Ibars Stéphane (41 results)

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: New. As part of Grand Arles Express, with which the Lambert Collection has been associated since its inception in 2016, the famous Brazilian artist Vik Muniz returns to the papal city eight years after his major solo show to present Imaginaria, a series of works that have never been seen in Europe. Exhibited at the Lambert Collection, it comprises fifteen photographs featuring saints as depicted by great artists, from Simon Vouet's Saint Agnes to Philippe de Champaigne's Saint Augustine and Jose de Ribera's Saint Sebastian. In this new series, Muniz continues his exploration of the fascination with saints through the history of their representation in art and, consequently, the relationship between art works and the idea of the sacred.Composed of installations using everyday objects in incongruous situations (wire, sugar, ketchup, toys and cut-out magazines), Vik Muniz's photography reproduces images from collective memory and questions the notions of originality and copies. By audaciously re-appropriating icons of art history and the media world, the artist proposes a new relationship to images whose meaning and originality seems to have been exhausted by their reproduction and global diffusion.

Paperback. Condition: new. Paperback. As part of Grand Arles Express, with which the Lambert Collection has been associated since its inception in 2016, the famous Brazilian artist Vik Muniz returns to the papal city eight years after his major solo show to present Imaginaria, a series of works that have never been seen in Europe. Exhibited at the Lambert Collection, it comprises fifteen photographs featuring saints as depicted by great artists, from Simon Vouet's Saint Agnes to Philippe de Champaigne's Saint Augustine and Jose de Ribera's Saint Sebastian. In this new series, Muniz continues his exploration of the fascination with saints through the history of their representation in art and, consequently, the relationship between art works and the idea of the sacred.Composed of installations using everyday objects in incongruous situations (wire, sugar, ketchup, toys and cut-out magazines), Vik Muniz's photography reproduces images from collective memory and questions the notions of originality and copies. By audaciously re-appropriating icons of art history and the media world, the artist proposes a new relationship to images whose meaning and originality seems to have been exhausted by their reproduction and global diffusion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: new. Paperback. The exhibition at the Collection Lambert explores the roots of the raw energy contained in Jean-Michel Basquiats paintings and questions the unusual qualities of a body of work both visceral and self-aware, so much more than the sum of its unusual parts, through which the talent of a young prodigy shines through. In the 1980s, Jean-Michel Basquiat burst onto the art scene offering a new vision of art, putting painting back at its heart at the very moment the medium had been consigned to history. His work brings together the artists own sources, intuitions and extraordinary talent. Like a DJ mixing forms, Basquiat took shapes and colors into new creative territories.His formal vocabulary is clearly inspired by Picasso, Matisse and Twombly, drawing on their fondness for primary colours, fragmented subjects, disturbing faces, dissonant colours and forms, and crudely crafted compositions or objects. Like them, he steps away from cold virtuosity and appeals instead to naivety and ungainliness to restore pure energy to art while reaching for the sublime to create a work both sensitive yet engaging.The book features a presentation from the exhibitions curator and an interview with Yvon Lambert about his relationship with the artist. Alongside the artists own work, it also features an extensive selection of works by Matisse, Picasso and Twombly from the Collection Lamberts own permanent collection and exceptional loans from private collections and major institutions. Matisse Picasso Twombly. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Wrappers. Condition: Fine Condition. 61 pages. Paperback. Texts in French and English. Minimal shelfwear to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Bound in stiff illustrated paper covers and published as the second publication in the Cahiers de la Collecction Lambert. Beautifully illustrated. Book.

Paperback. Condition: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.

First Edition. First edition. Softcover. 61 pages. Text in English and French with a foreword by Alain Lombard, an essay by Stephane Ibars and a conversation between Ibrs and Yvon Lambert. Includes numerous color and black and white illustrations, a checklist, and other biographical information. A clean near fine copy in wrappers with some very minor wear.

Condition: new.

Couverture souple. Condition: Comme neuf. FRAC Réunion collection , 2021. 1 volume format In-8 comme neuf.

Paperback. Condition: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Brand New. 01 edition. 48 pages. French language. 10.87x8.66x0.24 inches. In Stock.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New. 2020. 01st Edition. Paperback. . . . . .

hardcover. Condition: New. Special order direct from the distributor.

Condition: Neuf.

Condition: New. 2020. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condition: Neuf.

Hardcover. Condition: Brand New. bilingual edition. 108 pages. Afar language. 11.25x9.25x0.50 inches. In Stock.

