Hogarth William Clerk Thomas (40 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Hardback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

An original line engraving of William Hogarth's Sigismunda, Boccaccio's heroine weeping over the heart of her lover. Engraved in reduced format by Thomas Clerk and published in London by Robert Scholey, at No. 46 Paternoster Row. From the illustrated edition of Hogarth's works that Thomas Clerk engraved in the early 19th century; this is number 74 in the series. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 74. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: fair; some rust spotting, chiefly in the lower margin. Español Grabado original a talla dulce con la Sigismunda de William Hogarth, la protagonista de Boccaccio llorando ante el corazón de su amado. Grabado en formato reducido por Thomas Clerk y publicado en Londres por Robert Scholey, en el nº 46 de Paternoster Row. Procede de la edición ilustrada de las obras de Hogarth que Thomas Clerk grabó a principios del siglo XIX; esta es la plancha 74 de la serie. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 74. Medidas: 14 x 23,5 cm. Estado de conservación: correcta; algunas manchas de óxido, sobre todo en el margen inferior. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

Kartoniert / Broschiert. Condition: New.

Original 19th-century copper engraving of William Hogarth's A Midnight Modern Conversation: a company of gentlemen given over to the punch bowl until dawn, the clock striking four, one of them collapsed under the table and another setting fire to his own lace cuff. Engraved by T. Clerk after Hogarth's original. Lettered below: London, Published as the Act directs by Robert Scholey, 46 Paternoster Row, no. XLVI. Medium: Copper engraving. Artist / after: William Hogarth. Engraver: T. Clerk. Publisher: Robert Scholey, 46 Paternoster Row, London. Date: 19th Century. Dimensions: 9.3 x 5.3 in (23.5 x 13.5 cm). Condition: Foxing scattered through the margins, somewhat heavier at the upper left corner. The image itself is clean. Español Grabado calcográfico original del siglo XIX con «A Midnight Modern Conversation» de William Hogarth: una tertulia de caballeros entregada al ponche hasta la madrugada, con el reloj marcando las cuatro, un contertulio desplomado bajo la mesa y otro prendiendo fuego a su propio puño de encaje. Grabado por T. Clerk sobre el original de Hogarth. Al pie: «London, Published as the Act directs by Robert Scholey, 46 Paternoster Row», grabado nº XLVI. Técnica: Grabado calcográfico (talla dulce). Autor / dibujante: William Hogarth. Grabador: T. Clerk. Editor: Robert Scholey, 46 Paternoster Row, Londres. Fecha: Siglo XIX. Medidas: 23,5 x 13,5 cm. Estado de conservación: Manchas de foxing repartidas por los márgenes, algo más intensas en el ángulo superior izquierdo. El grabado, limpio. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

An original line engraving from William Hogarth's series A Harlot's Progress: the heroine's wake, the coffin surrounded by her former companions and the distracted clergyman. Engraved by Thomas Clerk and published in London by Robert Scholey. A Harlot's Progress (1732) was Hogarth's first great publishing success and the starting point of the English moral print; the original paintings burned in 1755 and only the engravings survive. This is number 18 of the reduced edition and closes the series. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 18. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: fair; scattered rust spotting in the margins. Español Grabado original a talla dulce de la serie A Harlot's Progress de William Hogarth: el velatorio de la protagonista, con el ataúd rodeado de sus antiguas compañeras y del clérigo distraído. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. A Harlot's Progress (1732) fue el primer gran éxito editorial de Hogarth y el punto de partida del grabado moral inglés; las pinturas originales ardieron en 1755 y sólo se conservan los grabados. Esta es la plancha 18 de la edición reducida y cierra la serie. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 18. Medidas: 14 x 23,5 cm. Estado de conservación: correcta; papel con manchas de óxido dispersas en los márgenes. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

An original line engraving of the actor David Garrick in the part of Richard III, waking in terror in his tent on the eve of Bosworth, after the celebrated composition by William Hogarth. Engraved by Thomas Clerk and published in London by Robert Scholey. Hogarth's painting, made about 1745, established Garrick as the great Shakespearean actor of his century and is one of the first English theatrical portraits on a monumental scale. This is number 47 of the reduced edition. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 47. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: good; paper lightly toned, with some rust spotting in the upper right margin. Español Grabado original a talla dulce con el actor David Garrick en el papel de Ricardo III, despertando aterrado en su tienda la víspera de Bosworth, según la célebre composición de William Hogarth. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. El cuadro de Hogarth, pintado hacia 1745, consagró a Garrick como el gran actor shakespeariano de su siglo y es uno de los primeros retratos teatrales ingleses de escala monumental. Esta es la plancha 47 de la edición reducida. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 47. Medidas: 14 x 23,5 cm. Estado de conservación: buena; papel levemente tostado, con alguna mancha de óxido en el margen superior derecho. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator). …

