Louise Tythacott (143 results)

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: New. A New copy. 51 pages, illustrated, includes colour plates.

Soft cover. Condition: Very Good. 1st Edition. Oblong small 4to, flapped card covers, 59pp., b/w ills. First (and only?) printing. VG+: clean, bright, very sound.

Paperback. Condition: Good. Ex-library book, usual markings. Clean copy, sound binding. Quick dispatch from UK seller.

Laminated Boards. Condition: Good. First Editon. pages 48, colour illustrations. tape at bottom end of spine. Features jewellery and accessories from all over the world, such as ornate Eastern Europe bridal crowns, and the silver and turquoise worn by the North American Navajo people. There are traditional jewellery and accessories for you to make, such as African anklets. Illustrated Cover.…

Condition: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. 2021. Hardcover. . . . . .

Hardcover. Condition: New. Dust Jacket Condition: New. For the past century and a half, extensive looting and illicit trafficking of Southeast Asia's cultural heritage have scattered art objects from the region to museums and private collections around the world. Today, however, power relations are shifting, a new awareness is growing, and new questions are emerging about the representation and ownership of Southeast Asian cultural material located in the West. This book offers a timely consideration of object restitution and related issues across Southeast Asia, bringing together a range of viewpoints, including those of museum professionals and scholars in Cambodia, Thailand, Vietnam, and Indonesia, as well as Europe, North America, and Australia. The contributors address legal, cultural, political and diplomatic issues involved in the restitution process, and they also look at the ways object restitution is integral to evolving narratives of national identity. Ultimately, the book's editors conclude, restitution processes can transform narratives of loss into opportunities for gain, building knowledge and reconstructing relationships across national borders.…

Condition: New.

Condition: New. pp. 204.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Hardcover. Condition: Brand New. 303 pages. 9.50x7.50x1.00 inches. In Stock.

Condition: New.

brosch.; Schutzumschlag. Condition: Sehr gut. 59 Seiten, zahlr. Abb. Very good copy. - Printed and bound by Staib + Mayer, Stuttgart, Germany. / New forms and functions of art have been emerging everywhere in Africa. It is no longer possible to look at African art and see nothing but a continuous and rapid process of disintegration. African art has responded to the social and political upheavals that have taken place all over the continent. New types of artists give expression to new ideas, work for different clients, fulfil new functions' . / The images in Kinyozi: The Art of African Hairstyles (2) are not the creations of trained artists who normally show their work in spacious and carefully lit art galleries. Neither do these bold, commercial sign-boards fall into the category of 'tourist art'. Rather, this is the art of painters with little or no formal artistic education. It is graphic, extroverted, street art used to advertise and entice. In Nairobi, Kenya, such street art is found in the poorest, working-class neighbourhoods, around River Road and the Mathare Valley area. It is made by people who would not consider themselves to be artists in any Western sense of the word, but who design and paint boards as a way to earn money to survive. During the past thirty years, commercial visual imagery has developed into one of Africa's most vibrant and multi-faceted art traditions. It has been variously termed 'urban art', 'popular art', 'sign-painter's art' and has even been dubbed 'African Pop Art'. Sign-paintings vary enormously from the small A5-size hairstyle designs to elaborate multi-coloured murals which cover the walls of city bars and restaurants. These signs are a conspicuous part of urban popular culture and reflect the wider changes taking place in cities across the whole of the African continent changes away from traditional village life, from closely-knit and intimate social relations, to the modern, anonymous world of industrial mass culture and commerce. Such changes anticipate the breakdown of older ethnic distinctions, and the creation of new, national-interest groups or class-based identities with their own distinct political challenges and calls for emancipation. As Homi Bhabha eloquently notes: 'The borderline artist performs c poetics of the open-border between cultures. She displays the 'interstices', the overlappings and interleavings, the hither and thither that is part of the history of those peoples whose identities are crafted from the experience of social displacement' (3). Sprache: Englisch Gewicht in Gramm: 250.…

Condition: New. pp. 204 1st edition NO-PA16APR2015-KAP.