Jaikumar Priya (83 results)
- Softcover
Seller: HPB-Emerald, Dallas, TX, U.S.A.HPB-Emerald
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Seller: Scissortail, Oklahoma City, OK, U.S.A.Scissortail
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Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition. Please note: -May include library or rental stickers, stamps, or markings. -Supplemental materials e.g., CDs, access codes, inserts… are not guaranteed. -Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading.
- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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- Softcover
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- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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- Softcover
Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
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Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
Seller: Book Alley, Pasadena, CA, U.S.A.Book Alley
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paperback. Condition: Good. Good. Used with wear and/or markings but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.
- Softcover
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.Michener & Rutledge Booksellers, Inc.
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Paperback. Condition: Very Good+. Text clean and tight; 8vo 8" - 9" tall; 416 pages.
Cinema Journal 40, No 2, 2001
Olaf Hoerschelman Priya Jaikumar Michael Quinn Kevin J. CorbettJanice Mouton
Published by Univ of Texas Press January 2001, 2001
- Softcover
Seller: Dunaway Books, St. Louis, MO, U.S.A.Dunaway Books
Contact seller4-star sellerPaper Back. Condition: Acceptable.
- Hardcover
Seller: Gold Country Books, Sacramento, CA, U.S.A.Gold Country Books
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£ 10.14
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Hardcover. Condition: New. Brand new. Pristine, unmarked. Orange cloth boards; no jacket as issued. Postmodern analysis of British colonial-themed films and the early development of film production in India. The British films mentioned are principally those from the Korda organisation, e.g., The Drum, The Four Feathers, The Jung…le Book, also the Powell-Pressburger classic Black Narcissus, although no mention is made of Cardiff's cinematography. Illustrated with 34 b&w stills and other materials. // Shipped carefully packed in a sturdy box.
- Softcover
Seller: Vedams eBooks (P) Ltd, New Delhi, IndiaVedams eBooks (P) Ltd
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Soft cover. Condition: As New. Contents: List of illustrations. Acknowledgements. Introduction. 1. Film policy and film aesthetics as cultural archives. I. Imperial governmentality 2. Acts of transition the British Cinematography Films Acts of 1927 and 1938. 3. Empire and embarrassment colonial forms of knowledge about cinema. I…I. Imperial redemption 4. Realism and empire. 5. Romance and empire. 6. Modernism and empire. III. Colonial autonomy 7. Historical romances and modernist myths in Indian cinema. Notes. Bibliography. Index of films. General index. How did the imperial logic underlying British and Indian film policy change with the British Empire's loss of moral authority and political cohesion. Were British and Indian films of the 1930s and 1940s responsive to and responsible for such shifts. Cinema at the End of Empire illuminates this intertwined history of British and Indian cinema in the late colonial period. Challenging the rubric of national cinemas that dominates film studies Priya Jaikumar contends that film aesthetics and film regulations were linked expressions of radical political transformations in a declining British Empire and a nascent Indian nation. As she demonstrates efforts to entice colonial film markets shaped Britain's national film policies and Indian responses to these initiatives altered the limits of colonial power in India. Imperially themed British films and Indian films envisioning a new civil society emerged during political negotiations that redefined the role of the state in relation to both film industries. In addition to close readings of British and Indian films of the late colonial era Jaikumar draws on a wealth of historical and archival material including parliamentary proceedings state sponsored investigations into colonial filmmaking trade journals and intra and intergovernmental memos regarding cinema. Her wide ranging interpretations of British film policies British initiatives in colonial film markets and genres such as the Indian mythological film and the British Empire melodrama reveal how popular film styles and controversial film regulations in these politically linked territories reconfigured imperial relations. With its innovative examination of the colonial filmarchive this richly illustrated book presents a new way to track historical change through cinema. 320 pp.
