Lithgow Michael (40 results)

DVD. Condition: Used - Good.

DVD. Condition: Used - Good.

dvd. Condition: Used - Good.

8vo. Original pictorial crad covers (softback) (Fine). Pp. xxiv + 339, illus with b&w photos (no inscriptions).

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Unbound. No Jacket. First Edition. VG+ Used Condition, 1993, 1st edition, Box has some Rub & Wear.

Condition: As New. Unread book in perfect condition.

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.…

Condition: New. In English.

Soft cover. Condition: Very Good. 64 pp. The poet's second collection. Bright clean copy.

Condition: New. 2024. Paperback. . . . . .

Condition: New.

Condition: New.

Paperback. Condition: Brand New. 339 pages. 9.25x6.25x1.00 inches. In Stock.

Paperback. Condition: New. News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.…

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2024. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. xvi, 203 pages, [16] pages of plates : illustrations ; 24 cm ; ISBN: 0231059043 (alk. paper); 9780231059046 (alk. paper); National Library: 023-10590; B85-27177; GB8-52717 LCCN: 84-5834 ; LC: PN1998.A3; Dewey: 791.43/0233/0924 ; OCLC: 10558799 ; Filmography: pages 177-183 ; foreword by Paul Newman ; lack cloth in nicked photographic dustjacket ; "Traces the career of the American director, examines each of his films, and discusses the themes and style of his work In this fascinating and entertaining book Andrew Horton provides the first comprehensive portrait of Hill's entire career " ; "As late as 1976, George Roy Hill was the first and only director to have two films on the all-time top ten box office hits: Butch Cassidy and the Sundance Kid and The Sting (both starring Robert Redford and Paul Newman). A filmmaker with a diverse background in music, drama and television, Hill proved to be a popular storyteller in a variety of genres. His films are tied to important American themes and reflect an ironic, bittersweet vision of life. The book begins with a discussion of the way Hill's films often make their most important statements on the subtextual level. The stories entertain, but the subtext is often disturbing, contradictory, unresolved. Hill felt that all of his major characters create an environment, a fantasy, an illusion, and then go on to make it happen. It continues by tracing the thematic characteristics that are consistent with Hill's depiction of protagonists who create their own environments and then attempt to inhabit them. Then, individual chapters study in detail the art, craft and style of each of his films, including Period of Adjustment, Toys in the Attic, The World of Henry Orient, Hawaii, Thoroughly Modern Millie, Slaughterhouse Five, The Great Waldo Pepper, Slap Shot, A Little Romance, The World According to Garp, The Little Drummer Girl, Funny Farm, Butch Cassidy and the Sundance Kid, The Sting" ; Andrew Horton is the Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma. He is an award-winning screenwriter who has written for American, Greek, New Zealand, Russian, Hungarian, and Norwegian productions. ; "As I get older, I get more didactic. I say what I really think. I don't hide ideas like Easter eggs for people to find. Now, if I have an idea, when something becomes clear to me, I don't embed it in a novel; I simply write it out in an essay as clearly as I can?"--George Roy Hill ; photos of Robin Williams, Paul Newman, Jane Fonda, Jim Hutton, Tony Franciosa, Dean Martin, Yvette Mimieux, Geraldine Page, Peter Sellers, Tippy Walker Marie Spaeth, Max von Sydow, Julie Andrews, Robert Redford, Michael Sacks, Michael Ontkean, Laurence Olivier, Diane Lane, Thelonius Bernard, John Lithgow, Glenn Close, Mary Beth Hurt ; FINE/VG. Book. …

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: New. News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.…

Paperback. Condition: New. News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century.Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists.Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.