An original line engraving from William Hogarth's series A Harlot's Progress: the young woman, now kept by a rich Jewish merchant, overturns the tea table to cover her lover's escape. Engraved by Thomas Clerk and published in London by Robert Scholey. A Harlot's Progress (1732) was Hogarth's first great publishing success and the starting point of the English moral print; the original paintings burned in 1755 and only the engravings survive. This is number 14 of the reduced edition, corresponding to scene 2 of the series. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 14. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: fair; scattered rust spotting, chiefly in the right margin. Español Grabado original a talla dulce de la serie A Harlot's Progress de William Hogarth: la joven, ya mantenida por un rico comerciante judío, vuelca la mesa del té para encubrir la salida de su amante. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. A Harlot's Progress (1732) fue el primer gran éxito editorial de Hogarth y el punto de partida del grabado moral inglés; las pinturas originales ardieron en 1755 y sólo se conservan los grabados. Esta es la plancha 14 de la edición reducida, correspondiente a la escena 2 de la serie. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 14. Medidas: 14 x 23,5 cm. Estado de conservación: correcta; papel con manchas de óxido dispersas, sobre todo en el margen derecho. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

An original line engraving from William Hogarth's series A Rake's Progress: Tom Rakewell inherits the miser's fortune while the tailor takes his measure and the girl he has seduced weeps before her mother. Engraved by Thomas Clerk and published in London by Robert Scholey. A Rake's Progress (1735) is the male counterpart of A Harlot's Progress: eight scenes following the ruin of a young heir from his inheritance to the madhouse at Bedlam. This is number 19 of the reduced edition. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 19. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: fair; scattered rust spotting in the margins. Español Grabado original a talla dulce de la serie A Rake's Progress de William Hogarth: Tom Rakewell hereda la fortuna del avaro mientras el sastre le toma medidas y la joven a la que ha seducido llora ante su madre. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. A Rake's Progress (1735) es la contrapartida masculina de A Harlot's Progress: ocho grabados que siguen la ruina de un joven heredero desde la herencia hasta el manicomio de Bedlam. Esta es la plancha 19 de la edición reducida. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 19. Medidas: 14 x 23,5 cm. Estado de conservación: correcta; papel con manchas de óxido dispersas en los márgenes. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator). …

An original line engraving from William Hogarth's series Industry and Idleness: the industrious apprentice, now rich and appointed Sheriff of London, presides over the company's banquet in the livery hall. Engraved by Thomas Clerk and published in London by Robert Scholey. Industry and Idleness (1747) contrasts in twelve scenes the careers of two apprentices, one hard-working and one idle, up to public office for the first and the gallows for the second. This is number 8 in the series. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; Industry and Idleness series, no. 8. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: poor; extensive damp staining and rust spotting in the margins, which do not reach the image. Español Grabado original a talla dulce de la serie Industry and Idleness de William Hogarth: el aprendiz diligente, ya enriquecido y nombrado sheriff de Londres, preside el banquete del gremio en el salón corporativo. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. Industry and Idleness (1747) contrapone en doce grabados las trayectorias de dos aprendices, uno laborioso y otro holgazán, hasta el cargo público del primero y la horca del segundo. Esta es la plancha 8 de la serie. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; serie Industry and Idleness, plancha 8. Medidas: 14 x 23,5 cm. Estado de conservación: mediocre; manchas de humedad y óxido extensas en los márgenes, que no llegan a afectar a la imagen. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

An original line engraving with the portrait of Sarah Malcolm in her cell, after the composition William Hogarth took from life a few days before the accused was executed. Engraved by Thomas Clerk and published in London by Robert Scholey. Hogarth visited Sarah Malcolm in Newgate in 1733, accused of the triple murder at the Temple, and painted her two days before her hanging; the resulting print was one of the most widely circulated of his output. This is number 68 of the reduced edition. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 68. Dimensions: 5.5 x 8.4 in (14 x 21.4 cm). Condition: good; paper lightly toned, with isolated rust spots in the margins. Español Grabado original a talla dulce con el retrato de Sarah Malcolm en su celda, según la composición que William Hogarth tomó del natural pocos días antes de la ejecución de la acusada. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. Hogarth visitó a Sarah Malcolm en Newgate en 1733, acusada del triple crimen del Temple, y la pintó dos días antes de su ahorcamiento; el grabado resultante fue uno de los más difundidos de su producción. Esta es la plancha 68 de la edición reducida. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 68. Medidas: 14 x 21,4 cm. Estado de conservación: buena; papel levemente tostado, con puntos de óxido aislados en los márgenes. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

