Holdsworth Robert (77 results)

No Binding. Condition: Very Good. ORIGINAL Article, disbound from journal; no covers; light creasing of upper corners of leaves, o/w in very good condition. Journal.

Softcover. White soft cover, black lettering, 8 pages. Trees; 16128.

Paperback. Condition: VG+. Second Printing. 145 x 210 mm stapled booklet in glossy pictorial covers. Book is in very good plus condition with very minor signs of wear and/or age.

Softcover/Paperback. Condition: Good. A cultural and historical guidebook profiling several key Canadian heritage sites. With bilingual text and archival images, this volume serves as a valuable reference for educators, travelers, and Canadian history enthusiasts. It captures the architectural, social, and environmental legacies of Canada's built heritage. Indian and Northern Affairs. 170 pages with black and white images.Number 14 in a series with this book appearing to be in higher demand. Front cover bottom has a tape repair, book has no writing or marks in book. Corners are bumped, see photos.

Achnanthes Brevipes (S. A. The J. of Cell Biology Vol. 37, No. 3) 1968. S. 831 - 837. m. zahlr. Abb. geklammert -2) -Sonderabdruck-.

hardcover. Condition: Fine.

Soft cover. Condition: Very Good. iv, 253 pages ; 23 cm ; OCLC 24361427 ; This festschrift contains the following articles: Richard W. Southern, "Intellectual De-velopment and Local Environment: The Case of Robert Grosseteste" (pp. 1-22); Frank Barlow, "A View of Thomas Becket, Saint and Martyr" (pp. 28-31); Christopher Brooke, "Reflections on Late Medieval Cults and Devotions" (pp. 33-45); Henry Chadwick, "Conscience and Social Duty in Early Christian Thought" (pp. 47-62); Richard C. Dales, "Philip the Chancellor on the Eternity of the World" (pp. 63-72); John V. Fleming, "Chaucer on Language, Truth, and Art: A Liar's Paradox" (pp. 73-85); Douglas Gray, "Of swine ne mone had thay no nede: Notes on the Imagery of Light in a Middle English Text" (pp. 87-108); V. H. H. Green, "Cardinal Newman, Mark Paulson, and the Oxford Movement" (pp. 109-24); 0. B. Hardison, Jr., "What the Spirit Said" (pp. 125-33); Denys Hay, "The Geographical Boundaries of the Late Medieval World" (pp. 135-46); Christopher Holdsworth, "Bernard: Chimera of His Age?" (pp. 147-63); George Kane, "Langland's Use of For to" (pp. 165-71); Gordon Leff, "St. Augustine's Concept of Man" (pp. 173-86); James McEvoy, "Robert Grosseteste on Liberty" (pp. 187-208); Barbara Reynolds, "Boccaccio, Admirer of Dante" (pp. 209-21); D. W. Robertson, Jr., "Wisdom and 'The Manciple's Tale': A Chaucerian Comic Interlude" (pp. 223-37); Fred C. Robinson, "A Metronymic in The Battle of Maldon?" (pp. 239-63); and Glynne W. G. Wickham, " 'Speaking Pictures,' Dumb Poesie' & Chaucer's Tregetours: Court Theatre in Chaucer's England" (pp. 245-53). ; interior spine repaired ; else VG. Book.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: new.

1st edition hardback with dust jacket Fine quarto 160pp., col. pls., Fabulous railway photography from around the world.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. 'Richard Wilson's meticulously researched, powerfully argued and brilliantly written account of Shakespeare's 20th-century fascist followers is not just an important but a genuinely essential book.' Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeare's plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced - authoritarian, jingoistic, racially intolerant, misogynistic - was viewed with satisfaction by many of the leading figures of the century's cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists' newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilson's book makes an especially vital contribution to Shakespeare scholarship.

Hardcover. Condition: new. Hardcover. Richard Wilsons meticulously researched, powerfully argued and brilliantly written account of Shakespeares 20th-century fascist followers is not just an important but a genuinely essential book. Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeares plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced authoritarian, jingoistic, racially intolerant, misogynistic was viewed with satisfaction by many of the leading figures of the centurys cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilsons book makes an especially vital contribution to Shakespeare scholarship. This illuminating book demonstrates how in the 20th century Shakespeare and his plays were subjected to a sustained institutionalized misreading, which served the purposes of proto-, present and future fascism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

hardcover. Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: Brand New. 336 pages. 9.22x6.14x1.00 inches. In Stock.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: new. Hardcover. Richard Wilsons meticulously researched, powerfully argued and brilliantly written account of Shakespeares 20th-century fascist followers is not just an important but a genuinely essential book. Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeares plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced authoritarian, jingoistic, racially intolerant, misogynistic was viewed with satisfaction by many of the leading figures of the centurys cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilsons book makes an especially vital contribution to Shakespeare scholarship. This illuminating book demonstrates how in the 20th century Shakespeare and his plays were subjected to a sustained institutionalized misreading, which served the purposes of proto-, present and future fascism. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New.

Hardback. Condition: New. 'Richard Wilson's meticulously researched, powerfully argued and brilliantly written account of Shakespeare's 20th-century fascist followers is not just an important but a genuinely essential book.' Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeare's plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced - authoritarian, jingoistic, racially intolerant, misogynistic - was viewed with satisfaction by many of the leading figures of the century's cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists' newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilson's book makes an especially vital contribution to Shakespeare scholarship.

Condition: New.

Buch. Condition: Neu. Neuware - 'Richard Wilson's meticulously researched, powerfully argued and brilliantly written account of Shakespeare's 20th-century fascist followers is not just an important but a genuinely essential book.' Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeare's plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced - authoritarian, jingoistic, racially intolerant, misogynistic - was viewed with satisfaction by many of the leading figures of the century's cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists' newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilson's book makes an especially vital contribution to Shakespeare scholarship.

Hardcover. Condition: new. Hardcover. Richard Wilsons meticulously researched, powerfully argued and brilliantly written account of Shakespeares 20th-century fascist followers is not just an important but a genuinely essential book. Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeares plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced authoritarian, jingoistic, racially intolerant, misogynistic was viewed with satisfaction by many of the leading figures of the centurys cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilsons book makes an especially vital contribution to Shakespeare scholarship. This illuminating book demonstrates how in the 20th century Shakespeare and his plays were subjected to a sustained institutionalized misreading, which served the purposes of proto-, present and future fascism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. Print on Demand pp. 56.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1972 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 34 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Volume no.192(1972).

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Paperback. Condition: Good. First Edition. 170 pages. Archival black and white photos. Includes: The British Indian Department and the Frontier in North America, 1755-1830; The B.C. Mills Prefabricated System - The Emergence of Ready-made Buildings in Western Canada. Prior owner's small inkstamped name inside front cover else clean and unmarked with moderate wear. A sound copy.; 8vo - over 7¾" - 9¾" tall; The British Indian Department and the Frontier in North America, 1755-1830; The B.C. Mills Prefabricated System - The Emergence of Ready-made Buildings in Western Canada.