Hipkins Gavin (20 results)

Paperback. Condition: Very Good. Paperback in very good condition, with one or two instances of minor exterior shelfwear. Pages are clean, binding is sound - content is clear throughout. TS. Used.

Softcover staple bound exhibition catalog, 20 pages, very good condition, no internal marks, clean and crisp, with b/w reproductions.

Soft cover. Condition: Near Fine. First Edition. Folded card into 8p With essay by Gavin Hipkins 'Delayed Action', 8 images of man-made structures, including war memorials.

Hardcover. Condition: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover, 36 pages, very good condition, except museum library stamp to front cover; no internal marks. (black and white spine). Foreign shipping may be extra.

Paperback. Very clean, sound copy. Pictorial wraps. (32) pp. Exhibition catalogue.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

Super octavo light card covers (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

Condition: New.

Hardback. Condition: New. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'.Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.…

Square super octavo hardcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable co6ndition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Imperial octavo, illus heavy boards, white lettering to spine, 240pp, illus/photos, VG+ (light bruising & scuffing to board edges & extrems, light creasing to sleeve on rear board).

Hardcover. Condition: new. Hardcover. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons. Accompanying a major survey of Gavin Hipkins' work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice but critical approaches to photography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condition: New. Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'.Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography.With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.…

Gebunden. Condition: New. Accompanying a major survey of Gavin Hipkins work at The Dowse Art Museum, The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins ever-evolving practic.

Softcover, 70 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Buch. Condition: Neu. Neuware - Early in his career, New Zealand artist Gavin Hipkins was described by fellow artist Giovanni Intra as a 'tourist of photography'. This epithet has been used repeatedly by commentators on Hipkins' work to describe two intertwined aspects of his practice. As art historian Peter Brunt puts it, Hipkins is a constantly travelling photographer, 'an iconographer of desire, travel, time and . modern communities', and a tourist within the medium, 'a great manipulator of the photographic artifact itself'. Accompanying a major survey of Hipkins' work at The Dowse Art Museum (November 2017 - March 2018), The Domain is an extensively illustrated book that combines new essays with a selection of art writing from the past 20 years. It illuminates not only Hipkins' ever-evolving practice - which takes in a great variety of photographic media, from slide transparencies to moving image - but critical approaches to photography at the turn of the 21st century. Included here are plates from major bodies of work including The Habitat (1999-2000), Hipkins' study of Brutalist architecture on New Zealand universities; The Homely (1997-2000), a photographic tour through New Zealand and Australia, nominated for the inaugural Walters Prize; The Colony (2000-2002), shown at the 28th Sao Paulo Biennale; and Erewhon (2014), Hipkins' first feature-length film, an experimental adaptation of Samuel Butler's anonymously published 1872 novel Erewhon. Hipkins' work returns again and again to a set of core concerns: photography as the predominant form of modernist visual communication; the nation state and national identity; exploration and colonisation in the modern era; and how social and political ideologies visually shape the world we live in. Here, followers of Hipkins can see how his career has unfolded and newcomers can discover one of New Zealand's most innovative, subversive investigators of photography. With new essays by George Clark, Courtney Johnston and Robert Leonard, and archival texts by Barbara Blake, Peter Brunt, Blair French, Heather Galbraith, Giovanni Intra, Robert Leonard, Trevor Mahovsky, William McAloon, Karra Rees and Laurence Simmons.…

Condition: New. Brand New.