Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Edinburgh University Press, GB, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Edinburgh University Press, Edinburgh, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Paperback. Condition: new. Paperback. The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Edinburgh University Press, GB, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 144.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Condition: New. pp. 144.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Language: English
Published by Edinburgh University Press -, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Paperback. Condition: New.
Language: English
Published by EDINBURGH UNIVERSITY PRESS, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Condition: New. pp. 144.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by EDINBURGH UNIVERSITY PRESS, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 133 pages. 8.25x5.25x0.30 inches. In Stock.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
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Condition: As New. Unread book in perfect condition.
Published by Fédération des sociétés d'histoire et d'archéologie de l'Aisne, 2005
Seller: Bonnaud, Chierry, France
broché. in-8 270 pages illustré de photos et tableaux, très bel état. Ajustement des frais d'envoi en fonction du poids.
Language: English
Published by Edinburgh University Press, Edinburgh, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by Fédération des sociétés d'histoire et d'archéologie de l'Aisne, 2005
Seller: Bonnaud, Chierry, France
broché. in-8 270 pages illustré de photos et tableaux, très bel état. Ajustement des frais d'envoi en fonction du poids.
Language: English
Published by Edinburgh University Press, GB, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: moluna, Greven, Germany
Kartoniert / Broschiert. Condition: New. Über den AutorrnrnMichelle Royer is Associate Professor and Chair of the Department of French and Francophone Studies at the University of Sydney, where she teaches French speaking cinema. Her research focuses on 20th and 21st Century ci.
Published by Fédération des sociétés d'histoire et d'archéologie de l'Aisne, 2005
Seller: Bonnaud, Chierry, France
broché. in-8 270 pages illustré de photos et tableaux, très bel état. Ajustement des frais d'envoi en fonction du poids.
Language: English
Published by Edinburgh University Press Jun 2019, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware.
Language: English
Published by Edinburgh University Press, GB, 2019
ISBN 10: 1474427855 ISBN 13: 9781474427852
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
Language: English
Published by Edinburgh University Press 2019-06-30, 2019
ISBN 10: 1474440541 ISBN 13: 9781474440547
Seller: Chiron Media, Wallingford, United Kingdom
Hardcover. Condition: New.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474440541 ISBN 13: 9781474440547
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In.
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474440541 ISBN 13: 9781474440547
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. 2019. 1st Edition. hardcover. . . . . .
Language: English
Published by Edinburgh University Press, 2019
ISBN 10: 1474440541 ISBN 13: 9781474440547
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 3 working days.
Language: English
Published by Edinburgh University Press, GB, 2019
ISBN 10: 1474440541 ISBN 13: 9781474440547
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Hardback. Condition: New. The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.