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Hardcover. Condition: Fine. 1st Edition.
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Wittgenstein and Performance
Language: English
Published by Rowman & Littlefield, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Condition: New.
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Wittgenstein and Performance
Language: English
Published by Rowman & Littlefield, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Condition: As New. Unread book in perfect condition.
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Wittgenstein and Performance (Performance Philosophy)
Language: English
Published by Rowman & Littlefield, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
£ 91.77
£ 11.98 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketCondition: New. In.
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Wittgenstein and Performance
Language: English
Published by Rowman & Littlefield, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
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Wittgenstein and Performance (Performance Philosophy)
Language: English
Published by Rowman & Littlefield Publishers, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
Condition: New.
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Wittgenstein and Performance
Language: English
Published by Rowman & Littlefield, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: As New. Unread book in perfect condition.
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The Theatre of Death - The Uncanny in Mimesis: Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor (Performance Philosophy)
Book 5 of 20: Performance PhilosophySeller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
£ 117.36
£ 11.98 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketCondition: New. In English.
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Wittgenstein and Performance (Performance Philosophy)
Language: English
Published by Rowman & Littlefield Publishers, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Condition: New.
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The Theatre of Death - The Uncanny in Mimesis: Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor
Book 5 of 20: Performance PhilosophySeller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
First Edition
Condition: New. Series: Performance Philosophy. Num Pages: 336 pages, 1 black & white illustrations, biography. BIC Classification: AN; HP. Category: (G) General (US: Trade). Dimension: 159 x 219 x 25. Weight in Grams: 598. . 2016. 1st ed. 2016. Hardcover. . . . .
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Paperback. Condition: Brand New. 349 pages. 8.26x5.82x0.80 inches. In Stock.
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Condition: New. 1st ed. 2016 edition NO-PA16APR2015-KAP.
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Wittgenstein and Performance
Language: English
Published by Rowman & Littlefield Pub Inc, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Hardcover. Condition: Brand New. 266 pages. 9.00x6.00x0.75 inches. In Stock.
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Taschenbuch. Condition: Neu. The Theatre of Death - The Uncanny in Mimesis | Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor | Mischa Twitchin | Taschenbuch | xiii | Englisch | 2020 | Palgrave Macmillan | EAN 9781349693481 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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Condition: New. Series: Performance Philosophy. Num Pages: 336 pages, 1 black & white illustrations, biography. BIC Classification: AN; HP. Category: (G) General (US: Trade). Dimension: 159 x 219 x 25. Weight in Grams: 598. . 2016. 1st ed. 2016. Hardcover. . . . . Books ship from the US and Ireland.
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Hardcover. Condition: Brand New. 336 pages. 8.50x6.00x1.00 inches. In Stock.
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Paperback. Condition: Brand New. 349 pages. 8.26x5.82x0.80 inches. In Stock.
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Hardcover. Condition: Like New. Like New. book.
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Paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
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Condition: As New. Unread book in perfect condition.
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Perfomance Philosophy: The Theatre of Death - The Uncanny in Mimesis: Tadeusz Kantor, Aby Warburg and an Iconology of the Actor. [SERIES]: Performance Philosophy.
Published by Palgrave Macmillan, London, 2016
15.5x21.5 cm. xiii(13) + 336 pages. Hard cover. Good condition. The book is in : English.
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Wittgenstein and Performance
Language: English
Published by Bloomsbury Publishing (UK), 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Wittgenstein and Performance
Language: English
Published by Bloomsbury Publishing (UK), 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
£ 93.20
£ 5.02 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketHRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Condition: new. Questo è un articolo print on demand.
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Condition: new. Questo è un articolo print on demand.
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Wittgenstein and Performance (Hardcover)
Language: English
Published by Bloomsbury Publishing Plc, Lanham, MD, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Hardcover. Condition: new. Hardcover. Embodying Wittgensteins own aphorism of youd be surprised, this collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgensteins inspiration in and for the different practices that are explored in each essay. Between Wittgensteins proposals in the Tractatus that the world is all that is the case and in the Philosophical Investigations that words are also deeds, how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy? Contributors: Ne Barros, Charles Bernstein, Simon Bowes, Jonathan Burrows, Miles Champion, Will Daddario, Veronika Darida, Francoise Davoine, Peter S. Dillard, Signe Gjessing, Kenneth Goldsmith, Derek Gottlieb, Anthony Howell, Sam Kinchin-Smith, Alice Lagaay, Sue MacLaine, Ray Monk, Bernard Mueller, Marjorie Perloff, Tom Raworth, Max Richter, Bo Tarenskeen, The Aesthetics Group (Dublin), Mischa Twitchin, Lukas M. Verburgt, Peter Verburgt. This collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Wittgenstein and Performance (Hardcover)
Language: English
Published by Bloomsbury Publishing Plc, Lanham, MD, 2024
ISBN 10: 1538175096 ISBN 13: 9781538175095
Hardcover. Condition: new. Hardcover. Embodying Wittgensteins own aphorism of youd be surprised, this collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgensteins inspiration in and for the different practices that are explored in each essay. Between Wittgensteins proposals in the Tractatus that the world is all that is the case and in the Philosophical Investigations that words are also deeds, how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy? Contributors: Ne Barros, Charles Bernstein, Simon Bowes, Jonathan Burrows, Miles Champion, Will Daddario, Veronika Darida, Francoise Davoine, Peter S. Dillard, Signe Gjessing, Kenneth Goldsmith, Derek Gottlieb, Anthony Howell, Sam Kinchin-Smith, Alice Lagaay, Sue MacLaine, Ray Monk, Bernard Mueller, Marjorie Perloff, Tom Raworth, Max Richter, Bo Tarenskeen, The Aesthetics Group (Dublin), Mischa Twitchin, Lukas M. Verburgt, Peter Verburgt. This collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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The Theatre of Death ¿ The Uncanny in Mimesis
Book 5 of 20: Performance PhilosophyLanguage: English
Published by Palgrave Macmillan UK Sep 2020, 2020
ISBN 10: 1349693480 ISBN 13: 9781349693481
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Seller rating 5 out of 5 stars
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book is concerned with such questions as the following: What is the life of the past in the present How might 'the theatre of death' and 'the uncanny in mimesis' allow us to conceive of the afterlife of a supposedly ephemeral art practice How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists - from Craig to Castellucci - have conceived of the actor in the image of the dead Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny.Walter Benjamin once observed that: 'The point at issuein the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living.' If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre,how might avant-garde theatre be thought of in terms of this same relation 'today' 352 pp. Englisch.
