Luijten Bart (33 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Includes dust jacket.

Hardcover. Condition: Good. Minor wear and creasing.

Condition: Good. Original yellow boards, dust jacket, (full page) colour illustrations, 4to.

Condition: Good. Original yellow boards, dust jacket, (full page) colour illustrations, 4to.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. In this celebration of collecting, in 34 essays, renowned curators and art historians discuss the acquisition of works of art, medieval to modern, by museums in Europe and the United States - acquisitions that have made a difference, crucial acquisitions from a more distant but also the recent past. 240 pages : illustrations (some colour) ; 27 cm. First UK edition, first printing. Yellow cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Condition: New. 2016. Illustrated. Hardcover. . . . . .

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. In this celebration of collecting, in 34 essays, renowned curators and art historians discuss the acquisition of works of art, medieval to modern, by museums in Europe and the United States - acquisitions that have made a difference, crucial acquisitions from a more distant but also the recent past. There was a time when museums might have been regarded as rather forbidding and austere centers of learning, but today they are more likely to position themselves firmly within the tourism and leisure industry with all manner of food, fun and family entertainment on offer. A high-profile museum brand often relies on a fast-changing menu of temporary exhibitions with an attractive program of activities, cleverly marketed to ever-growing numbers of visitors. Many of these changes have been positive and beneficial but they have not been without risk to the central purpose of museums as repositories for collections that are looked after, researched and displayed with knowledge and sensitivity. The permanent collection should be the heart and soul of any museum. Nurtured and developed with intelligence, a collection can be an endless source of surprise and delight as well as a focus of local and national pride. The museum in this view is a setting for sustained encounters with objects and works of art, somewhere to be visited and revisited over the course of a lifetime, a place that helps to bind communities, with collections that are cared for and shared as a reminder of the past and a source of inspiration for the present. The process of acquiring works for public collections is rarely easy in any setting. In the face of escalating prices on the art market and diminishing public funds it is all too easy for complacency and apathy to settle upon the museum community. But the task of building collections of national or local importance is never finished. It should not be about casual 'shopping' or satisfying the whims of museum directors or sponsors. It is about building a heritage that is richer, more complete and more relevant for future generations; with every successful acquisition, a museum's collection gains in strength and character. The volume is dedicated to Peter Hecht, the great champion of public art collections, who throughout his career has worked to show us why museums matter and how their collections, large or small, national or local, can make a profound difference to the lives of those who use them. We hope that it will bring people the world over to realize the importance of collecting for the public, locally, nationally and internationally, and to acknowledge and encourage the role of private individuals, associations and institutions, as well as public bodies, in this vital endeavor.…

Condition: New. 2016. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: New.

