Jennifer Bonner (54 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Condition: New. Drawing on the format of the urban guidebook, A Guide to the Dirty South--Atlanta generates a new discourse about the architecture of the American South. By guiding readers on a tour of Atlanta, this project seeks to reclaim a regional identity for cities otherwise deemed to be a "backwoods" by the East and West Coasts. Borrowing from the hip hop industry and recognising the rivalry between the two coasts, A Guide to the Dirty South--Atlanta redirects our attention to a 'third coast'. Steeped in geography, historical events, typology, storytelling, and popular culture, trajectories through the city that the guide takes are idiosyncratic but urge the discipline of architecture toward a long overdue reading of Dirty South regionalism. Part tour guide, part architectural manual, the publication also features oral histories in a set of interviews with prominent architects, theorists, chefs, community leaders, and hip hop artists, from Architectural Historian Mario Carpo to hip-hop group Goodie Mob.Authored by Jennifer Bonner, the TVSDesign Distinguised Studio Critic at Georgia Tech, A Guide to the Dirty South--Atlanta takes the reader on a tour of "Rap City", "Pop up Surface Lots", "Architecture of Quarantine" and a "Geography of Smells". Wittily designed, and featuring beautiful illustrations throughout, A Guide to the Dirty South--Atlanta is perfect for those new to the architectural delights of Atlanta, and long-time fans alike.…

Condition: New.

Condition: As New. Unread book in perfect condition.

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Paperback or Softback. Condition: New. Still Life: Platform 9. Book.

Condition: New.

Paperback. Condition: new. Paperback. Platform is the Harvard University Graduate School of Design s annual compendium of select student work, events, lectures, and exhibitions. Taking the artistic still life as its departure point, the ninth edition of Platform chronicles the 2015 2016 academic year at the GSD. Models and student projects, including dissertations and drawings, are skillfully arranged and presented to reference the still life as expressed in 18th- and 19th- century European painting, popular advertising, contemporary art, and other contexts. These images not only present the broad range of work produced by GSD students but also challenge conventional modes of architectural documentation through multiple readings, lists, and novel interpretations of form. Designed by Neil Donnelly" Platform is the Harvard University Graduate School of Design s annual compendium of select student work, events, lectures, and exhibitions." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

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Condition: As New. Unread book in perfect condition.

Condition: New. pp. 350.

Paperback. Condition: Brand New. 376 pages. 8.50x5.50x1.25 inches. In Stock.

Condition: New. pp. 350.

Hardback. Condition: New. This book weaves a much needed and transformational narrative about making architecture through paying close attention to cross-laminated timber as a material for today. The material becomes the site of experimentation, innovation, and research in search of specific meanings of CLT in architecture at various scales by selecting the "CLT Blank" as the building unit. The structure of the book brings together work and texts from a diverse group of theorists and practitioners, who make material central to their inquiry, to suggest design approaches that will broaden the cultural, spatial, and technological significance for architecture, education, engineering, and industry. The outcome focuses on materiality through fast slippages between art, architecture, and science, that we hope will invigorate and expand new discourse to act as an antidote to the current conversations about the material, that is fixated on its making and mass production, disappointingly portraying it as a bland and lifeless product-a notion we want to be distant from in preference to seeking areas we feel were not yet conceptualised or theorised. The potential to see the spatial properties of its use and what kind of world that might suggest is shown in the book, with selected striking visual materials, to reposition its architecture though new forms of representation and responses that continue to stay in touch with pragmatics. Aesthetics of CLT with a connection to wood and art practice is a central thread though the book.…