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Synopsis
Embodying Wittgenstein’s own aphorism of “you’d be surprised,” this collection of original essays by both artists and academics explores the significance of Wittgenstein’s writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT.
Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgenstein’s inspiration in and for the different practices that are explored in each essay. Between Wittgenstein’s proposals in the Tractatus that “the world is all that is the case” and in the Philosophical Investigations that “words are also deeds,” how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy?
Contributors: Né Barros, Charles Bernstein, Simon Bowes, Jonathan Burrows, Miles Champion, Will Daddario, Veronika Darida, Françoise Davoine, Peter S. Dillard, Signe Gjessing, Kenneth Goldsmith, Derek Gottlieb, Anthony Howell, Sam Kinchin-Smith, Alice Lagaay, Sue MacLaine, Ray Monk, Bernard Müller, Marjorie Perloff, Tom Raworth, Max Richter, Bo Tarenskeen, The Aesthetics Group (Dublin), Mischa Twitchin, Lukas M. Verburgt, Peter Verburgt.
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About the Author
Mischa Twitchin is a senior lecturer in the theatre and performance department at Goldsmiths, University of London.
"About this title" may belong to another edition of this title.
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Hardcover. Condition: new. Hardcover. Embodying Wittgensteins own aphorism of youd be surprised, this collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. Fundamentally, the collection shifts the discussion of philosophy and performance away from the well-established distinction between Analytic and Continental traditions to offer examples of Wittgensteins inspiration in and for the different practices that are explored in each essay. Between Wittgensteins proposals in the Tractatus that the world is all that is the case and in the Philosophical Investigations that words are also deeds, how might the thought of philosophical questions already inform those of and for performance? How do conceptions of the limits of the one articulate those of the other? And how might such questions be not simply a matter of philosophy or performance alone, but indeed of and for performance philosophy? Contributors: Ne Barros, Charles Bernstein, Simon Bowes, Jonathan Burrows, Miles Champion, Will Daddario, Veronika Darida, Francoise Davoine, Peter S. Dillard, Signe Gjessing, Kenneth Goldsmith, Derek Gottlieb, Anthony Howell, Sam Kinchin-Smith, Alice Lagaay, Sue MacLaine, Ray Monk, Bernard Mueller, Marjorie Perloff, Tom Raworth, Max Richter, Bo Tarenskeen, The Aesthetics Group (Dublin), Mischa Twitchin, Lukas M. Verburgt, Peter Verburgt. This collection of original essays by both artists and academics explores the significance of Wittgensteins writings across a diverse field of performance practices, including poetics and choreography, theatre, and psychotherapy, as well as reflections on political thought and ChatGPT. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781538175095
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