Hardcover. Condition: new. Hardcover. In this celebration of collecting, in 34 essays, renowned curators and art historians discuss the acquisition of works of art, medieval to modern, by museums in Europe and the United States - acquisitions that have made a difference, crucial acquisitions from a more distant but also the recent past. There was a time when museums might have been regarded as rather forbidding and austere centers of learning, but today they are more likely to position themselves firmly within the tourism and leisure industry with all manner of food, fun and family entertainment on offer. A high-profile museum brand often relies on a fast-changing menu of temporary exhibitions with an attractive program of activities, cleverly marketed to ever-growing numbers of visitors. Many of these changes have been positive and beneficial but they have not been without risk to the central purpose of museums as repositories for collections that are looked after, researched and displayed with knowledge and sensitivity. The permanent collection should be the heart and soul of any museum. Nurtured and developed with intelligence, a collection can be an endless source of surprise and delight as well as a focus of local and national pride. The museum in this view is a setting for sustained encounters with objects and works of art, somewhere to be visited and revisited over the course of a lifetime, a place that helps to bind communities, with collections that are cared for and shared as a reminder of the past and a source of inspiration for the present. The process of acquiring works for public collections is rarely easy in any setting. In the face of escalating prices on the art market and diminishing public funds it is all too easy for complacency and apathy to settle upon the museum community. But the task of building collections of national or local importance is never finished. It should not be about casual 'shopping' or satisfying the whims of museum directors or sponsors. It is about building a heritage that is richer, more complete and more relevant for future generations; with every successful acquisition, a museum's collection gains in strength and character. The volume is dedicated to Peter Hecht, the great champion of public art collections, who throughout his career has worked to show us why museums matter and how their collections, large or small, national or local, can make a profound difference to the lives of those who use them. We hope that it will bring people the world over to realize the importance of collecting for the public, locally, nationally and internationally, and to acknowledge and encourage the role of private individuals, associations and institutions, as well as public bodies, in this vital endeavor. In this celebration of collecting, in 34 essays, renowned curators and art historians discuss the acquisition of works of art, medieval to modern, by museums in Europe and the United States acquisitions that have made a difference, crucial acquisitions from a more distant but also the recent past. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Hardcover. Condition: Brand New. 1st edition. 240 pages. 10.50x8.50x1.00 inches. In Stock.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. A comprehensive 35-year survey of the work of Belgian designer Bart Luijten, documenting an explosion of graphic culture from the post-punk era to the present. Not For A Want of Trying is an extensive retrospective of the 35-year career of Belgian designer and creative maker Bart Luijten. This comprehensive publication serves as a chronological picture book and historical document, tracing Luijten's profound influence on the Belgian cultural landscape. Spanning 384 pages, the book presents a vibrant explosion of visual material, from iconic music posters for venues like Ancienne Belgique (Brussels, Belgium) and Arenberg & OLT (Antwerp, Belgium) to the avant-garde layout of cult magazines such as Pulp, Plastiks, and Gonzo Circus. The collection expertly balances Luijten's high-profile commercial work for clients like Virgin Records, Lannoo Publishers, and M HKA with his deeply personal independent practice, including intricate collages and illustrations. By showcasing design work that bridges the post-punk and pre-internet eras, the book captures a unique evolution in visual communication. While Luijten's most significant cultural campaigns are front and centre, the selection remains idiosyncratic, offering a rare glimpse into the archives and creative mind of a designer who helped shape the aesthetic identity of a generation. AUTHOR: Bart Luijten (b. 1967) is a Belgian artist and graphic designer whose work has explored the boundaries of visual texture, analogue print, and photographic noise. With a background in graphic design, Luijten is fascinated by the grain in print, film and analogue photography, treating noise as a form of visual information. He collaborates frequently with sculptural and installation practices (for instance with partner Ilse Michiels) and merges analogue textures, collages and conceptual imagery into his work. Luijten's practice is characterised by a tactile and perceptual search: converting visual noise into symbolic form, exploring negative space, and challenging viewers' expectations of image and meaning. SELLING POINTS: . Covers 35 years of work, offering a definitive look at the evolution of Belgian graphic design . It includes iconic work for major cultural institutions like Ancienne Belgique, Pukkelpop, and Virgin Records . It captures the unique visual aesthetics of the 1990s, bridging the gap between analog (post-punk) and digital (pre-internet) design . This book blends commercial design (posters, magazine layouts, book covers) with personal art, collages, and illustrations . A substantial 384-page softcover volume that functions as both a portfolio and a piece of cultural history 421 colour, 131 b/w illustrations A comprehensive 35-year survey of the work of Belgian designer Bart Luijten, documenting an explosion of graphic culture from the post-punk era to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 384 pages. 9.84x0.59x7.87 inches. In Stock.

Condition: Neuf.

