Michael Raedecker (68 results)

Soft cover. Condition: Near Fine. Parkett #65. English and German text. Insert by Lou Reed. NF. Softcover, French flaps, pictorial stiff wraps, approx. 240 pp, color and b&w illustrations, light edgewear, else a nice and crisp copy. Extra shipping may apply.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condition: New. pp. 300.

Condition: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 28 (weekend SALE item)* 12 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Soft cover. Condition: Near Fine. Parkett #66. English and German text. Insert by Daniel Buren. NF. Softcover, French flaps, pictorial stiff wraps, approx. 225 pp, color and b&w illustrations, light edgewear, else a nice and crisp copy. Extra shipping may apply.

Paperback. Condition: Brand New. bilingual edition. 300 pages. German language. 10.25x8.25x0.75 inches. In Stock.

Condition: Fine. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 28 (weekend SALE item)* 80 pp., Hardcover, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. …

Hardcover. Condition: Very Good. 1st Edition. Published on the occasion of the exhibition organised by Camden Arts Centre in association with Carré d'Art-Musée d'art contemporain de Nîmes, Nîmes, and GEM Museum for Contemporary Art, The Hague. 87 p. : ill. First edition, first printing. Grey cloth boards, slight shelf wear and fading to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Gr.8° Broschur/Klebebindung. Condition: Sehr gut. 36 S. zahlr. Abb. das Buch ist in sehr gutem Zustand, ISBN: 3901264353 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 169.…

Paperback. Condition: Very Good. Very lightly rubbed at edges of covers. Previous owner's address label in top corner of back cover. Spine not creased. Landscape format. 220 x 245 mm. 48 pp. A collection of abandoned landscapes, empty interiors and mug-shot portraits by Dutch painter Michael Raedecker. With contributions by Jan Debbaut, Edwina Ashton and Patricia Ellis. Published on the occasion of the exhibition. Text in English. Book.…

Hardcover. Condition: Fine. ISBN 3720401396. Book is in fine condition with colour photographs.

Hardcover. Condition: Fine. Qto., 88 pages, colour illustrated. Looks as new, a Fine copy.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 300.

Condition: New.

Condition: New. pp. 300.

Hardcover. Condition: Sehr gut. 56 S. On the occassion of the exhibition at Hauser & Wirth, Zürich, 2005. ISBN: 9783039390373 Sprache: Englisch Gewicht in Gramm: 640.

First Edition. 23 x 17 cm 32 pp with colour illustrations. German and English dual text. Wrappers with flaps, a fine copy. With an interview with the artist by Hildegund Amanshauser.

Hardcover. Condition: Near fine. No dj, as issued. First Edition. 25 x 31cm 88pp near fine hardback exhibition catalogue with a conversation between Michael Raedecker and Laura Hoptman, plus colour reproductions.

Imperial octavo, hard cover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

Softcover, staple-bound, 12 pages, very good condition; clean and crisp; no internal marks.

Hardcover. Condition: Fine. 1st Edition. Cloth covered boards (hardcover), 87 pages : chiefly color illustrations ; 32 cm. Fine/as new.

Broschiert. Condition: Sehr gut. 37 S. Sehr guter Zustand. Mit zahlr. Abb. Sprache: Deutsch Gewicht in Gramm: 165.

Hardcover. Condition: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. Only 2000 copies printed. Hardcover. English. See images for condition. About the book >.>.> Like many, if not most painters of his generation, Michael Raedecker is a scavenger of images as indebted to modern cinema, advertising and print-media as he is to the rich history of European painting to which he, a Dutchman, is an obvious heir. This heritage, however, has grown in importance over the years as he engages with an expanding list of traditional genres: landscape, interior, still life, vanitas painting, even modernist abstraction. The point of departure for any given work is usually a detail from a catalogue, filmstill or magazine, which he then refines in the form of a sketch, and this becomes the blueprint from which a painting is patiently elaborated. The frequently ephemeral nature of the source material contrasts with the invariably time-consuming nature of the picture-making process, a unique combination of painting and embroidery in which pictorial illusionism is constantly undermined by the insistent physicality and contrapuntal play of roughly sluiced paint and painstakingly threaded.…