Published by Duke University Press
- Softcover
Seller: Academic Book Solutions, Medford, NY, U.S.A.Academic Book Solutions
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£ 6.11
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Add to basketpaperback. Condition: VeryGood. A copy that may have been read, very minimal wear and tear. May have a remainder mark.
- Softcover
Seller: Roundabout Books, Greenfield, MA, U.S.A.Roundabout Books
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Condition: Used - Near fine
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paperback. Condition: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
- Softcover
Seller: Better World Books Ltd, Dunfermline, United KingdomBetter World Books Ltd
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£ 12.31
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Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Published by Durham : Duke University Press, 2006., 2006
- Softcover
- First Edition
Seller: Tacoma Book Center, Tacoma, WA, U.S.A.Tacoma Book Center
Contact seller4-star sellerCondition: Used - Fine
£ 9.16
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Paperback. Condition: Fine. No Dustjacket. First Edition. ISBN 0822337932. Trade Paperback. Very good to near fine condition, with slight shelfwear to cover corners. Tight, bright, attractive copy with no markings to the book. No statement of later printing on copyright page. No Signature.
- Softcover
Seller: Anybook.com, Lincoln, United KingdomAnybook.com
Contact seller5-star sellerCondition: Used - Good
£ 8.92
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780822337935.
- Softcover
Seller: SN Books Ltd, Thetford, United KingdomSN Books Ltd
Contact seller5-star sellerCondition: Used - Very good
£ 8.52
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paperback. Condition: Very Good. Orders shipped daily from the UK. Professional seller.
- Softcover
Seller: Vedams eBooks (P) Ltd, New Delhi, IndiaVedams eBooks (P) Ltd
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£ 12.06
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Soft cover. Condition: New. In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to write a magisterial history of the nation s filmed spaces. A broad idea of the space created by a camera s interaction with real places underlies this history, which accounts for the spatiality of a f…ilm s screen fashioned by camera angles and edits, in conjunction with the socio-political dynamics of territory and geography. Whether discussing Jean Renoir s The River (1951), which portrays a universal human condition through particular landscapes in Bengal, or Films Division documentaries about India s mountainous borderlands, or Bollywood films today that are changing the look of background actors and settings, Jaikumar demonstrates that filming a location always involves competing assumptions, experiences, and visual practices. In so doing, she writes a bold spatial film historiography, outlining factors that have shaped India's filmed locations and architectures, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. She also shows why the study of cinema, whether celluloid or digital, must account for an aesthetics and politics of space. This book will interest scholars of film and media studies, history, film theory, visual and spatial studies, architecture and urban studies, geography, comparative studies, and postcolonial studies.
- Softcover
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United KingdomPhatpocket Limited
Contact seller5-star sellerCondition: Used - As new
£ 19.14
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Condition: Like New. Used - Like New. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
£ 28.26
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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£ 34.10
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Condition: New.
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- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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£ 36.12
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Paperback. Condition: New. In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema. In this bold "spatial" film historiography, Jaikumar outlines factors that shape India's filmed space, from sta…te bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. Whether discussing how educational shorts from Britain and India transform natural landscapes into instructional lessons or how Jean Renoir's The River (1951) presents a universal human condition through the particularities of place, Jaikumar demonstrates that the history of filming a location has always been a history of competing assumptions, experiences, practices, and representational regimes. In so doing, she reveals that addressing the persistent question of "what is cinema?" must account for an aesthetics and politics of space.
Language: English
Published by Indiana University Press, 2014
- Softcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
Contact seller5-star sellerCondition: New
£ 31.15
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Condition: new.
- Softcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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£ 35.00
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Condition: new.
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Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Softcover
Seller: JuddSt.Pancras, London, United KingdomJuddSt.Pancras
Contact seller4-star sellerAssociation member: PBFA
Condition: Used - As new
£ 18.00
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Soft cover. Condition: As New.
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Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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£ 39.35
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Condition: As New. Unread book in perfect condition.
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Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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£ 40.15
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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£ 35.61
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Condition: New. pp. 336 Illus.
