condition: New.

Condition: New. Editor(s): Hulatt, Owen. Series: Bloomsbury Studies in Philosophy. Num Pages: 256 pages, 1 halftone illus. BIC Classification: HPN. Category: (U) Tertiary Education (US: College). Dimension: 235 x 156 x 19. Weight in Grams: 358. . 2015. Paperback. . . . .

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. Series: Columbia Themes in Philosophy, Social Criticism, and the Arts. Num Pages: 272 pages. BIC Classification: HPN. Category: (P) Professional & Vocational. Dimension: 163 x 237 x 24. Weight in Grams: 514. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Editor(s): Hulatt, Owen. Series: Bloomsbury Studies in Philosophy. Num Pages: 256 pages, 1 halftone illus. BIC Classification: HPN. Category: (U) Tertiary Education (US: College). Dimension: 235 x 156 x 19. Weight in Grams: 358. . 2015. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New. In English.

Hardcover. Condition: New. Hardcover with printed boards, no dust jacket. Light marks to upper page block, otherwise like new condition. AD. Used.

Paperback. Condition: Brand New. reprint edition. 243 pages. 9.00x6.25x0.75 inches. In Stock.

Hardcover. Condition: Brand New. 245 pages. 9.50x6.25x0.75 inches. In Stock.

Condition: New. Owen Hulatt undertakes an original reading of Theodor W. Adorno s epistemology, deepening our understanding of his theories of truth, art, and the nonidentical. Hulatt s interpretation casts Adorno s theory of philosophical and aesthetic truth as substantia.

Paperback. Condition: New. Whether art can be wholly autonomous has been repeatedly challenged in the modern history of aesthetics. In this collection of specially-commissioned chapters, a team of experts discuss the extent to which art can be explained purely in terms of aesthetic categories. Covering examples from Philosophy, Music and Art History and drawing on continental and analytic sources, this volume clarifies the relationship between artworks and extra-aesthetic considerations, including historic, cultural or economic factors. It presents a comprehensive overview of the questionof aesthetic autonomy, exploring its relevance to both philosophy and the comprehension of specific artworks themselves. By closely examining how the creation of artworks, and our judgements of these artworks, relate to society and history, Aesthetic and Artistic Autonomy provides an insightful and sustained discussion of a major question in aesthetic philosophy. …

Buch. Condition: Neu. Neuware - Owen Hulatt undertakes an original reading of Theodor W. Adorno's epistemology, deepening our understanding of his theories of truth, art, and the nonidentical. Hulatt's interpretation casts Adorno's theory of philosophical and aesthetic truth as substantially unified, supporting his claim that both philosophy and art are capable of being true.…