Condition: Neuf.

Condition: Neuf.

Couverture rigide. Condition: Neuf. POUSH/ADLCA collection , 2024. 1 volume relié(s) format In-4 neuf 128 pages - .

Condition: Neuf.

Condition: Neuf.

Condition: New. If I had to sum up Niele Toroni in one word, without hesitation that word would be loyalty . Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I .

Paperback. Condition: new. Paperback. As part of Grand Arles Express, with which the Lambert Collection has been associated since its inception in 2016, the famous Brazilian artist Vik Muniz returns to the papal city eight years after his major solo show to present Imaginaria, a series of works that have never been seen in Europe. Exhibited at the Lambert Collection, it comprises fifteen photographs featuring saints as depicted by great artists, from Simon Vouet's Saint Agnes to Philippe de Champaigne's Saint Augustine and Jose de Ribera's Saint Sebastian. In this new series, Muniz continues his exploration of the fascination with saints through the history of their representation in art and, consequently, the relationship between art works and the idea of the sacred.Composed of installations using everyday objects in incongruous situations (wire, sugar, ketchup, toys and cut-out magazines), Vik Muniz's photography reproduces images from collective memory and questions the notions of originality and copies. By audaciously re-appropriating icons of art history and the media world, the artist proposes a new relationship to images whose meaning and originality seems to have been exhausted by their reproduction and global diffusion. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Couverture rigide. Condition: bon. RO40051109: 2021. In-4. Relié. Etat du neuf, Couv. convenable, Dos satisfaisant, Intérieur frais. 171 pages augmentées de nombreuses illustrations en noir et blanc et en couleurs dans et hors texte. . . . Classification Dewey : 709-Histoire des arts.

Taschenbuch. Condition: Neu. Neuware - 'If I had to sum up Niele Toroni in one word, without hesitation that word would be 'loyalty'. Loyalty in friendship, for I have had the joy of sharing his artistic adventure and epicurean side for more than thirty years. And loyalty in his work, because I know no other artist who has followed the same path without ever deviating from his goal.' Yvon Lambert, _uvres sur papier et photographies, La Collection Yvon Lambert dialogue avec des artistes contemporains, Yokohama Museum of Art, 1998 The fourth volume of the Lambert Collection art book series had to be devoted to Niele Toroni and Yvon Lambert, such is the strength of the relationship between the collector and the artist. Their relationship began back in 1970 when Toroni presented his first exhibition at the gallery, and continues through 2021, when the Lambert Collection will be exhibiting its full catalogue of the artist's work, spotlighting two works produced in situ for the museum opening in 2000, composed of a series of paintings on paper, tracing paper, canvas, wood, and even on a school blackboard. This book of the exhibition contains gallery views as well as an interview between Niele Toroni and Yvon Lambert. For more than fifty years, Niele Toroni has been developing a subversive and radical vision of the pictorial act. As early as 1966, his method had already begun to take shape, using a brush no.50 to print repetitive brushstrokes at regular 30-cm intervals. This work was presented for the first time in 1967, beside Daniel Buren, Olivier Mosset and Michel Parmentier, in the pop-up exhibition 'Manifestation I' at the 18th Young Painter's Fair at Paris's Museum of Modern Art. The 'work/painting' - as the painter calls it - consists of a reproducing a single, minimal, systematic gesture, 'which is never the same'. The work/painting has no story to tell and no underlying message to convey. What matters is what you see. The works 'reboot' our visual experience. Changing viewers' perceptions is Niele Toroni's great ambition; for him, painting means 'learning to see again'.

Sous le commissariat d'Henri Loyrette, l'artiste peintre d'origine chinoise est invité de juin à octobre 2021 à Avignon pour un double projet, dans la Grande Chapelle du palais des Papes et à la Collection Lambert.Célèbre portraitiste des grandes figures de l'histoire passée et contemporaine, il déploiera dans la Grande Chapelle d'immenses portraits inédits de papes, en forme de véritables installations et qui rappelleront le passé des lieux. A la Collection Lambert, ses portraits d'hommes politiques, penseurs de notre temps et anonymes, dialogueront avec des sujets historiques et révèleront la puissance et le pouvoir de l'art à travers les trente dernières années de carrière de l'artiste.

Taschenbuch. Condition: Neu. Niele Toroni | Stéphane Ibars | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Actes Sud | EAN 9782330147327 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.