Malas Mohammad (12 results)

- Softcover
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
Contact seller5-star sellerCondition: Used - Good
£ 19.57
Free ShippingShips within U.S.A.Quantity: 14 available
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: New
£ 17.51
£ 2.00 shippingShips within U.S.A.Quantity: Over 20 available
Condition: New.

Language: English
Published by The American University in Cairo Press, EG 2016
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
£ 19.60
Free ShippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Paperback. Condition: New. In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Ba…rajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.

- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
£ 17.84
£ 2.00 shippingShips within U.S.A.Quantity: Over 20 available
Condition: As New. Unread book in perfect condition.

Language: English
Published by The American University in Cairo Press, Cairo 2016
- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
£ 25.84
Free ShippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila,… Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 15.69
£ 10.00 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Paperback. Condition: Brand New. 1st edition. 160 pages. 8.75x6.00x0.50 inches. In Stock.

- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
Contact seller5-star sellerCondition: New
£ 19.95
£ 11.98 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New. In.

- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
£ 16.87
£ 15.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New.

Language: English
Published by The American University in Cairo Press, Cairo 2016
- Softcover
Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
£ 39.61
£ 28.04 shippingShips from Australia to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila,… Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
£ 65.36
£ 15.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: As New. Unread book in perfect condition.

Language: English
Published by The American University in Cairo Press, EG 2016
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
£ 16.88
£ 65.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Paperback. Condition: New. In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila, Burj al-Ba…rajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.

Language: English
Published by American University In Cairo Press Dez 2016 2016
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
£ 29.20
£ 52.90 shippingShips from Germany to U.S.A.Quantity: 2 available
Taschenbuch. Condition: Neu. Neuware - In 1980, Syrian filmmaker Mohammad Malas traveled to Lebanon to film a documentary of interviews with Palestinians of the refugee camps around Beirut about their dreams. The Dream: A Diary of the Film is Malas's haunting chronicle of his immersion in the life of the camps, including Shatila…, Burj al-Barajneh, Nahr al-Bared, and Ein al-Helweh. It also describes the filmmaking process, from the research stage to the film's unofficial release, in Shatila Camp, before it reached a global audience. In vivid and poetic detail, Malas provides a snapshot of Palestinian refugees at a critical juncture of Lebanon's bloody civil war, and at the height of the PLO's power in Lebanon before the 1982 Israeli invasion and the PLO's subsequent expulsion. Malas probes his subjects' dreams and existential fears with an artist's acute sensitivity, revealing the extent to which the wounds and contingencies of Palestinian statelessness are woven into the tapestry of a fragmented Arab nationalism. Although he halted his work on the film in 1982, following the massacres of Sabra and Shatila, he completed it in 1987, turning 400 interviews into 23 dreams and 45 minutes of screen time. Both diary and film present these people somewhere between present and past tense, but they are preserved forever in the word, magnetic tape, and now in digital code. The Dream is essential reading for anyone interested in the history of the Palestinians in the modern Middle East, and for students and scholars of Arab filmmaking, politics, and literature.