Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management. In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekovic, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilic offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s.
"synopsis" may belong to another edition of this title.
Marko Ilic is Leverhulme Early Career Fellow at University College London's School of Slavonic and East European Studies.
"About this title" may belong to another edition of this title.
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condition: Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. Seller Inventory # mon0000009378
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 55053201-6
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. Seller Inventory # mon0000009365
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. Seller Inventory # 1462955
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Hardcover. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark. Seller Inventory # 2046870
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
hardcover. Condition: Like New. Clean copy. May have remainder mark. Seller Inventory # 2044721
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condition: New. Seller Inventory # IN-mon0000009428
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 41438106-n
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management.In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovic, Sanja Ivekovic, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ilic offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s. "The first comprehensive study of conceptual and performance art in Yugoslavia from the late 1960s-1980s under the umbrella of socialism, inc. origin stories of artists such as Marina Abramoviac'"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780262044844
Seller: Rarewaves USA, HEBRON, KY, U.S.A.
Hardback. Condition: New. Seller Inventory # LU-9780262044844