Hardcover. Condition: New. Dust Jacket Included. 1st Edition. English text; Hardcover (with dust jacket); 21.6 x 26 cm; 1.267 Kg; 240 pages with 90 colour illustrations; This book celebrates a great champion of our public collections. Peter Hecht is probably best known as an art historian who has specialized in Dutch art of the seventeenth century, with a focus on its iconography and critical fortunes. His interests, however, are wide-ranging and include the history of museums and the development of public collections in the Netherlands. Throughout his career, Hetch has worked to show us why museums matter and how their collections, large or small, national or local, can make a profound difference to the lives of those who use them. As a scholar, he has shared his understanding of how collections are formed; as an expert advisor he has influenced the fate of numerous potential acquisitions; and more recently, as a curator, he has put his knowledge into practice both in a museum setting and online, helping to animate enthusiasm for the depth and breadth of collections across the Netherlands. Perhaps above all, as a passionate believer in the power of objects, he has campaigned to keep ambitions at the highest level, reminding us that no collection, however great, is ever complete and that it is always possible to do better. In this book a number of museum curators and other art historians shine their light on one or more acquisitions that have made a difference in the collections they entered, explaining why this is so and how these purchases or donations happened - from medieval to modern. We hope that this will bring people the world over to realise the importance of collecting for the public, locally, nationally and internationally and to acknowledge and encourage the role of private individuals, associations and institutions, as well as public bodies, in this vital endeavour.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. In this celebration of collecting, in 34 essays, renowned curators and art historians discuss the acquisition of works of art, medieval to modern, by museums in Europe and the United States - acquisitions that have made a difference, crucial acquisitions from a more distant but also the recent past. There was a time when museums might have been regarded as rather forbidding and austere centers of learning, but today they are more likely to position themselves firmly within the tourism and leisure industry with all manner of food, fun and family entertainment on offer. A high-profile museum brand often relies on a fast-changing menu of temporary exhibitions with an attractive program of activities, cleverly marketed to ever-growing numbers of visitors. Many of these changes have been positive and beneficial but they have not been without risk to the central purpose of museums as repositories for collections that are looked after, researched and displayed with knowledge and sensitivity. The permanent collection should be the heart and soul of any museum. Nurtured and developed with intelligence, a collection can be an endless source of surprise and delight as well as a focus of local and national pride. The museum in this view is a setting for sustained encounters with objects and works of art, somewhere to be visited and revisited over the course of a lifetime, a place that helps to bind communities, with collections that are cared for and shared as a reminder of the past and a source of inspiration for the present. The process of acquiring works for public collections is rarely easy in any setting. In the face of escalating prices on the art market and diminishing public funds it is all too easy for complacency and apathy to settle upon the museum community. But the task of building collections of national or local importance is never finished. It should not be about casual 'shopping' or satisfying the whims of museum directors or sponsors. It is about building a heritage that is richer, more complete and more relevant for future generations; with every successful acquisition, a museum's collection gains in strength and character. The volume is dedicated to Peter Hecht, the great champion of public art collections, who throughout his career has worked to show us why museums matter and how their collections, large or small, national or local, can make a profound difference to the lives of those who use them. We hope that it will bring people the world over to realize the importance of collecting for the public, locally, nationally and internationally, and to acknowledge and encourage the role of private individuals, associations and institutions, as well as public bodies, in this vital endeavor. In this celebration of collecting, in 34 essays, renowned curators and art historians discuss the acquisition of works of art, medieval to modern, by museums in Europe and the United States acquisitions that have made a difference, crucial acquisitions from a more distant but also the recent past. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New. In this celebration of collecting, in 34 essays, renowned curators and art historians discuss the acquisition of works of art, medieval to modern, by museums in Europe and the United States - acquisitions that have made a difference, crucial acquisitions from a more distant but also the recent past. There was a time when museums might have been regarded as rather forbidding and austere centers of learning, but today they are more likely to position themselves firmly within the tourism and leisure industry with all manner of food, fun and family entertainment on offer. A high-profile museum brand often relies on a fast-changing menu of temporary exhibitions with an attractive program of activities, cleverly marketed to ever-growing numbers of visitors. Many of these changes have been positive and beneficial but they have not been without risk to the central purpose of museums as repositories for collections that are looked after, researched and displayed with knowledge and sensitivity. The permanent collection should be the heart and soul of any museum. Nurtured and developed with intelligence, a collection can be an endless source of surprise and delight as well as a focus of local and national pride. The museum in this view is a setting for sustained encounters with objects and works of art, somewhere to be visited and revisited over the course of a lifetime, a place that helps to bind communities, with collections that are cared for and shared as a reminder of the past and a source of inspiration for the present. The process of acquiring works for public collections is rarely easy in any setting. In the face of escalating prices on the art market and diminishing public funds it is all too easy for complacency and apathy to settle upon the museum community. But the task of building collections of national or local importance is never finished. It should not be about casual 'shopping' or satisfying the whims of museum directors or sponsors. It is about building a heritage that is richer, more complete and more relevant for future generations; with every successful acquisition, a museum's collection gains in strength and character. The volume is dedicated to Peter Hecht, the great champion of public art collections, who throughout his career has worked to show us why museums matter and how their collections, large or small, national or local, can make a profound difference to the lives of those who use them. We hope that it will bring people the world over to realize the importance of collecting for the public, locally, nationally and internationally, and to acknowledge and encourage the role of private individuals, associations and institutions, as well as public bodies, in this vital endeavor.…

