Larrier Renee (30 results)

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Hardcover. Condition: Very Good. 1st Edition. Hardcover book with black titling bound with blue canvas. Spine is square and intact. Points are sharp. Very slight wear on the top and bottom edges of the book. Pages are lightly yellowed but clean and legible inside. Please see photos attached and feel free to reach out with questions.…

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Condition: New. 2020. Paperback. . . . . .

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Condition: New. Breaks new ground in analysing first-person narratives by five Francophone Caribbean writers - Joseph Zobel, Patrick Chamoiseau, Gisele Pineau, Edwidge Danticat, and Maryse Conde - that manifest distinctive interaction among narrators, protagonists, charact.

Paperback. Condition: Brand New. 528 pages. 9.00x6.00x1.22 inches. In Stock.

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Hardcover. Condition: Brand New. 369 pages. 8.00x5.00x1.00 inches. In Stock.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Very refreshing in the understanding of Caribbean literature . . . Succeeds in blending close readings of specific texts with a constant awareness of the larger picture. . . . From a theoretical complexity that calls on Glissant, Fanon, Ngugi, Benito-Rojo among others, this profoundly human exploration of autofiction and advocacy in Francophone Caribbean literature study does not succumb to the temptation of theory; that is, she does not demand texts illustrate a rigid theoretical frame; the reverse is true throughout the study.'--Cilas Kemedjio, University of RochesterLarrier breaks new ground in analyzing first-person narratives by five Francophone Caribbean writers--Joseph Zobel, Patrick Chamoiseau, Gisele Pineau, Edwidge Danticat, and Maryse Conde--that manifest distinctive interaction among narrators, protagonists, characters, and readers through a layering of voices, languages, time, sources, and identities. Employing the Martinican combat dance--danmye--as a trope, the author argues that these narratives can be read as testimony to the legacy of slavery, colonialism, and patriarchy that denied Caribbean people their subjectivity. In chapters devoted to Zobel, Chamoiseau, Pineau, Danticat, and Conde--who come from Martinique, Guadeloupe, and Haiti--Larrier probes the presence, construction, and strategy of the first-person narrator, which sometimes shifts within the text itself. Providing a perspective different from European travel literature, these texts deliberately position the 'I' as a witness and/or performer who articulates experiences ignored or misinterpreted by sojourners' more widely circulated chronicles. While not purporting to speak for others, the 'I' is concerned with transmitting what he or she saw, heard, experienced, or endured, therefore disrupting conventional representations of the Francophone Caribbean. Moreover, in modeling authenticity and agency, autofiction is also a form of advocacy. Renee Larrier is associate professor of French at Rutgers University.…

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Taschenbuch. Condition: Neu. Autofiction and Advocacy in the Francophone Caribbean | Renée Larrier | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2020 | University Press of Florida | EAN 9780813068237 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Hardcover. Condition: new. Hardcover. Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean interrogates conventional notions of writing. The contributorswhose disciplines include anthropology, art history, education, film, history, linguistics, literature, performance studies, philosophy, sociology, translation, and visual artsexamine the complex interplay between language/literature/arts and the visual and virtual domains of expressive culture. The twenty-five essays explore various patterns of writing practices arising from contemporary and historical forces that have impacted the literatures and cultures of Benin, Cameroon, Cote dIvoire, Egypt, Guadeloupe, Haiti, Martinique, Morocco, Niger, Reunion Island, and Senegal. Special attention is paid to how scripts, though appearing to be merely decorative in function, are often used by artists and performers in the production of material and non-material culture to tell stories of great significance, co-mingling words and images in a way that leads to a creative synthesis that links the local and the global, the classical and the popular in new ways. Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean explores the various cultures of writing in Francophone Africa and the Caribbean, and their relation to literature, orality, language, the visual arts, . This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condition: new. Hardcover. Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean interrogates conventional notions of writing. The contributorswhose disciplines include anthropology, art history, education, film, history, linguistics, literature, performance studies, philosophy, sociology, translation, and visual artsexamine the complex interplay between language/literature/arts and the visual and virtual domains of expressive culture. The twenty-five essays explore various patterns of writing practices arising from contemporary and historical forces that have impacted the literatures and cultures of Benin, Cameroon, Cote dIvoire, Egypt, Guadeloupe, Haiti, Martinique, Morocco, Niger, Reunion Island, and Senegal. Special attention is paid to how scripts, though appearing to be merely decorative in function, are often used by artists and performers in the production of material and non-material culture to tell stories of great significance, co-mingling words and images in a way that leads to a creative synthesis that links the local and the global, the classical and the popular in new ways. Writing Through the Visual and Virtual: Inscribing Language, Literature, and Culture in Francophone Africa and the Caribbean explores the various cultures of writing in Francophone Africa and the Caribbean, and their relation to literature, orality, language, the visual arts, . This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.