Ilic Marko (28 results)

hardcover. Condition: Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

hardcover. Condition: Like New. Clean copy. May have remainder mark.

hardcover. Condition: New.

Condition: New.

Hardcover. Condition: new. Hardcover. Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekovic, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilic offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s. "The first comprehensive study of conceptual and performance art in Yugoslavia from the late 1960s-1980s under the umbrella of socialism, inc. origin stories of artists such as Marina Abramoviac'"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New.

Condition: New.

Hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2021. Hardback. . . . . .

Condition: New. 2021. Hardback. . . . . . Books ship from the US and Ireland.

Condition: New.

Buch. Condition: Neu. Neuware -Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekovic, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilic offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s. 384 pp. Englisch.…

Buch. Condition: Neu. Neuware -Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekovic, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilic offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s. 384 pp. Englisch.…

Hardcover. Condition: new. Hardcover. Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekovic, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilic offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s. "The first comprehensive study of conceptual and performance art in Yugoslavia from the late 1960s-1980s under the umbrella of socialism, inc. origin stories of artists such as Marina Abramoviac'"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New.

Hardcover. Condition: Brand New. 374 pages. 9.25x7.25x1.25 inches. In Stock.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: New. Marko Ili&amp#263 is Leverhulme Early Career Fellow at University College London s School of Slavonic and East European Studies.&ldquoCivil war tore Yugoslavia apart and shattered its vibrant and distinct art world. Marko Ili&#263&rsquos deeply res.

Buch. Condition: Neu. Neuware - Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekovic, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilic offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s.…

Buch. Condition: Neu. A Slow Burning Fire | The Rise of the New Art Practice in Yugoslavia | Marko Ilic | Buch | Englisch | 2021 | MIT Press | EAN 9780262044844 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardback. Condition: New.

Paperback. Condition: Brand New. 26 pages. 8.25x8.25x0.07 inches. This item is printed on demand.