An original line engraving from William Hogarth's series A Harlot's Progress: the heroine, sentenced to the house of correction at Bridewell, beats hemp among prisoners and warders. Engraved by Thomas Clerk and published in London by Robert Scholey. A Harlot's Progress (1732) was Hogarth's first great publishing success and the starting point of the English moral print; the original paintings burned in 1755 and only the engravings survive. This is number 16 of the reduced edition. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 16. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: fair; rust spotting in the margins, visible in the photograph. Español Grabado original a talla dulce de la serie A Harlot's Progress de William Hogarth: la protagonista, condenada al correccional de Bridewell, machaca cáñamo entre presas y carceleros. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. A Harlot's Progress (1732) fue el primer gran éxito editorial de Hogarth y el punto de partida del grabado moral inglés; las pinturas originales ardieron en 1755 y sólo se conservan los grabados. Esta es la plancha 16 de la edición reducida. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 16. Medidas: 14 x 23,5 cm. Estado de conservación: correcta; papel con manchas de óxido en los márgenes, visibles en la fotografía. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

An original line engraving from William Hogarth's series A Harlot's Progress: the heroine lies dying in a wretched room while two physicians argue over their remedies and the landlady ransacks her trunk. Engraved by Thomas Clerk and published in London by Robert Scholey. A Harlot's Progress (1732) was Hogarth's first great publishing success and the starting point of the English moral print; the original paintings burned in 1755 and only the engravings survive. This is number 17 of the reduced edition. Medium: copper engraving on paper. Artist / after: William Hogarth. Engraver: Thomas Clerk. Source: The Works of William Hogarth, published in London by Robert Scholey; no. 17. Dimensions: 5.5 x 9.3 in (14 x 23.5 cm). Condition: fair; scattered rust spotting in the margins. Español Grabado original a talla dulce de la serie A Harlot's Progress de William Hogarth: la protagonista agoniza en un cuarto miserable mientras dos médicos discuten sus remedios y la casera saquea el baúl. Grabado por Thomas Clerk y publicado en Londres por Robert Scholey. A Harlot's Progress (1732) fue el primer gran éxito editorial de Hogarth y el punto de partida del grabado moral inglés; las pinturas originales ardieron en 1755 y sólo se conservan los grabados. Esta es la plancha 17 de la edición reducida. Técnica: Grabado calcográfico sobre papel. Autor / dibujante: William Hogarth. Grabador: Thomas Clerk. Procedencia: The Works of William Hogarth, publicada en Londres por Robert Scholey; plancha 17. Medidas: 14 x 23,5 cm. Estado de conservación: correcta; papel con manchas de óxido dispersas en los márgenes. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator). …

Original engraving after William Hogarth's A Rake's Progress, engraved by the Scottish engraver Thomas Clerk and published in London by Robert Scholey. It is the fifth subject in the series: the ruined rake marries a rich old woman to rebuild his fortune. Medium: Copper engraving. Artist / after: after William Hogarth (1697-1764). Engraver / lithographer: Thomas Clerk, Edinburgh. Source: Published by Robert Scholey, no. 46 Paternoster Row, London (print LXIII). Dimensions: Plate mark 5.9 x 4.7 in (15 x 12 cm); sheet 9.3 x 5.6 in (23.5 x 14.2 cm). Condition: Good condition; scattered foxing in the margins, not affecting the image. Español Grabado original según A Rake's Progress (La carrera del libertino) de William Hogarth, abierto por el grabador escocés Thomas Clerk y publicado en Londres por Robert Scholey. Es el grabado 5 de la serie: el libertino arruinado se casa con una vieja rica para rehacer su fortuna. Técnica: Grabado calcográfico. Autor / dibujante: según William Hogarth (1697-1764). Grabador: Thomas Clerk, Edimburgo. Procedencia: publicado por Robert Scholey, nº 46 Paternoster Row, Londres (grabado LXIII). Medidas: huella 15 x 12 cm; papel 23,5 x 14,2 cm. Estado de conservación: buen estado; manchas de humedad (foxing) dispersas por los márgenes, sin afectar a la imagen. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator). …

Condition: New.

