Jean Rosenberg (232 results)

Condition: Good. Gillmore, Jean (illustrator). Ex-library book with usual markings. Good Condition. Tear on cover. Five star seller - Buy with confidence!

Hardcover. Condition: As New. No Jacket. Gillmore, Jean (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. No Jacket. Gillmore, Jean (illustrator). Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Gillmore, Jean (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hard cover. First edition. Sewn binding. Cloth over boards. 180 p. Contains: Illustrations. Audience: General/trade. Fine in fine dust jacket. excellent in an excellent jacket, first printing,

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Trade Paperback. Condition: USED Good.

Hardback. Condition: New. 'Death could drop from the dark as easily as song - But song only dropped, Like a blind man's dreams on the sand, By dangerous tides, Like a girl's dark hair for she dreams no ruin lies there, Or her kisses where a serpent hides' - from "Returning, We Hear the Larks' Selected Poems and Letters". Isaac Rosenberg's poems, such as "Dead Man's Dump" and "Break of Day in the Trenches", have been included in every significant war anthology and have earned him a place in Poets' Corner.He studied at the Slade School of Art at the same time as Stanley Spencer and Mark Gertler, showing great promise as a painter. His poverty, education and background made him an outsider, yet it was just that experience which equipped him to cope with the horror of war in the trenches: 'I am determined that this war, with all its powers for devastation, shall not master my poeting.' Inexplicably for such a major figure, Rosenberg's work has been out of print for many years. In this "Selected Poems and Letters", his biographer Jean Liddiard has made a substantial selection of his finest poems and most revealing letters, providing also an authoritative introduction and a detailed chronology.

Hardcover. Condition: new. Hardcover. 'Death could drop from the dark as easily as song - But song only dropped, Like a blind man's dreams on the sand, By dangerous tides, Like a girl's dark hair for she dreams no ruin lies there, Or her kisses where a serpent hides' - from "Returning, We Hear the Larks' Selected Poems & Letters". Isaac Rosenberg's poems, such as "Dead Man's Dump" and "Break of Day in the Trenches", have been included in every significant war anthology and have earned him a place in Poets' Corner.He studied at the Slade School of Art at the same time as Stanley Spencer and Mark Gertler, showing great promise as a painter. His poverty, education and background made him an outsider, yet it was just that experience which equipped him to cope with the horror of war in the trenches: 'I am determined that this war, with all its powers for devastation, shall not master my poeting.' Inexplicably for such a major figure, Rosenberg's work has been out of print for many years. In this "Selected Poems and Letters", his biographer Jean Liddiard has made a substantial selection of his finest poems and most revealing letters, providing also an authoritative introduction and a detailed chronology. Isaac Rosenberg's poems, such as "Dead Man's Dump" and "Break of Day in the Trenches", have been included in every significant war anthology and have earned him a place in Poets' Corner. This title presents a selection of his finest poems and most revealing letters, providing also an introduction and a detailed chronology. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781900564892.

Condition: Good. This book is in condition. Sold by the U.K Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Disability Community.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. An astonishing discovery was made in 1995 during the British Library's removal from the British Museum. Thirty-four letters and eighteen draft poems, including "Break of Day in the Trenches", "Dead Man's Dump", and "Returning, We Hear the Larks" by the poet and artist Isaac Rosenberg were found in a bundle of papers stored by former museum keeper Laurence Binyon, himself a poet and Rosenberg's mentor. After his death as a private soldier on the Western Front on 1 April 1918, Isaac Rosenberg, now regarded as a major poet of the First World War, was largely forgotten, and only the devotion of his family and the support of his fellow poets rescued his work for posterity. Binyon and another older poet, Gordon Bottomley, encouraged and corresponded with Rosenberg until his death, and then edited his poems and extracts from his letters for publication. The newly discovered papers include all Rosenberg's complete letters and draft poems to Binyon and Bottomley, together with material about Rosenberg from family, friends and mentors such as his sister Annie, Whitechapel librarian Morley Dainow, schoolteacher Winifreda Seaton, and patron Frank Emmanuel.All are published here, most for the first time. At first overshadowed by the more acceptably English war poets, Rosenberg's poetry did not fit the poetic ideals of the time, just as he, an East End Jew born of immigrant parents, did not present the accepted public image of the heroic soldier poet. The originality and strength of his poetry were rooted in the struggle with the opposing elements of his life, which did not follow the conventions of any role he played: East End Jew, poet, painter or soldier. In one unpublished letter from the trenches he reveals his difficulties, 'I don't suppose my poems will ever be poetry right and proper until I shall be able to settle down and whip myself into more expression. As it is, my not being able to get poetry out of my head and heart causes me sufficient trouble out here.' (Letter to Bottomley, postmarked 11 July 1917).

Hardcover. Condition: new. Hardcover. An astonishing discovery was made in 1995 during the British Library's removal from the British Museum. Thirty-four letters and eighteen draft poems, including "Break of Day in the Trenches", "Dead Man's Dump", and "Returning, We Hear the Larks" by the poet and artist Isaac Rosenberg were found in a bundle of papers stored by former museum keeper Laurence Binyon, himself a poet and Rosenberg's mentor. After his death as a private soldier on the Western Front on 1 April 1918, Isaac Rosenberg, now regarded as a major poet of the First World War, was largely forgotten, and only the devotion of his family and the support of his fellow poets rescued his work for posterity. Binyon and another older poet, Gordon Bottomley, encouraged and corresponded with Rosenberg until his death, and then edited his poems and extracts from his letters for publication. The newly discovered papers include all Rosenberg's complete letters and draft poems to Binyon and Bottomley, together with material about Rosenberg from family, friends and mentors such as his sister Annie, Whitechapel librarian Morley Dainow, schoolteacher Winifreda Seaton, and patron Frank Emmanuel.All are published here, most for the first time. At first overshadowed by the more acceptably English war poets, Rosenberg's poetry did not fit the poetic ideals of the time, just as he, an East End Jew born of immigrant parents, did not present the accepted public image of the heroic soldier poet. The originality and strength of his poetry were rooted in the struggle with the opposing elements of his life, which did not follow the conventions of any role he played: East End Jew, poet, painter or soldier. In one unpublished letter from the trenches he reveals his difficulties, 'I don't suppose my poems will ever be poetry right and proper until I shall be able to settle down and whip myself into more expression. As it is, my not being able to get poetry out of my head & heart causes me sufficient trouble out here.' (Letter to Bottomley, postmarked 11 July 1917) An astonishing discovery was made in 1995 during the British Library's removal from the British Museum. Thirty-four letters and eighteen draft poems, written by the poet and artist Isaac Rosenberg were found in a bundle of papers stored by former museum keeper Laurence Binyon, Rosenberg's mentor. This title presents these poems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:1900564890.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:1900564890.

Hardcover. Condition: New. Now acknowledged as some of the greatest poetry to come out of the First World War, much of Isaac Rosenberg's work was only published after his death near Arras in April 1918. These letters to his mentor Laurence Binyon, discovered among the latter's papers in 1995, include the powerful verses 'Break of Day in the Trenches' and 'Dead Man's Dump'.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Very Good. Used - Very Good.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9781904634386.

Condition: New. pp. 180 Illus.

Paperback. Condition: Very Good. No Jacket. A clean, tight, bright copy. Some mild rubbing to covers but otherwise very nice. The struggle to prevent sexual aggression from a new feminist vision of a better future for women, children, and men. 87 pg. Light grey covers, red lettering.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. 180pp, frontispiece & illustrations. Edited and introduced by Jean Liddiard. As New. Size: 8vo - over 7¾" - 9¾" tall.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.