Mcclendon Emma (66 results)

Condition: New. 2019. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: New. 2019. hardcover. . Not a first edition copy. . . .

Hardcover. Condition: New. New copy.

hardcover. Condition: Used-Very Good. Cloth, no dj. (as issued). Slight shelf-wear, else bright and clean.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. The power of mode and the role of fashion from the 18th century to the present.Power is part identity, part behavior, and part physicality. The way we outfit ourselves can play an outsized role in conveying power to others - whether it be the pink "pussy hats" at the 2017 Women's March or the Cleveland Cavaliers' coordinated Thom Browne suits during the 2018 NBA playoffs. However, power is not easily defined. It is political position and economic status, but it is also military strength, sexual authority, rebellion, and protest. Each form of power finds sartorial expression in a variety of ways, from gray flannel suits to latex fetish wear, and from gilded brocades to distressed jeans. Power Mode will explore the role fashion plays in establishing, reinforcing, and challenging power dynamics within society. Published as a companion to The Museum at FIT exhibition of the same title, which will be on view from December 2019 to May 2020, the book will offer a more in-depth discussion of the themes and objects explored in the exhibition. It will be organized thematically into five chapters-military, suits, status, rebellion, and sex-written by exhibition curator Emma McClendon. Each chapter will include both men's and women's clothing from the 18th century to the present and will investigate how certain designs and garments have come to be culturally associated with power, as well as how their meanings have evolved over time. The book will also examine how fashion designers have interpreted these stylistic archetypes-both to convey and to subvert power.In addition to the main chapters written by McClendon, Power Mode will include object-based essays from renowned fashion scholars Valerie Steele, Christopher Breward, Jennifer Craik, and Peter McNeil, as well as Pulitzer-Prize-winning journalist Robin Givahn. Each short study will provide a close reading of a single garment. This collection of essays will offer readers a variety of perspectives and analytical techniques that will help form a theoretical and practical framework for considering the power dynamics inherent in fashion objects. The book will also include an essay on the intersection of race, fashion, and power by Parsons professor Kimberly Jenkins. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: New. A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes2025 Winner of Midwest Art History Society Awards for Outstanding Catalogs Expanding the history of American fashion, this volume highlights garments that carry material traces of everyday wearers' bodies, such as stains, rips, tears, mending, and signs of hand-craftsmanship. In-depth examinations of ten case-study objects-ranging from activist Jae Jarrell's Urban Wall Suit (ca. 1969) to an unknown child's pair of sneakers found at a migrant pickup site in the Sonoran Desert (2009-10)-reveal the ways worn objects are witnesses to American history.By foregrounding worn, ordinary, and imperfect garments, the essays in this volume respond to the fact that histories of American fashion have traditionally centered on mass-manufactured American sportswear, notable designers, whitewashed histories of Western wear, and the "American Look." This canon, though familiar, stands starkly at odds with the lived realities of the American experience. Interviews with wearers and makers, family photographs, and detailed object photography illuminate absences and omissions in the dominant narratives of American fashion. (Re)Dressing American Fashion: Wear as Witness thus sheds new light on how fashion and dress have been used to shape and challenge constructs of American identity at the intersections of race, ethnicity, body size, ability, and gender over more than two centuries. Distributed for Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York(February 21-July 6, 2025).…

Condition: New.

Cartonato. Condition: new. Edited by Emma McClendon.English Text.Milano, 2019; hardback, pp. 168, 65 col. ill., cm 25x30,5. Libro.

Condition: New.

Condition: new.

Paperback. Condition: New. A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes2025 Winner of Midwest Art History Society Awards for Outstanding Catalogs Expanding the history of American fashion, this volume highlights garments that carry material traces of everyday wearers' bodies, such as stains, rips, tears, mending, and signs of hand-craftsmanship. In-depth examinations of ten case-study objects-ranging from activist Jae Jarrell's Urban Wall Suit (ca. 1969) to an unknown child's pair of sneakers found at a migrant pickup site in the Sonoran Desert (2009-10)-reveal the ways worn objects are witnesses to American history.By foregrounding worn, ordinary, and imperfect garments, the essays in this volume respond to the fact that histories of American fashion have traditionally centered on mass-manufactured American sportswear, notable designers, whitewashed histories of Western wear, and the "American Look." This canon, though familiar, stands starkly at odds with the lived realities of the American experience. Interviews with wearers and makers, family photographs, and detailed object photography illuminate absences and omissions in the dominant narratives of American fashion. (Re)Dressing American Fashion: Wear as Witness thus sheds new light on how fashion and dress have been used to shape and challenge constructs of American identity at the intersections of race, ethnicity, body size, ability, and gender over more than two centuries. Distributed for Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York(February 21-July 6, 2025).…

Paperback. Condition: Brand New. 214 pages. 9.75x8.75x0.75 inches. In Stock.

Condition: New.

Condition: New. In English.

paperback. Condition: New.

Condition: NEW.

paperback. Condition: New. Special order direct from the distributor.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Brand New. 01 edition. 119 pages. French language. 12.25x9.75x0.75 inches. In Stock.

Paperback. Condition: new. Paperback. A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes Expanding the history of American fashion, this volume highlights garments that carry material traces of everyday wearers' bodies, such as stains, rips, tears, mending, and signs of hand-craftsmanship. In-depth examinations of ten case-study objectsranging from activist Jae Jarrell's Urban Wall Suit (ca. 1969) to an unknown child's pair of sneakers found at a migrant pickup site in the Sonoran Desert (200910)reveal the ways worn objects are witnesses to American history. By foregrounding worn, ordinary, and imperfect garments, the essays in this volume respond to the fact that histories of American fashion have traditionally centered on mass-manufactured American sportswear, notable designers, whitewashed histories of Western wear, and the "American Look." This canon, though familiar, stands starkly at odds with the lived realities of the American experience. Interviews with wearers and makers, family photographs, and detailed object photography illuminate absences and omissions in the dominant narratives of American fashion. (Re)Dressing American Fashion: Wear as Witness thus sheds new light on how fashion and dress have been used to shape and challenge constructs of American identity at the intersections of race, ethnicity, body size, ability, and gender over more than two centuries. Distributed for Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (February 21July 6, 2025) A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: As New. Unread book in perfect condition.