Hardcover. Condition: Good. BINDING: The two volumes are bound in half leather with gilt decoration to spine and gilt lettered label to each volume. CONDITION: Hinges cracked but covers holding; scuffing to covers; former owners name to front blank endpapers; the last two leaves of the first volume which contained the two plates: BEFOR & AFTER, have been stuck together without the plates. Occasional foxing, otherwise good. Illustrated with 86 Plates Plus Two Vignettes Title Pages (Without the Two Plates: Before & After). (illustrator).…

Original 19th-century copper engraving of the second scene of William Hogarth's Marriage a-la-mode, the tete-a-tete: the newlyweds take breakfast after a night of dissipation, he slumped in his chair and she stretching, while the steward carries off the unpaid bills. Engraved by T. Clerk after Hogarth's original. Lettered below: London, Published as the Act directs by Robert Scholey, 46 Paternoster Row, no. III. Medium: Copper engraving. Artist / after: William Hogarth. Engraver: T. Clerk. Publisher: Robert Scholey, 46 Paternoster Row, London. Date: 19th Century. Dimensions: 9.3 x 5.3 in (23.5 x 13.5 cm). Condition: Foxing scattered through the margins. The image itself is clean and well inked. Español Grabado calcográfico original del siglo XIX con la segunda escena de «Marriage à-la-mode» de William Hogarth, el tête-à-tête: los recién casados desayunan de vuelta de una noche disipada, él derrengado en la butaca y ella desperezándose, mientras el mayordomo se lleva las facturas impagadas. Grabado por T. Clerk sobre el original de Hogarth. Al pie: «London, Published as the Act directs by Robert Scholey, 46 Paternoster Row», grabado nº III. Técnica: Grabado calcográfico (talla dulce). Autor / dibujante: William Hogarth. Grabador: T. Clerk. Editor: Robert Scholey, 46 Paternoster Row, Londres. Fecha: Siglo XIX. Medidas: 23,5 x 13,5 cm. Estado de conservación: Manchas de foxing repartidas por los márgenes. El grabado, limpio y bien entintado. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator).…

Original 19th-century copper engraving of the third scene of William Hogarth's Marriage a-la-mode, the visit to the quack: the viscount, laughing, demands a remedy of the charlatan doctor in a cabinet crowded with skeletons, automata and curiosities. Engraved by T. Clerk after Hogarth's original. Lettered below: London, Published as the Act directs by Robert Scholey, 46 Paternoster Row, no. IIII. Medium: Copper engraving. Artist / after: William Hogarth. Engraver: T. Clerk. Publisher: Robert Scholey, 46 Paternoster Row, London. Date: 19th Century. Dimensions: 9.3 x 5.3 in (23.5 x 13.5 cm). Condition: Foxing scattered through the margins. The image itself is clean and well inked. Español Grabado calcográfico original del siglo XIX con la tercera escena de «Marriage à-la-mode» de William Hogarth, la visita al matasanos: el vizconde reclama, entre risas, un remedio al doctor charlatán, en un gabinete atestado de esqueletos, autómatas y curiosidades. Grabado por T. Clerk sobre el original de Hogarth. Al pie: «London, Published as the Act directs by Robert Scholey, 46 Paternoster Row», grabado nº IIII. Técnica: Grabado calcográfico (talla dulce). Autor / dibujante: William Hogarth. Grabador: T. Clerk. Editor: Robert Scholey, 46 Paternoster Row, Londres. Fecha: Siglo XIX. Medidas: 23,5 x 13,5 cm. Estado de conservación: Manchas de foxing repartidas por los márgenes. El grabado, limpio y bien entintado. Antigüedades y coleccionables > Arte. Clerk, Thomas (illustrator). …

Hardback. Condition: New.

Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Very Good. 1st Edition. Two volume set rebound in green quarter leather with raised bands & gilt title/decoration, very good tight condition, age appropriate discolouration etc. William Hogarth (illustrator).

Hardcover. Condition: Fair. Two volumes. Bound in contemporary half calf with marbled boards, gilt titles to spine; worn, with the backstrip of volume I listing at the head of the spine and with a portion of losses. The leather is cracked and dried, the boards are rather rubbed, extremities similarly rubbed and bumped. Ownership bookplate to front pastedown and blind stamp to front endpaper. The bindings are a little tender throughout, and there is foxing throughout. Volume I complete with fifty-engraved plates and engraved half title page (Plate XIII with 1" loss to edge); Volume II complete with thirty-six engraved plates and engraved half title. A good early 19th century collection of Hogarth's important satirical engravings, including his Four Times of the Day series, The Rake's Progress, Before / After, and The Analysis of Beauty.…

hardcover. Condition: very good. Two volumes. Illustrated with 88 black-and-white engravings. 203 pages in the first volume, 249 pages in the second. 8vo, stamped and diced brown calf with decorative gilt to spine and boards (bumping to corners, with some chipping to spine ends and to turn-ins, and areas of dark cracking running down front and rear boards). London: R. Scholey, 1810. Bookplates to front pastedowns. A very good set. with rather clean plates. HOGARTH, William (illustrator).…

Three-Quarter Leather. Condition: Very Good-. Brown leather over marbled paper. Light wear to cover edges and very minor leather rubbing. Light foxing to illustration plates. ; Small 4to 9" - 11" tall.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.