Orrin N C Wang (112 results)

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Like New. Clean copy. May have remainder mark.

Hardcover. Condition: Like New. Clean copy. May have remainder mark.

Condition: New. Explores the relationship among Romanticism, deconstruction, and Marxism by examining tropes of sensation and sobriety in a set of exemplary texts from Romantic literature and contemporary literary theory. Num Pages: 384 pages, 5, 5 black & white halftones. BIC Classification: DSA; DSBD; DSBF. Category: (G) General (US: Trade). Dimension: 228 x 162 x 27. Weight in Grams: 636. . 2011. hardcover. . . . . Books ship from the US and Ireland. …

Condition: New. Explores the relationship among Romanticism, deconstruction, and Marxism by examining tropes of sensation and sobriety in a set of exemplary texts from Romantic literature and contemporary literary theory. Num Pages: 384 pages, 5, 5 black & white halftones. BIC Classification: DSA; DSBD; DSBF. Category: (G) General (US: Trade). Dimension: 228 x 162 x 27. Weight in Grams: 636. . 2011. hardcover. . . . . …

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Shortlisted, Marilyn Gaull Book Award Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.…

Paperback. Condition: New. The archive of Romantic studies is every day expanding far beyond its Anglo-European confines, incorporating an ever-volatile constellation of works that, like World Literature, understands itself not in any monolithically Western sense but instead as a rhizomatic, polycentric expansion of temporalities, histories, and cultures. Here, a diverse cast of expert scholars reflect on how key concepts in Romantic literary and philosophical writings - periodicity, revolution, empire and settler culture, modernity, abolition, and the problem of language - inspire World Literature's conception of its own methodologies and texts. Covering writers ranging from Lord Byron, Immanuel Kant, Percy Bysshe Shelley, Lord Byron, and John Clare to Simon Bolivar, Hérard Dumesle, Hafez, Rabindranath Tagore, and Ocean Vuong, this collection showcases how the fields of Romanticism and World Literature interact in ways that create new horizons for the study of planetary culture. …

Paperback. Condition: New. The archive of Romantic studies is every day expanding far beyond its Anglo-European confines, incorporating an ever-volatile constellation of works that, like World Literature, understands itself not in any monolithically Western sense but instead as a rhizomatic, polycentric expansion of temporalities, histories, and cultures. Here, a diverse cast of expert scholars reflect on how key concepts in Romantic literary and philosophical writings - periodicity, revolution, empire and settler culture, modernity, abolition, and the problem of language - inspire World Literature's conception of its own methodologies and texts. Covering writers ranging from Lord Byron, Immanuel Kant, Percy Bysshe Shelley, Lord Byron, and John Clare to Simon Bolivar, Hérard Dumesle, Hafez, Rabindranath Tagore, and Ocean Vuong, this collection showcases how the fields of Romanticism and World Literature interact in ways that create new horizons for the study of planetary culture. …

Paperback. Condition: New. Shortlisted, Marilyn Gaull Book Award Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.…

Condition: new.

Condition: New. 2022. 1st Edition. Paperback. . . . . .

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. Shortlisted, Marilyn Gaull Book AwardTechno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory.Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene. Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts and is organized around both print and non-print media, both the print, pictorial art, and theater of that era as well as communicative technologies invented afterward, including photography, film, video, and digital screens. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. This collection provides new readings of Frankenstein from a myriad of established and burgeoning theoretical vantages including narrative theory, cognitive and affect theory, the new materialism, media theory, critical race theory, queer and gender studies, deconstruction, psychoanalysis, and others. Demonstrating how the literary power of Frankenstein rests on its ability to theorize questions of mind, self, language, matter, and the socio-historic that also drive these critical approaches, this volume illustrates the ongoing intellectual richness found both in Mary Shelley's work and contemporary ways of thinking about it. …

Condition: New.

Condition: New. In English.

Condition: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. 293 pages. 6.00x0.64x9.00 inches. In Stock.

Condition: New. In English.

Condition: New.

Condition: New.