Outi Remes (23 results)

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Condition: Good. Dust Jacket Condition: Fine. 1st Edition. 2010, hardback in jacket, 148 pages | this copy appears little read, though with some pencil underlining / notes on text; jacket is clean and bright with neat edges | carefully packaged and dispatched from UK within two working days.

Softbound. White wraps with light gray lettering, 36pp, 47 color and BW plates. Gallery catalog; five essays, a biography and artist statement interspersed with the plates. VG, small marks on white covers.

Paperback. Condition: New. New book, shop stock, may have slight edgewear.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In.

Condition: New. This book responds to the increase in live art programmed in many galleries and museums. The essays challenge the exclusion of live art from the the art history canon and explore participation, interactivity, digital and performative practices as presented in gallery spaces. Contributors include curators, academic scholars and practicing artists. Editor(s): Remes, Outi; MacCulloch, Laura; Leino, Marika. Series: Cultural Interactions: Studies in the Relationship Between the Arts. Num Pages: 243 pages, 16, 5 Ill. col. & 11 Ill. b/w. BIC Classification: ACV; AJ; ANC; ANH; JMAL. Category: (P) Professional & Vocational. Dimension: 227 x 152 x 15. Weight in Grams: 380. . 2014. New. paperback. . . . .

Condition: As New. Unread book in perfect condition.

Condition: New. This book responds to the increase in live art programmed in many galleries and museums. The essays challenge the exclusion of live art from the the art history canon and explore participation, interactivity, digital and performative practices as presented in gallery spaces. Contributors include curators, academic scholars and practicing artists. Editor(s): Remes, Outi; MacCulloch, Laura; Leino, Marika. Series: Cultural Interactions: Studies in the Relationship Between the Arts. Num Pages: 243 pages, 16, 5 Ill. col. & 11 Ill. b/w. BIC Classification: ACV; AJ; ANC; ANH; JMAL. Category: (P) Professional & Vocational. Dimension: 227 x 152 x 15. Weight in Grams: 380. . 2014. New. paperback. . . . . Books ship from the US and Ireland.

paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.

Paperback. Condition: New. This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.

Taschenbuch. Condition: Neu. Performativity in the Gallery | Staging Interactive Encounters | Outi Remes (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2014 | Peter Lang | EAN 9783034309660 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space. 258 pp. Englisch.

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book responds to the increase in live art programmed in many galleries and museums. The essays challenge the exclusion of live art from the the art history canon and explore participation, interactivity, digital and performative practices as presented .

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 268 pp. Englisch.