Lee Sohl (54 results)

Soft cover. Condition: Very Good. Light wear. Edited by Edward L. Ferman. Cover art by Leo & Diane Dillon for "Basilisk" by Harlan Ellison. Includes "The Brave Free Men" (pt. 2 of 2 - Durdane) by Jack Vance; "To Gild a Unicorn" (novelet) by William Lee; "Engineer to the Gods" by John Sladek; "Jelna" by Jerry Sohl; "Gigolo" by Ron Goulart; "If at First You Don't Succeed" by Charles E. Fritch. Features "Books" by Gahan Wilson; "Cartoon" by Gahan Wilson; "Films" by Baird Searles; "Science: Doctor, Doctor, Cut My Throat" by Isaac Asimov. …

paperback. Condition: New. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business.

paperback. Condition: Fine.

Condition: As New. Unread book in perfect condition.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

SingleIssueMagazine. Condition: Very Good+. Vol. 43, No. 2. Edited by Edward L. Ferman. Cover art by Leo & Diane Dillon for "Basilisk" by Harlan Ellison. Includes "The Brave Free Men" (pt. 2 of 2 - Durdane) by Jack Vance; "To Gild a Unicorn" (novelet) by William Lee; "Engineer to the Gods" by John Sladek; "Jelna" by Jerry Sohl; "Gigolo" by Ron Goulart; "If at First You Don't Succeed" by Charles E. Fritch. Features "Books" by Gahan Wilson; "Cartoon" by Gahan Wilson; "Films" by Baird Searles; "Science: Doctor, Doctor, Cut My Throat" by Isaac Asimov. Tanning; small chip at upper rear edge; minor stress; minor edge tears. Book.…

SingleIssueMagazine. Condition: Very Good+ to Near Fine. Vol. 43, No. 2. Edited by Edward L. Ferman. Cover art by Leo & Diane Dillon for "Basilisk" by Harlan Ellison. Includes "The Brave Free Men" (pt. 2 of 2 - Durdane) by Jack Vance; "To Gild a Unicorn" (novelet) by William Lee; "Engineer to the Gods" by John Sladek; "Jelna" by Jerry Sohl; "Gigolo" by Ron Goulart; "If at First You Don't Succeed" by Charles E. Fritch. Features "Books" by Gahan Wilson; "Cartoon" by Gahan Wilson; "Films" by Baird Searles; "Science: Doctor, Doctor, Cut My Throat" by Isaac Asimov. Mild tanning; minor creasing and edgewear. Book.…

SingleIssueMagazine. Condition: Very Good+ to Near Fine. Vol. 43, No. 2. Edited by Edward L. Ferman. Cover art by Leo & Diane Dillon for "Basilisk" by Harlan Ellison. Includes "The Brave Free Men" (pt. 2 of 2 - Durdane) by Jack Vance; "To Gild a Unicorn" (novelet) by William Lee; "Engineer to the Gods" by John Sladek; "Jelna" by Jerry Sohl; "Gigolo" by Ron Goulart; "If at First You Don't Succeed" by Charles E. Fritch. Features "Books" by Gahan Wilson; "Cartoon" by Gahan Wilson; "Films" by Baird Searles; "Science: Doctor, Doctor, Cut My Throat" by Isaac Asimov. Tanned; edgewear; slight creasing. Book.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.…

Condition: New.

Condition: new.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: new. Paperback. Emerging as multifaceted cultural activism, the minjung (peoples) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung arts history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Koreas globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular. Sohl Lee traces how South Korea's minjung art movement of the 1970s and 1980s forged decolonial protest aesthetics that helped galvanize democratization and why its practices continue to resonate with artists and activists today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New.

Condition: New. 2026. paperback. . . . . .

Condition: New.

Paperback. Condition: New. Emerging as multifaceted cultural activism, the minjung (people's) art movement defined the aesthetics of the pro-democracy movements in the 1970s and 1980s in South Korea. Tracing minjung art's history and legacy, Sohl Lee explores how artists associated with the movement mobilized images, print, and performance to build movement publics and reimagine sovereignty. Hundreds of artists questioned the underlying assumptions of liberal democracies and the art-making practices of the global Cold War. Their decolonial critiques of international modernism were inseparable from reimagining democracy and refiguring the relationship between art and democracy. Recuperating overlooked performance-oriented practices and the protest aesthetics that helped usher in parliamentary democracy in 1987, Lee shows that South Korea's globalization in the 1990s and its rise as cultural soft power in the new millennium cannot be understood apart from a pro-democracy culture that was both political and popular.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Paperback. Condition: Brand New. 440 pages. 9.00x6.00x9.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.