Mayda Del Valle (9 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: New. Brand New.

Paperback. Condition: new. Paperback. As a child of Puerto Rican migrants on Chicagos Southside, Maydas Del Valles poetry utilizes part Spanish and English, part hip-hop and salsa, part Nas and Sonia Sanchez, part Shakespeare and John Leguizamo. It is inherited history as well as traditions remixed and invented.Del Valle creates autobiographical narratives that utilize spoken word poetry and music, intended equally for the page and live performance. Rooted in the aesthetics of hip-hop and the urban Latino experience, the poems here explore themes of healing, transformation, and the recovery of ancestral memory in the modern-day diaspora. The beauty of this collection is that the poet manages to curate the flow such that the reader can DJ the poemsarrange their own set and thus, to borrow a phrase from that system, spin their own performance. As a child of Puerto Rican migrants on Chicago's Southside, Mayda's Del Valle's poetry utilizes part Spanish and English, part hip-hop and salsa, part Nas and Sonia Sanchez, part Shakespeare and John Leguizamo. It is inherited history as well as traditions remixed and invented. The beauty of this collection is that the poet manages to curate the flow such that the reader can DJ the poems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condition: New. Special order direct from the distributor.

Paperback. Condition: Brand New. 39 pages. 7.00x5.00x0.25 inches. In Stock.

Paperback. Condition: new. Paperback. As a child of Puerto Rican migrants on Chicagos Southside, Maydas Del Valles poetry utilizes part Spanish and English, part hip-hop and salsa, part Nas and Sonia Sanchez, part Shakespeare and John Leguizamo. It is inherited history as well as traditions remixed and invented.Del Valle creates autobiographical narratives that utilize spoken word poetry and music, intended equally for the page and live performance. Rooted in the aesthetics of hip-hop and the urban Latino experience, the poems here explore themes of healing, transformation, and the recovery of ancestral memory in the modern-day diaspora. The beauty of this collection is that the poet manages to curate the flow such that the reader can DJ the poemsarrange their own set and thus, to borrow a phrase from that system, spin their own performance. As a child of Puerto Rican migrants on Chicago's Southside, Mayda's Del Valle's poetry utilizes part Spanish and English, part hip-hop and salsa, part Nas and Sonia Sanchez, part Shakespeare and John Leguizamo. It is inherited history as well as traditions remixed and invented. The beauty of this collection is that the poet manages to curate the flow such that the reader can DJ the poems. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. As a child of Puerto Rican migrants on Chicago s Southside, Mayda s Del Valle s poetry utilizes part Spanish and English, part hip-hop and salsa, part Nas and Sonia Sanchez, part Shakespeare and John Leguizamo. It is inherited history as well as traditions .

Taschenbuch. Condition: Neu. Neuware - As a child of Puerto Rican migrants on Chicago's Southside, Mayda's Del Valle's poetry utilizes part Spanish and English, part hip-hop and salsa, part Nas and Sonia Sanchez, part Shakespeare and John Leguizamo. It is inherited history as well as traditions remixed and invented.Del Valle creates autobiographical narratives that utilize spoken word poetry and music, intended equally for the page and live performance. Rooted in the aesthetics of hip-hop and the urban Latino experience, the poems here explore themes of healing, transformation, and the recovery of ancestral memory in the modern-day diaspora. The beauty of this collection is that the poet manages to curate the flow such that the reader can DJ the poemsarrange their own set and thus, to borrow a phrase from that system, "spin" their own performance.