Mazzoni Guido (607 results)

Soft cover. Condition: Very Good. Softcover in VG- condition (pages yellowing, particularly the margins, light wear). 524 unmarked pages in Italian. [1 lb]. Book.

Paperback. Condition: Good. Retired library book with usual library markings. Text free of underlining, writing and highlighting. Fabric tape reinforced at spine. Edge wear and tear to wraps. 412 p. 19 cm.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: Very Good. 3rd edition. Rebound in cloth. Very good copy. Pages browned; some wear and staining to cover. #.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. None. 495 pages. Cream cloth, gilt design/red title label on spine. All Edges Red. Covers soiled. Edges of boards bumped. Record # 804001.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Couverture souple. Condition: Assez bon. Nicola Zanichelli collection , 1961. 1 volume broché(s) format In-8 correct nona edizione.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Paperback or Softback. Condition: New. Nuove Poesie. Book.

Condition: Good. first edition; 66 pp, light general age toning and paper wrappers lightly soiled but mostly unopened. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Idioma/Language: Español. En una arquitectura minuciosamente estudiada, este poemario entrelaza voces y temas diversos. En un primer plano, se encuentra una persona cualquiera de las ciudades del mundo occidental, un individuo que experimenta el vacío, la soledad y la extrañeza hacia sí mismo y los demás. Luego están los otros: los individuos con los que el yo se encuentra o a los que observa desde lejos, y que en algunos casos toman la palabra para hacer visible la complejidad de los destinos personales. Por último, a su alrededor, está el plano de los destinos generales, los grandes acontecimientos colectivos que condicionan nuestras vidas y que se manifiestan en forma de experiencias directas o, más a menudo, de espectáculos: los conflictos de los años setenta evocados en el transcurso de una conversación, el G8 de Génova, el 11 de septiembre visto en la televisión, los vídeos del ISIS. . . Un poemario que parte de las superficies (las ventanillas de trenes y aviones, las pantallas de los medios de comunicación, los rostros de los demás) para buscar la profundidad, alternando verso y prosa para ofrecer una imagen plausible de lo que significa estar vivo en el siglo XXI. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: MOLTO BUONO. Firenze, G.C.Sansoni Editore cm.16x24, pp.30,(8), brossura, cop.e frontespizio figg.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. No Jacket. Very Good clean solid hardback copy. This copy was nicely rebound in 3/4 cloth with marbled paper in the 1940s? The original wrappers are not present. Some internal foxing. #.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: new. Hardcover. An incisive, unified account of modern poetry in the Western tradition, arguing that the emergence of the lyric as a dominant verse style is emblematic of the age of the individual.Between the end of the eighteenth century and the beginning of the twentieth, poetry in the West was transformed. The now-common idea that poetry mostly corresponds with the lyric in the modern sense-a genre in which a first-person speaker talks self-referentially-was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature.On Modern Poetry reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Glueck. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music.The result is a rich history of literary modernity and a bold new account of poetry's transformations across centuries and national traditions. Guido Mazzoni tells the story of poetrys revolution in the modern age. The chief transformation was the rise of the lyric as it is now conceived: a genre in which a first-person speaker talks about itself. Mazzoni argues that modern poetry embodies the age of the individual and has wrought profound changes in the expectations of readers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardback. Condition: New. An incisive, unified account of modern poetry in the Western tradition, arguing that the emergence of the lyric as a dominant verse style is emblematic of the age of the individual.Between the end of the eighteenth century and the beginning of the twentieth, poetry in the West was transformed. The now-common idea that poetry mostly corresponds with the lyric in the modern sense-a genre in which a first-person speaker talks self-referentially-was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature.On Modern Poetry reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Glück. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music.The result is a rich history of literary modernity and a bold new account of poetry's transformations across centuries and national traditions.…