Macpherson Ben (90 results)

paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. Raphael Achache (illustrator).…

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Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Singing Utopia is a unique and ambitious work which asks us to listen differently to voice in musical theatre. Across fifteen case studies from Florodora to Hadestown, Ben Macpherson hears something utopian in the extraordinary, emotional, and situational directness of singing voices as they escape the confines of everyday life. Yet, as this book discovers, the very nature of utopia is paradoxical, fraught with undercurrents of nostalgia, melancholy, and the perpetual threat of the dystopian. Singing Utopia listens across these fault lines in our understanding of utopia and asks what it means for a musical to give voice to an imagined world which is always a contradiction in terms. Who gets to inhabit such a world? Who is excluded? How can we locate utopia in musical theatre voices, and what might be the consequences when its complexities are exposed?Listening for answers to these questions, implicitly connected with concerns of class, race, gender, and culture, the author draws on a diverse range of approaches, including voice studies, musicology, sound studies, literary studies, political philosophy, and ethnography. In doing so, Singing Utopia examines current ways of listening while moving beyond them to develop a series of new terms, including 'decadent appropriation', 'simuloquism', two kinds of 'voiceworld', and three new approaches to the chorus and ensemble. This book offers an original and provocative account of musical theatre singing, exposing the power, possibilities, and paradoxes heard in voices that promise 'something better'-whatever, in the end, that might be.…

Paperback. Condition: Brand New. 280 pages. 6.17x0.68x9.27 inches. In Stock.

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Paperback. Condition: new. Paperback. Singing Utopia is a unique and ambitious work which asks us to listen differently to voice in musical theatre. Across fifteen case studies from Florodora to Hadestown, Ben Macpherson hears something utopian in the extraordinary, emotional, and situational directness of singing voices as they escape the confines of everyday life. Yet, as this book discovers, the very nature of utopia is paradoxical, fraught with undercurrents of nostalgia,melancholy, and the perpetual threat of the dystopian. Singing Utopia listens across these fault lines in our understanding of utopia and asks what it means for a musical to give voice to an imagined world which is always acontradiction in terms. Who gets to inhabit such a world? Who is excluded? How can we locate utopia in musical theatre voices, and what might be the consequences when its complexities are exposed?Listening for answers to these questions, implicitly connected with concerns of class, race, gender, and culture, the author draws on a diverse range of approaches, including voice studies, musicology, sound studies, literary studies, political philosophy, and ethnography. Indoing so, Singing Utopia examines current ways of listening while moving beyond them to develop a series of new terms, including 'decadent appropriation', 'simuloquism', two kinds of 'voiceworld', andthree new approaches to the chorus and ensemble. This book offers an original and provocative account of musical theatre singing, exposing the power, possibilities, and paradoxes heard in voices that promise 'something better'-whatever, in the end, that might be. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New. In English.

paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2025. paperback. . . . . .

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

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Paperback. Condition: Brand New. 280 pages. 6.17x0.68x9.27 inches. In Stock.

Condition: new. Sawyer, Ben; MacPherson, Coryn; Camero, Diana (illustrator).

Paperback. Condition: New. Sawyer, Ben; MacPherson, Coryn; Camero, Diana (illustrator).

Condition: NEW.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - Singing Utopia is a unique and ambitious work which asks us to listen differently to voice in musical theatre. Across fifteen case studies from Florodora to Hadestown, Ben Macpherson hears something utopian in the extraordinary, emotional, and situational directness of singing voices as they escape the confines of everyday life. Yet, as this book discovers, the very nature of utopia is paradoxical, fraught with undercurrents of nostalgia, melancholy, and the perpetual threat of the dystopian. Singing Utopia listens across these fault lines in our understanding of utopia and asks what it means for a musical to give voice to an imagined world which is always a contradiction in terms. Who gets to inhabit such a world Who is excluded How can we locate utopia in musical theatre voices, and what might be the consequences when its complexities are exposed Listening for answers to these questions, implicitly connected with concerns of class, race, gender, and culture, the author draws on a diverse range of approaches, including voice studies, musicology, sound studies, literary studies, political philosophy, and ethnography. In doing so, Singing Utopia examines current ways of listening while moving beyond them to develop a series of new terms, including 'decadent appropriation', 'simuloquism', two kinds of 'voiceworld', and three new approaches to the chorus and ensemble. This book offers an original and provocative account of musical theatre singing, exposing the power, possibilities, and paradoxes heard in voices that promise 'something better'-whatever, in the end, that might be.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. This book examines the performance of Britishness on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of Britishness, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of Britishness, reflecting the anxieties of a nation in decline. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of Britishness, reflecting the anxieties of a nation in decline. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.