Paperback. Condition: new. Paperback. A comprehensive 35-year survey of the work of Belgian designer Bart Luijten, documenting an explosion of graphic culture from the post-punk era to the present. Not For A Want of Trying is an extensive retrospective of the 35-year career of Belgian designer and creative maker Bart Luijten. This comprehensive publication serves as a chronological picture book and historical document, tracing Luijten's profound influence on the Belgian cultural landscape. Spanning 384 pages, the book presents a vibrant explosion of visual material, from iconic music posters for venues like Ancienne Belgique (Brussels, Belgium) and Arenberg & OLT (Antwerp, Belgium) to the avant-garde layout of cult magazines such as Pulp, Plastiks, and Gonzo Circus. The collection expertly balances Luijten's high-profile commercial work for clients like Virgin Records, Lannoo Publishers, and M HKA with his deeply personal independent practice, including intricate collages and illustrations. By showcasing design work that bridges the post-punk and pre-internet eras, the book captures a unique evolution in visual communication. While Luijten's most significant cultural campaigns are front and centre, the selection remains idiosyncratic, offering a rare glimpse into the archives and creative mind of a designer who helped shape the aesthetic identity of a generation. AUTHOR: Bart Luijten (b. 1967) is a Belgian artist and graphic designer whose work has explored the boundaries of visual texture, analogue print, and photographic noise. With a background in graphic design, Luijten is fascinated by the grain in print, film and analogue photography, treating noise as a form of visual information. He collaborates frequently with sculptural and installation practices (for instance with partner Ilse Michiels) and merges analogue textures, collages and conceptual imagery into his work. Luijten's practice is characterised by a tactile and perceptual search: converting visual noise into symbolic form, exploring negative space, and challenging viewers' expectations of image and meaning. SELLING POINTS: . Covers 35 years of work, offering a definitive look at the evolution of Belgian graphic design . It includes iconic work for major cultural institutions like Ancienne Belgique, Pukkelpop, and Virgin Records . It captures the unique visual aesthetics of the 1990s, bridging the gap between analog (post-punk) and digital (pre-internet) design . This book blends commercial design (posters, magazine layouts, book covers) with personal art, collages, and illustrations . A substantial 384-page softcover volume that functions as both a portfolio and a piece of cultural history 421 colour, 131 b/w illustrations A comprehensive 35-year survey of the work of Belgian designer Bart Luijten, documenting an explosion of graphic culture from the post-punk era to the present. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: gut. NOT FOR A WANT OF TRYING In deutscher Sprache. pages.

softcover, 384 pages, 20 x 25 cm, 1150g, ENG. ISBN 9789464002850. overzicht van 35 jaar grafisch werk. Met een hoop grafisch werk voor verschillende klanten (zoals; Ancienne Belgique, Pulp magazine, Vibes Ahead, Virgin Records, Arenberg & OLT, Lannoo, Gonzo Circus, B&L, Museumnacht Antwerpen, Plastiks magazine, Fish&Chips, Rorschach, Tales in Ink,? ). Maar ook met heel veel vrij werk, collages en illustraties. Een kijkboek vooral waarbij alles chronologisch staat zodat het ook een soort tijdsdocument wordt. (De vormgeving van Boo of Pulp magazine, maar ook Plastiks is bvb typisch jaren 90, openingscampagne voor F&C dateert al van 1997, eerste Pukkelpop T-shirt is van 1992, enz). 0 g. …