Laura E Pérez (203 results)

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. iT'S NEW ships within 24 hours.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Soft cover. Condition: New. 1st Edition. Softcover; sealed, new.

Condition: New.

Soft cover. Condition: As New.

Trade Paperback. Condition: Very Good. Presumed First Edition. Presumed first trade paperback printing w/SD & NAP, has a small lean to the binding with a shallow bow starting to the text block, light bumps to the spine ends and corners with a touch of creasing to the corners, minor rubbing with a hint of edge wear to the covers, and very faint sunning to the spine. Otherwise, this is a solid, tight, bright Very Good copy.…

Condition: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly. …

Condition: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.…

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Paperback. Condition: Very Good +. 8vo, 28 pp, VG+ in wraps. Well illustrated in b&w and color. Includes artist's profiles.

Condition: New.

Paperback. Condition: New. Consuelo Jimenez Underwood's artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood's art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume's contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood's redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. 86p., tables, wrps.

Condition: As New. Unread book in perfect condition.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. Pérez Granell, Laura (illustrator). LIBRO.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 340 pages. 9.00x6.00x0.77 inches. In Stock.

Cartoné (tapa dura cartón). Condition: New. Dust Jacket Condition: Nuevo. 01. Tras la llegada a la Torre de Saevin, un muchacho con unos poderes excepcionales, Dana siente que algo extraño está a punto de suceder y decide viajar a la Ciudad Olvidada para visitar el Templo Sin Nombre y consultar al oráculo. La aterradora profecía que sale de su boca y en la que se verán implicadas once personas la inquieta todavía más. Pero existe alguien capaz de manipular los designios del destino. PÉREZ DE MUTI, MARCELO (illustrator). LIBRO.…

Cartoné (tapa dura cartón). Condition: New. Dust Jacket Condition: Nuevo. 01. Fenris es un elfo muy especial. Tiene grandes poderes y, en las noches de luna llena, una fuerza inexplicable le arrastra hasta convertirlo en un ser asombroso. El amor por Shi-Mae y su enfrentamiento con personajes poderosos en el Reino de los Elfos van a determinar su futuro. Aquí comienza su viaje hasta la Torre, situada en el Valle de los Lobos. PÉREZ DE MUTI, MARCELO (illustrator). LIBRO.…

Paperback. Condition: Brand New. 328 pages. 9.00x6.00x1.00 inches. In Stock.

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. In Alma Lopez's digital print Lupe & Sirena in Love (1999), two icons-the Virgin of Guadalupe and the mermaid Sirena, who often appears on Mexican lottery cards-embrace one another, symbolically claiming a place for same-sex desire within Mexican and Chicano/a religious and popular cultures. Ester Hernandez's 1976 etching Libertad/Liberty depicts a female artist chiseling away at the Statue of Liberty, freeing from within it a regal Mayan woman and, in the process, creating a culturally composite Lady Liberty descended from indigenous and mixed bloodlines. In her painting Coyolxauhqui Last Seen in East Oakland (1993), Irene Perez reimagines as whole the body of the Aztec warrior goddess dismembered in myth. These pieces are part of the dynamic body of work presented in this pioneering, lavishly illustrated study, the first book primarily focused on Chicana visual arts.Creating an invaluable archive, Laura E. Perez examines the work of more than forty Chicana artists across a variety of media including painting, printmaking, sculpture, performance, photography, film and video, comics, sound recording, interactive CD-ROM, altars and other installation forms, and fiction, poetry, and plays. While key works from the 1960s and 1970s are discussed, most of the pieces considered were produced between 1985 and 2001. Providing a rich interpretive framework, Perez describes how Chicana artists invoke a culturally hybrid spirituality to challenge racism, bigotry, patriarchy, and homophobia. They make use of, and often radically rework, pre-Columbian Mesoamerican and other non-Western notions of art and art-making, and they struggle to create liberating versions of familiar iconography such as the Virgin of Guadalupe and the Sacred Heart. Filled with representations of spirituality and allusions to non-Western visual and cultural traditions, the work of these Chicana artists is a vital contribution to a more inclusive canon of American arts. Examines the work of more than forty Chicana artists across a variety of media including painting, printmaking, sculpture, performance, photography, and other installations forms. This book describes how Chicana artists invoke a culturally hybrid spirituality to question and confront racism, bigotry, patriarchy, and homophobia. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…