Kirby Atkinson (45 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: Very Good. 8vo., pp.ix,451, paperback, colour and b/w illustrations and figures; slight creasing to upper edge of front wrapper, indentation to front wrapper, internally fresh and otherwise very good indeed.

paperback. Condition: New. 1st.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: new. Paperback. The papers in this volume are from the 2014 biennial ATSR symposium held in AmsterdamThe papers in this volume are from the 2014 biennial ATSR symposium held in Amsterdam which focused on art technological sources and their aid to research. The papers focus on using source material to research works of art such as artist's notebooks, workshop inventories and documents on the trade in artists' material from the middle ages until today. They show the importance of source material for art historical as well as material-technical or conservation research to highlight the coherence between the style of a work of art and the materials and techniques used in its production. Ultimately, concluding that the disclosure of such source material is of paramount importance for both art-historical as well as material-technical and conservation research. Contents: The Painter's Workshop as Seen by Stradanus - Jan Piet Filedt Kok Back to Basics: Finding the Sources then What? What Do We Do with Art Technological Sources once We Have Found Them?- William Whitney Artists' Recipe Books as Sources for Historical Research in Art Technology: Diversity, Function and Reliability - Sylvie Neven Artists' Treatises and Recipe Books: On Authors, Readers and Users - Cristiana Pasqualetti Between Painting, Printing and X: Re-Reading Early Sources for Photochemical Imaging Processes - Albrecht Pohlmann Archival Sources on Swiss Easel Painting in the Late Nineteenth and Early Twentieth Century - Karoline Beltinger Eilido colours: Sources on the introduction of tar colours and the contradictionary reception in the early 20th century - Heide Skowranek, Christoph Krekel and Heike Stege The Talens Archive - Klaas Jan van den Berg Recipes for Deceit: The Forgery of Paintings 1300-1900 as Expressed in Written Sources - Jilleen Nadolny Reception in the Ateliergebouw, guided tours through the conservation studios - Ateliergebouw Transformation, Transmutation and Transmission: Some Thoughts Regarding the Origins of the 'Compositiones ad tingenda' and 'Mappae clavicula' Art Technology Treatises - Stefanos Kroustallis A Seventeenth-Century Textile Dyers Manuscript on the Production of Painters' Pigments - Arie Wallert What's Wrong with Thompson's Cennino?- Lara Broecke An autonomous compendium of recipes in the Palatine Manuscript 981 of the Biblioteca Nazionale di Firenze - Sandro Baroni 'Pictoria, sculptoria et quae subaltenarum artium': the De Mayerne Manuscript between Unity and Heterogenity - Cecile Parmentier Breaking the Mould: A History of Sand Casting in Western Europe Based on Early Written Sources - Tonny Beentjes Lac Dye in Medieval Written Sources and in Medieval Portuguese Scriptoria - Rita Castro .to Keep the Colours Fresh, Alive and Bright: Discussions about the Influence of Preparatory Layers on the Durability of Oil Paintings in North West European Recipe Books, 1550-1900 - Maartje Stols-Witlox The Jesuit's Contribution to Written Art Technological Sources during the Seventeenth and Eighteenth Century - Corinna Gramatke Colourful archives: Liotard, Stoupan and Pastel Colours Available for Artists in Europe during the Eighteenth century - Leila Sauvage and Cecile Gombaud" A collection of papers from the 2014 ATSR symposium in Amsterdam, exploring how art technological source materialssuch as artists notebooks, workshop records, and trade documentsinform the study of artworks from the Middle Ages to today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New.

Paperback. Condition: Brand New. 156 pages. 11.50x8.25x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: New. 1st.

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; vii, 163 pages : illustrations (some colour), colour map ; 30 cm. Subjects; Art, technique, history, congresses. Art and technology, congresses. Technical art history. Conference papers and proceedings. 1 Kg.…

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 451 pages. 9.50x6.75x1.25 inches. In Stock.

Kartoniert / Broschiert. Condition: New.

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme. Lane, Kim (illustrator).

Condition: New. 2016. paperback. . . . . .

Softcover. Condition: Gut bis sehr gut. 1. Auflage. S : 64 pp., numerous b/w illustrations - Catalogue published in conjunction with an exhibition held at The Gemeentemuseum Den Haag, July 25 - August 30, 1970. Includes installation views, reproductions of preliminary drawings, various writings by the artist, an inventory of projects, plans, and proposals, as well as writings by artists, critics, and contemporaries such as Carl Andre, Dan Flavin, and Lucy R. Lippard.…

Condition: New. 2017. paperback. . . . . .

Condition: New. 2016. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New.