Janneke Wesseling (74 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. Published with vis-a-vis. Of Sponge, Stone and the Intertwinement with the Here and Now explores the notion of "experience" as a key concept in a methodology of artistic research. In this concise, compulsively readable volume, scholar and art critic Janneke Wesseling traces a genealogy of "experience" that stretches from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept into a framework of research in visual art. Wesseling's argument comes out of her own practice of artistic research, and her reflections on the interweaving of thinking and making. Part of Valiz's vis-a-vis series of accessible introductions to academic subjects in contemporary art, this publication represents an expanded and extended version of Wesseling's inaugural lecture at Leiden University, given in September 2016, and includes a collaboration with the Austrian performance artist Lilo Nein. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Brand New. 01 edition. 46 pages. 9.25x6.50x0.25 inches. In Stock.

Condition: New.

Soft cover. Condition: Near Fine. This is a clean, unmarked copy with lightly scuffed covers.

Condition: New.

Condition: New.

Paperback. Condition: New.

Condition: New.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. unused - sticker mark on back.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. What really happens between a spectator and a work of art at the moment of encounter? How does one experience -meaning- in a work of art? How does an interpretation of an art object come to take hold for a viewer? How can that process of interpretation, which often takes place at a subconscious level beyond language, be understood and articulated? In The Perfect Spectator, author Janneke Wesseling, Professor of Visual Arts at Leiden University in the Netherlands, addresses these questions by turning to the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between an active artwork and an active observer. Wesseling proceeds from her own intensely personal encounters with art objects, and her professional experience studying and writing about art, in order to arrive at a new theoretical framework for the sight and contemplation of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. 336 pages. 7.75x4.25x1.30 inches. In Stock.